pictures of lcd monitors quotation

You can use this royalty-free photo "Display of Stock market quotes and chart in monitor computer room with business office equipments .business and money concept, panorama photo." for personal and commercial purposes according to the Standard or Extended License. The Standard License covers most use cases, including advertising, UI designs, and product packaging, and allows up to 500,000 print copies. The Extended License permits all use cases under the Standard License with unlimited print rights and allows you to use the downloaded stock images for merchandise, product resale, or free distribution.

This website or its third-party tools use cookies, which are necessary to its functioning and required to achieve the purposes illustrated in the cookie policy. If you want to know more or withdraw your consent to all or some of the cookies, please refer to the cookie policy. By closing this banner, scrolling this page, clicking a link or continuing to browse otherwise, you agree to the use of cookies.

We have a large selection so you can find the perfect monitor for your needs. And no matter what screen size or image quality you prefer – or even where you intend to use it – Lenovo has all the most popular display sizes, and resolutions. Even if you are on the go Lenovo has portable monitors that attach to your laptop or plug into your laptop and give you a second screen to keep your productivity up.

Our wide selection also includes premium options at the right price:ultrawide monitorsthat can expand your productivity in amazing new ways; high performance 240hz monitors that accelerate response times and refresh rates when gaming; and1080p,1440p(orQuad HD) and4K monitorsthat bring visuals to the next level of clarity. At Lenovo, our monitors have it all.

Home monitors need to be versatile enough for a wide range of activities. When watching Netflix, you’ll want a widescreen monitor with powerful color quality and crisp resolution. When surfing the web at different times of day, the display should have adjustable brightness controls that match your lighting conditions.

The best home monitors maximize their real estate, with space-saving designs that don"t clutter your bedroom or home office. OurNear-Edgelessinfinity screens make the most of your viewing area, so you can take full advantage of the tremendous screen size. We pride ourselves on superb picture quality, with 99% sRGB color gamut on several models. When all these features are available at a competitive price, you simply can’t beat it.

For office life, you need a professional monitor with sound color accuracy and high resolutions. Often, companies rely on intense data and graphics applications to get work done, so your monitor needs to be able to handle those tasks.

LenovoThinkVision monitorsoffer incredible resolution, large screen sizes, and multiple ports so you can work more efficiently. Ourbusiness monitorsalso have handy features like touch screens, ergonomic stands, and quality cameras. Don’t let your monitor stand in the way of great work.

Select models are designed with AMD FreeSync or NVIDIA G-Sync technology to work more seamlessly with your favorite brands of graphics cards. What’s more, select models with 1ms response times minimize stuttering and input lag for a silky smooth gaming experience.

Lenovo Legion is taking the PC gaming world by storm with a new and vast array of gaming PCs and gaming accessories. If you want to see every little detail in the moment, so you"re prepared for whatever comes your way, look to our LenovoLegion gaming monitors. Our Legion 4K, HDR, curved and 1ms options offer both visual brilliance and unparalleled response times

Check out ourThinkCentre Tiny linefor an array of professional monitors. These LED monitors are lightweight, slim, and have advanced In-Cell Touch panels for maximum quality. Best of all, they integrate easily with Lenovo ThinkCentre Tiny desktops through a modular design that allows the PC to slip right into the back of the ThinkCentre Tiny display. With ThinkCentre Tiny, you can have a new desktop computer and monitor working together seamlessly in minutes

Buying an impressive computer displays doesn’t have to be complicated or expensive. Browse our inventory of options based on group, activity, connections, resolution, aspect ratio, and more to find the best fit for your lifestyle. With the right monitor complementing your PC, you can fully realize its potential as a business, gaming, or everyday machine.

Take a look around. You might just discover a dream monitor that you didn"t even know existed. It’s not often that you find1440p monitors,Full HDandHDR monitorsthat deliver cutting-edge performance for the money. Shop our monitor deals today — available exclusively at Lenovo.com.

Sometimes traveling for work is necessary and you can only bring your laptop but not your second screen. With a high-quality portable monitor you can take your second screen with you in a car, on a bus, or on plane. Theseportable monitorsmake sure that you keep your productivity even when you are away from you home office set up. You can have portable monitors that are stand alone or ones that connect to your device to make transport easier and ensure a seamless work space limiting your distractions and making sure you get everything you need done.

Trying to decide between all the types of displays, frames, and panels today’s modern computer monitor can offer? Here are a few common comparisons of monitor types that might help.

As monitor technology has evolved over the years, so have the types of inputs you’ll potentially use to connect your monitor to your PC and other devices. The most common way to connect your PC to your preferred display is by HDMI, but most modern monitors feature eitherHDMIorUSB Type-Cinput options to be easily compatible with today’s tech.

If you’re a gamer, you’ll most likely be in the market for aDisplayPort monitoras DP cables are generally preferred by gamers due to their greater bandwidth and ability to take advantage of top graphics card software.

Many monitor manufacturers, including Lenovo, also still offerVGA displays. VGA is a more dated method of connecting your PC and visuals but there are still plenty of PCs around that may require this input method.

Consider aLenovo docking station or USBhub to seamlessly connect all of your tech with just a single click or plugin every time. Whether you’re putting together your dream home office or just adding a new display to your office workspace, Lenovo offers adjustablemonitor armsto give you the perfect point of view every time,monitor mountsthat securely attach your display to a desk or wall, and evenmonitor standsthat provide a solid foundation and a little flexibility at the same time.

When you are making purchases for your gaming or office set up and your computer accessories and desktops if you are a member of theMyLenovo Rewards Programyou can earn points on every single one of those purchases. Once you have earned enough points you can turn around and use them to get a great discount on the pieces you want to upgrade your set up or accessories you need to take your gaming set up to the next level like gaming mice, keyboards, or mouse pads.

At TeleTraders, we want to buy your used LCD Displays from you in bulk. If you’re older LCD Displays are still usable, consider selling them to TeleTraders to help offset your equipment upgrade costs. Give TeleTraders a call at

We are based in Georgia, but we work with companies all over the U.S. and are committed to offering the most competitive rates on logistics and used equipment.

When it comes time to update your office, offset your expenses and sell used LCD Displays. We will make you a competitive offer for your old monitors, LCDs, computers, modems, and laptops.

Our company is happy to purchase your old used, outdated LCD displays and monitors to free your business from the sometimes complicated electronics disposal processes. Please give us a call at 770-864-9179 or get a Free Online Quote to get started.

Even if you do not see your office equipment brand listed here, we will likely accept the items as a part of your offload package. Contact our team anytime to inquire about the brands we purchase from our clients.

We work hard to repurpose or recycle the working items to save all companies money on their equipment costs and reduce the consumption of Earth’s natural resources. Equipment with minor problems may go through our refurbishment process to restore its functionality and improve its appearance to be resold again.

Since we recycle and dispose of the equipment, in addition to repurposing and reselling the items, your items do not need to be in perfect shape to qualify for our many purchase programs.

Our team utilizes industry experience to provide you with a fair and competitive price quote for your old used LCD displays and computer devices. We continue to upgrade our knowledge base as office equipment quickly becomes outdated in the constantly changing world of electronics. We team up with many companies around the world to quickly resell, repurpose, or recycle the LCD displays sent our way. Our efforts ensure the electronics remain in operation well beyond their initial run with your company.

When you sell your LCD displays and other office equipment to TeleTraders, we can also handle all of the packing, removal and transporting for the equipment, helping free up both your space and your time.

We understand that office technology needs change over time. The LCD displays and monitors that worked for your office a year or two ago may not be keeping pace anymore with your needs. We can help by offering you the best rates possible for your bulk LCD displays. Contact TeleTraders to get started right now.

We are proud to also offer full recycling services for your used systems, so equipment that can no longer be used is disposed of in an environmentally-friendly manner.

When it’s time to upgrade your computer and LCD displays, you shouldn’t have to spend lots of time trying to figure out how to dispose of, sell or recycle your used LCD displays and office equipment – that’s where TeleTraders will be able to help you.

We handle all nationwide projects and provide some of the best logistics rates to help compensate, giving you the some of the most competitive returns on your original IT tech investments.

We can also provide a certificate of disposal for situations involving equipment that needs to be disposed of either because it’s no longer a valuable asset, or contains secure information that needs to be destroyed.

We request a detailed list of your used office LCD displays, including make, model, and quantity of units. Please, also include a photo of your equipment so we can gauge the current quality of the hardware.

TeleTraders is happy to accept most major and minor brands of common IT office LCD displays, office LCD display systems, and also other IT office equipment. If there is any question about whether we will accept your brand of equipment, feel free to contact us by phone or email at any time and we will respond to your inquiry as quickly as possible.

We are always looking to help businesses, small and large, offset the costs of upgrading their IT office LCD displays and IT office LCD display systems. In order to make an inquiry about a possible trade-in valuation, please Contact Us so we can work with you to evaluate used IT office LCD display gear. You may also Call Us directly for immediate assistance.

There’s a huge choice of monitors on the market, across a wide range of price points. In this guide, I’m going to tell you everything you need to know so you can pick the best monitor for photo editing for your needs and budget.

As well as a list of actual monitors for photo editing, I’m going to share with you the key specifications that you need to look for when buying a monitor. This means you’ll be able to get the right sort of monitor, even if it’s not one on our list.

I’ve been a professional photographer for many years, and whilst I do have a laptop for on the go edits, I prefer to do my photo editing on a large monitor in my home office. A larger screen lets me see the details of the image more clearly, as well as get a better overview of my image library.

Prior to being a travel photographer, I worked as a software developer for many years, so I also have a good understanding of computing technology in general. This article is based on my years of experience as both a photographer, and my background in computing.

Before I go through a list of the best monitors for photo editing, I wanted to share the key specifications you should be looking for when evaluating a monitor.

There are hundreds of monitors on the market at any given point, and this information will help you understand which specifications are important to help you narrow down your choice.

The first thing to consider is how big of a screen you want. This decision will vary based on your personal circumstances, including things like the size of your desk and how far from your screen you sit.

Screen size is normally measured in either inches of centimetres, and manufacturers use the distance from a bottom corner to the opposite top corner. This is the same way television screens are measured, because the diagonal is the longest distance and for marketing reasons, bigger is always better.

As well as the physical dimensions of a screen, you will also need to consider its resolution. A screen’s resolution refers to the number of actual pixels that make up the screen.

The pixels are what display the colors on the screen. As with televisions, there are a number of resolutions available. Common resolutions you will likely encounter are:

In each case, the numbers refer to the number of pixels. The first number is the number of horizontal pixels, the second number is the number of vertical pixels.

So, for example, a 1920 x 1080 display has 1920 pixels horizontally, and 1080 pixels vertically. If you multiply the two together, you get the total number of pixels for a 1080p screen, i.e. 2,073,600.

You will likely be familiar with the idea of a 4K screen as this is a popular marketing term for large televisions. A 4K screen has 3,840 pixels horizontally and 2,160 pixels vertically, giving a total of 8,294,400 pixels. That is exactly four times the number of pixels of a 1080p screen.

When it comes to pixels for a screen for photo editing, having more pixels will mean you can fit more of an image on the screen. As the monitor gets larger, more pixels also mean the image will be sharper.

For photo editing, we’d recommend a minimum of 1920 x 1080 up to 24 inches. For a 27-inch (68 cm) screen, a minimum resolution of 2560 x 1440. For screens larger than 27 inches, consider a 4K resolution screen.

I cover this topic in a lot more detail in my guide to monitor calibration. The main thing to realise is that not all monitors are created equal when it comes to the ability to display colors.

The two things to consider are the color gamut, and the color accuracy. Gamut refers to which colors the monitor can display. Most monitors can display around 16 million colors, although higher end monitors can display up to a billion colors. As a point of reference, researchers agree that most people can distinguish around a million colors.

You might therefore think that a monitor will far outperform what we can see, but unfortunately this is not the case. Having a monitor that can display 16 million shades of green for example isn’t going to be much use!

Both of these gamuts are capable of displaying up to 16 million colors, however the Adobe RGB gamut is spread out more to cover more of the green spectrum. It is often referred to as a wide gamut as it covers a wider amount of the color spectrum that we can see.

It is very important that the colors your monitor displays are actually accurate. With so many shades of each color to choose from, when you edit an image with a blue sky you want to be sure that the blue you are seeing will look the same on other devices or in print.

Of course, you can’t control the color accuracy of other devices that other people are using. The best you can do is ensure your colors are as accurate as they can be.

Monitors designed for photo editing are often factory calibrated, but it is nearly always a good idea to check and calibrate them yourself afterwards. Some high-end photo editing monitors have built-in calibration hardware. For others, you will need to use a third-party calibration tool like a DataColor Spyder.

Like many items of technology, monitors are available at a range of price points, from monitors under $300 to monitors in excess of a thousand dollars.

Your budget is of course a personal matter. However, it’s a good idea to set a budget before you start shopping, as it’s a good way to narrow the field down.

Most people will likely be happy with a good monitor in the $300 – $800 range. However, if photo editing is part of your business and you need color accurate images for print and web work, then I would probably invest in a higher end monitor.

USB-C. One of the newest standards, USB-C can transmit power, data and video information, making it a very versatile port. Found on newer PCs and Apple computers.

Most monitors will have a number of different connectivity options. Ideally it would be best to invest in a monitor which supports the newest USB-C standard for future proofing, although of course the main thing is to ensure it works with your existing setup.

At its most basic, an LCD monitor works by shining a light through a number of colored pixels to create the image you see. There are a range of different technologies (see the section on screen technology) for achieving this.

The key thing to pay attention to is the consistency of the display in terms of brightness and color uniformity. Having a monitor that is brighter, or displays color differently, in one area compared to another is going to make your photo editing process more challenging.

Most monitors perform best when viewed straight on, and then have varying performance if viewed from the side, top or bottom. So if these are common usage scenarios for you, then do consider the display’s viewing angles. These are normally linked to the technology in use.

Most flatscreen monitors on the market today use LCD technology. This technology has been around for a while. LCD stands for liquid crystal display, and the basic principle is that electricity passes through a liquid crystal substance which affects its opacity.

Light is shone through the liquid crystals onto red, green and blue sub-pixels, and by controlling the opacity of the liquid crystal, different colors can be produced. If you want to know more, there’s a good explanation of how LCD displays work in general here.

There are a number of different ways that the liquid crystals can be set up inside the monitor. Whilst this all starts to get a bit technical, the main thing to understand is that different setups lead to different performance characteristics. So it is important to understand the advantages and disadvantages of each technology, as they directly impact how well the monitor works, as well as how much it costs.

TN –stands for twisted nematic. This is the oldest LCD display technology. It is cheap, but these screens tend to have poor color accuracy and low gamut coverage, poor contrast, good brightness, poor viewing angles and low uniformity. Avoid if possible for photo editing.

There is another, newer display technology starting to appear in monitors and TV screens, which is known as OLED. OLED stands for organic light emitting diode. Unlike LCD, this doesn’t use a backlight, instead it uses organic light emitting compounds as the light sources.

OLED offers advantages similar to IPS, but with improved contrast and much darker blacks. However, it is also more expensive, and can be susceptible to “burn-in”, where leaving the same image on the screen for too long leaves an imprint.

You might be wondering if a flat screen or a curved screen is better for photo editing. Honestly, this is down to personal preference. Curved screens tend to be more popular with very wide and/or very large monitors.

The disadvantage is that they are not so good for multiple users, you need to be in the right position, they take up more desk space, they are more expensive, and they don’t work so well with multiple monitor setups. They can also affect perception of straight lines, which can make photo editing more challenging in some situations, especially architecture.

This article is focused on using a monitor for photo editing, but that is obviously only one reason to use a monitor. Whilst many of the features that make a monitor good for editing also make it good for other uses, this isn’t necessarily true of every use.

For example, many folks like to play games on their monitors. A large monitor can make for an immersive gaming experience. However, there are some features like high refresh rates and low response times that are important for a good gaming experience. These are generally not important for photo editing, but if you do want a good gaming experience, you’ll want to also consider these features as well.

For watching content, such as movies and TV shows, then many of the same features that make for a good photo editing monitor (accurate colors, good brightness and contrast) also apply. However, you might want to consider a monitor that has built-in speakers for example, so you can hear what is going on without needing external speakers or a headset.

We will now go through our guide of what we think are the best monitors for photo editing on the market today. It is worth noting that there is a huge range of monitors on the market today, however we think this list definitely features some of the best options.

Note that manufacturers often have multiple monitors, some with very similar model names. Model availability and naming can also vary depending on geographic region. So always check the features before making a purchase.

The monitor has an IPS panel which means you get excellent viewing angles. For photo editing, it covers 99% of the sRGB color space, which is fantastic for a monitor at this price point.

Note there is another version of this monitor, the HP M24fw, which doesn’t include the DisplayPort connector or speakers but is otherwise very similar. So if you are on a tight budget and don’t need the DisplayPort, that is an option to consider as it can sometimes be picked up at a lower price.

Asus make a wide range of ProArt displays. The PA278QV is somewhere in the middle to budget end of the range, however you still get a lot for your money.

This model features a 27″ (68 cm) screen and a 2560×1440 resolution. That is the screen size and resolution that I personally use for photo editing and I find it offers everything I need.

Asus aims this monitor firmly at folks who want color accuracy. It offers 100% sRGB coverage, and is factory calibrated for color accuracy. That calibration is then certified against the Calman verification standard to ensure the colors are accurate.

Like the majority of monitors in this guide this is an IPS panel so you get good viewing angles. It also has built-in speakers and a range of connection options including DisplayPort and HDMI. It also has USB ports so you can connect accessories like a mouse and keyboard to the monitor.

As with many other monitor manufacturers, you can go up and down in price in the Asus range to get different features. For less money you can get the smaller 24″ 1920 x 1080 PA248QV. Or you can spend a bit more and get the 4K 27″ PA279CV which offers a higher resolution.

Dell are well known for making high quality monitors, and their UltraSharp range is particularly focused on content creators looking for high-performing color accurate monitors.

The Dell UltraSharp U2723QE is a 27-inch (68 cm) 4K monitor with an IPS panel that offers excellent viewing angles. This is a wide gamut monitor, with 100% sRGB and 98% DCI-P3 coverage. Oddly, Dell don’t list AdobeRGB coverage.

Whether or not you need all these ports will of course vary depending on your situation, but if you are hooking this monitor up to a laptop with limited ports, it is definitely a compelling option.

When you start researching monitors for photo editing, the brand BenQ is likely going to pop up. They make a range of excellent monitors, some of which are particularly suited for photo editing.

The PD3205U is no exception. This is a 31.5 inch (80 cm) 4K monitor with an IPS display. 31.5 inches means you get a lot of screen real estate, and the IPS panel means you get great viewing angles.

BenQ states the monitor covers 99% of the sRGB gamut, and they factory calibrate it and guarantee it for color accuracy and color uniformity. To this end, it also has Pantone and Calman verification of its color accuracy.

Time for another Dell monitor, this time an ultrawide. If you’re wondering, an ultrawide monitor is one which has an aspect ratio of 21:9 rather than the more traditional 16:9 or 16:10 that most monitors have.

Of course, an ultrawide monitor takes up more desktop space. With the Dell U3821DW, the screen is also curved, which is definitely beneficial with such as wide monitor. In terms of width, this is an impressive 37.5 inch (95 cm) IPS screen with a 3840 x 1600 resolution.

You also get a raft of connectivity options, including 2x HDMI, USB-C and DisplayPort. This monitor also has an ethernet port, KVM support for two computers, a number of USB ports for peripherals as well as built-in speakers.

Eizo specialises in making high-end display products for a variety of applications, from air traffic control monitors through to medical display systems. They also have a range of very well-regarded monitors for color critical work. These are commonly found on the desks of graphic artists who need the best.

The Eizo ColorEdge monitors are specifically focused at creatives. They have two ranges, the more affordable (in relative terms!) ColorEdge CS monitors, and then their high-end ColorEdge CG monitors.

The ColorEdge CS2731 is from their slightly more affordable range. This is a 27-inch (68 cm) IPS monitor with a 2560 x 1440 resolution. It covers 100% of the sRGB gamut and 99% of the Adobe RGB gamut.

It is also designed and calibrated to offer excellent color uniformity across the whole screen, with special circuitry built in to ensure uniformity of color and brightness.

That isn’t all. The monitor is compatible with Eizo’s range of monitor hoods, which can reduce glare. It also ships with Eizo’s ColorNavigator software to allow color calibration, and which works with Eizo’s external color sensor (sold separately) for ongoing calibration.

Time for a slight curveball, in the shape of Dell’s Alienware branded curved ultrawide OLED gaming monitor. Yes, this is marketed as a gaming monitor. However, as you will see, it is more than capable as a monitor for photo editing.

This is currently the only monitor in our round-up that uses an OLED panel. These have been rising in popularity in laptops, and the Dell laptop I use for photo editing has an OLED screen. I love the incredible colors it is capable of, and how deep the blacks are compared to a normal IPS, where black can often seem a bit more like a dark grey.

You might be wondering why, if OLED is so great, everyone isn’t making them. Well, OLED is still a relatively new technology, and that means that it has been expensive. However, prices are finally coming down, and the issue of burn-in has largely been resolved thanks to some clever engineering.

With that in mind, I wanted to include this monitor on our round up. I know that a lot of folks (myself included), do more than photo editing on their monitor. In my mind, this is the best all round monitor for everything from photo editing to gaming to watching movies.

Specification-wise this monitor is a curved 34-inch (86 cm) ultrawide with a 3440 x 1440 resolution. It covers 149% of the sRGB gamut, 99.3% of DCI-P3 and 95% of Adobe RGB, with excellent color accuracy. It’s also HDR enabled.

Honestly though, the main thing about this screen is the blacks. OLED panels allow for black to be truly black, which is a revelation when you realise how grey other monitors make black seem.

Sitting at the top of BenQ’s range of monitors for photo editing is the superb SW321C. This is a 32-inch (81 cm) IPS panel with a 3840 x 2160 (4K) display.

If you do a lot of printing, this monitor has a feature called Paper Color Sync. This allows you to configure the monitor based on the paper and printer you are using, to get an accurate representation of what your prints will look like.

There have been a few Dell monitors on our list, all of which are good contenders. However, if you want the best from Dell’s lineup, and your budget stretches to it, then the UP3221Q is the one to look at

This is a 31.5-inch (80 cm) 4K HDR IPS monitor which uses a technology known as mini-LED. Whilst this still uses backlight technology, as with other IPS LCD displays, the backlight is made using 2,000 mini-LEDs. Most LCD displays use a number of backlights to light the individual pixels making up the monitor, but not thousands of them.

The advantage of using so many LED’s is that you get around the issue of reduced contrast and poor black levels that are traditionally associated with IPS panels. In fact, mini-LED technology performs more similarly to OLED technology in that regard.

All that technology adds up to a monitor that offers superb color uniformity and deep blacks. This is a wide-gamut monitor with 93% AdobeRGB coverage.

Another awesome feature of this monitor is that it has a built-in Calman hardware calibration and colorimeter. So you don’t need external hardware (although that is also supported via a dedicated USB port on the monitor) to calibrate the display.

Eizo make exceptional monitors, and this is one of their flagship models. It’s a monitor that you will find gracing the desks of professional creatives the world over.

First, this is a 31-inch (79 cm) IPS wide-gamut panel that offers 99% of the AdobeRGB color space as well as HDR support. Interestingly it offers a 4096 x 2160 resolution screen, which is slightly higher than 4K, and a 17:9 aspect ratio. It also has built-in hardware calibration and colorimeter for ongoing color accuracy.

At this price, you would expect this monitor to be color accurate out of the box, which of course it is. Display uniformity and viewing angles are also excellent.

We’ve covered a lot of monitors and monitor information in this post. We appreciate that many of you might just want some recommendations at particular price points.

To that end, we’ve put together what we think are the best monitors in a range of categories that we would pick. So whatever your budget or preference, the following should help you decide which monitor is right for you.

That’s it for my guide to the best monitor for photo editing! If you found this useful, you might enjoy some of my other photography related content. Here are some articles to get you started.

We are big fans of getting the most out of your digital photo files, and do to that you will need to shoot in RAW. See our guide to RAW in photography to understand what RAW is, and why you should switch to RAW as soon as you can if your camera supports it.

You’re going to need something to run your photo editing software on. See our guide to the best laptops for photo editing for some tips on what to look for.

Since launching the course in 2016, I’ve already helped over 2,000 students learn how to take better photos. The course covers pretty much everything you need to know, from the basics of how a camera works, through to composition, light, and photo editing.

You get feedback from me as you progress, access to webinars, interviews and videos, as well as exclusive membership of a Facebook group where you can get feedback on your work and take part in regular challenges.

Much of the fun of digital photography comes from editing images on a computer so choosing the right monitor is important. Two types of monitors are popular: LCD (Liquid Crystal Display) and CRT (Cathode Ray Tube). Although CRT monitors were once favoured by photographers for their colour and tonal accuracy, flat-panel LCD monitors have largely replaced them at all levels of imaging.

All laptop/notebook computers have LCD monitors so the choice is only relevant when looking at desktop monitors. For a desktop monitor, LCDs have certain benefits over CRTs:

The size of the monitor you choose will be dictated by two factors: your budget and the amount of space on your desktop. Monitor screens are measured diagonally, and their size is usually expressed in inches. Popular sizes range from 17-inch to 24-inch and many LCD monitors are available in widescreen format (16:9 aspect ratio). The actual hardware that carries the screen can vary significantly, although LCD monitors are usually more compact than CRTs. They are also more freely adjustable.

The most popular (and cheapest) monitor size is 19-inch, with 20-inch and larger screens being used mainly by professional photographers and graphic designers. If your budget and desk space permits, a larger screen will provide a large viewing area with plenty of room for toolbars and palettes when you’re using editing software.

Many photographers prefer working with dual monitors because they can ‘park’ toolbars on one screen, leaving the other screen uncluttered for displaying the image they are working on. This is an ideal working environment for image editing if your desk space permits. Most recent computer operating systems will support dual monitor set-ups.

No laptop LCD can present colours, tones and contrast levels accurately enough to base serious imaging decisions on so they are not really suitable for image editing and printing. They also offer a limited range of adjustments. However, you can improve their accuracy through calibration and profiling, although a colorimeter is normally required for these tasks. This process is outlined in the Monitor Calibration chapter.

1. Brightness, contrast and red, green and blue channel colour adjustments. Some monitors are sold with one or more of these controls locked and this prevents accurate profiling. Screen brightness levels directly affect the ease with which you can discern detail in displayed images. Because we view the monitor from a distance of about 50 cm, high brightness levels are not required for image editing. For this distance, a maximum brightness of 250 to 300 candelas/square metre is ideal, according to the international standard covering flat panel displays.

Contrast levels, however, should be set as high as possible because they produce sharper, ‘crisper’ looking pictures. Adjustable colour controls are vital because they allow you to set the colour balance of the display and ensure the monitor screen displays colours uniformly from edge to edge. Screens that are brighter towards the centre and darker at the edges and those that display colour spots are unsuitable for image editing.

Some monitors have built in anti-glare and anti-reflection filters. These may be worthwhile in home situations where you may not be able to control all aspects of ambient lighting. However, although a screen with anti-glare is easier on the eyes, it may not reproduce the full tonal range in the picture.

Ambient lighting can influence your perception of colour. An image displayed on a monitor will look different when the room light is on from when it is off. Where possible, set your monitor up in a room with relatively low brightness levels and avoid situations in which room lights can be reflected by the screen. Anti-glare hoods are available for some monitors.

2. Adequate Resolution. Resolution refers to the maximum number of pixels (picture elements) that the monitor can display and, therefore, to the amount of detail you can discern in displayed images. However, the higher the resolution, the smaller individual items on the screen become. Most monitors can display a range of resolutions, from 640 x 480 pixels, through to 3200 x 2400 pixels. The ideal resolution for a standard 4:3 aspect ratio display for image editing is between 1280 x 1024 pixels and 1920 x 1200 pixels. Widescreen displays typically range between 1280 x 800 pixels and 1440 x 900 pixels.

3. Pixel Pitch. The pixel pitch of an LCD is the distance between adjacent sets of the pixels that are displayed on the monitor screen, measured in mm. For CRT screens, a more common designation is ‘dot pitch’ or ‘phosphor pitch’. Both terms refer to the diagonal distance between like-coloured phosphor dots on the screen.

For both pixel pitch and dot pitch, the lower the number, the sharper the picture the screen can display. In LCDs, pixel pitch is measured horizontally and vertically, although as the pixels themselves are generally square, sometimes only one dimension is quoted. One number is normally used for dot pitch.

In both cases, it’s important to consider the size, type and native resolution of the monitor when assessing its pixel pitch. On CRTs, dot pitch figures typically range from 0.28 to 0.51 mm, although large presentation monitors may go up to 1.0 mm. On LCD monitors, pixel pitch is typically from 0.16 to 0.29 mm. A pixel pitch of 0.294 ø— 0.294 mm is seen as very good for a 19-inch monitor with a native resolution of 1280 x 1024 pixels.

4. Gamma Correction. The gamma of a monitor screen refers to the luminance (or brightness) of the red, green and blue signals in the display. Gamma correction involves mapping the displayed data to produce a consistent and uniform appearance when images are displayed. This is done by a microprocessor that is part the monitor’s electronic controls.

Professional LCD monitors can be distinguished by 10-bit (or higher) gamma processing, whereas other displays offer only 8-bit support. This difference is significant. Whereas a monitor with 8-bit processing can only calibrate the gamma curve in 256 steps, a 10-bit processor can calculate the gamma curve in 1021 steps and a 12-bit processor can handle 4096 steps. The result will be a smoother gamma curve and greater hue and tonal accuracy. Expect to pay a premium price for a monitor with high-bit gamma processing.

5. Power and Radiation. Look for products with high Energy Star ratings and an Energy Management Option (EMO) that can switch off your computer when you’re not using it and shut it down at night. (You can also view calculations on energy, cost and greenhouse gas emissions savings.) LCD monitors are more energy-efficient than CRTs and laptops use less energy than desktop systems.

Unlike LCDs, which do not emit potentially damaging radiation, CRT monitors can emit radiation at very low frequency (VLF) and extremely low frequency (ELF). Both have been shown to have biological effects – although there is no scientific proof that they can harm people who use a computer in everyday situations.

To avoid potential problems when using a CRT monitor, make sure the monitor conforms to MPRII guidelines, which were established by the Swedish National Board of Testing and sit at least 75 cm from the screen itself. Radiation fields are stronger at the sides and back of the CRT than at the front so stay at least 1.2 metres from them. Turn CRT monitors off when they are not in use.

6. Adjustability. The height and tilt of the monitor should be adjustable. Some photographers also prefer monitors that can be rotated through 90 degrees to allow vertical pictures to be viewed at full screen size.

All monitors are designed to display the sRGB colour space, although cheaper monitors often struggle to reproduce saturated colours near the edges of the sRGB gamut. Only the most expensive monitors are capable of displaying colours outside the sRGB space. For most digital camera users, working in the sRGB colour space is ideal because all digital cameras are, by default, designed for sRGB.

There are several ways of checking whether a particular monitor is suitable for image editing. Take a couple of your image files with you when you’re shopping and ask the store staff to display them on the monitors that interest you. It should be obvious which screen produces the best result.

3. Check the display’s angle of view. Although most of your work will involve looking directly at the screen, it can be handy to have a display that retains its accuracy for people who might view your image from one side when you’re working on it.

4. Check edge -to-edge sharpness and colour reproduction by opening an image file on the screen and moving it from side to side and top to bottom of the desktop. Watch for changes that occur in colours, brightness, contrast and sharpness. A good monitor should maintain consistency in all four parameters throughout the display area.

Note: you need to be very discerning when judging a monitor’s performance, as these changes may be very subtle. Make sure the display is evenly lit with no reflections off the screen to prevent you from seeing changes.

The display in modern monitors is typically an LCD with LED backlight, having by the 2010s replaced CCFL backlit LCDs. Before the mid-2000s,CRT. Monitors are connected to the computer via DisplayPort, HDMI, USB-C, DVI, VGA, or other proprietary connectors and signals.

Originally, computer monitors were used for data processing while television sets were used for video. From the 1980s onward, computers (and their monitors) have been used for both data processing and video, while televisions have implemented some computer functionality. In the 2000s, the typical display aspect ratio of both televisions and computer monitors has changed from 4:3 to 16:9.

Modern computer monitors are mostly interchangeable with television sets and vice versa. As most computer monitors do not include integrated speakers, TV tuners, nor remote controls, external components such as a DTA box may be needed to use a computer monitor as a TV set.

Early electronic computer front panels were fitted with an array of light bulbs where the state of each particular bulb would indicate the on/off state of a particular register bit inside the computer. This allowed the engineers operating the computer to monitor the internal state of the machine, so this panel of lights came to be known as the "monitor". As early monitors were only capable of displaying a very limited amount of information and were very transient, they were rarely considered for program output. Instead, a line printer was the primary output device, while the monitor was limited to keeping track of the program"s operation.

Multiple technologies have been used for computer monitors. Until the 21st century most used cathode-ray tubes but they have largely been superseded by LCD monitors.

The first computer monitors used cathode-ray tubes (CRTs). Prior to the advent of home computers in the late 1970s, it was common for a video display terminal (VDT) using a CRT to be physically integrated with a keyboard and other components of the workstation in a single large chassis, typically limiting them to emulation of a paper teletypewriter, thus the early epithet of "glass TTY". The display was monochromatic and far less sharp and detailed than on a modern monitor, necessitating the use of relatively large text and severely limiting the amount of information that could be displayed at one time. High-resolution CRT displays were developed for specialized military, industrial and scientific applications but they were far too costly for general use; wider commercial use became possible after the release of a slow, but affordable Tektronix 4010 terminal in 1972.

Some of the earliest home computers (such as the TRS-80 and Commodore PET) were limited to monochrome CRT displays, but color display capability was already a possible feature for a few MOS 6500 series-based machines (such as introduced in 1977 Apple II computer or Atari 2600 console), and the color output was a speciality of the more graphically sophisticated Atari 800 computer, introduced in 1979. Either computer could be connected to the antenna terminals of an ordinary color TV set or used with a purpose-made CRT color monitor for optimum resolution and color quality. Lagging several years behind, in 1981 IBM introduced the Color Graphics Adapter, which could display four colors with a resolution of 320 × 200 pixels, or it could produce 640 × 200 pixels with two colors. In 1984 IBM introduced the Enhanced Graphics Adapter which was capable of producing 16 colors and had a resolution of 640 × 350.

By the end of the 1980s color progressive scan CRT monitors were widely available and increasingly affordable, while the sharpest prosumer monitors could clearly display high-definition video, against the backdrop of efforts at HDTV standardization from the 1970s to the 1980s failing continuously, leaving consumer SDTVs to stagnate increasingly far behind the capabilities of computer CRT monitors well into the 2000s. During the following decade, maximum display resolutions gradually increased and prices continued to fall as CRT technology remained dominant in the PC monitor market into the new millennium, partly because it remained cheaper to produce.

There are multiple technologies that have been used to implement liquid-crystal displays (LCD). Throughout the 1990s, the primary use of LCD technology as computer monitors was in laptops where the lower power consumption, lighter weight, and smaller physical size of LCDs justified the higher price versus a CRT. Commonly, the same laptop would be offered with an assortment of display options at increasing price points: (active or passive) monochrome, passive color, or active matrix color (TFT). As volume and manufacturing capability have improved, the monochrome and passive color technologies were dropped from most product lines.

The first standalone LCDs appeared in the mid-1990s selling for high prices. As prices declined they became more popular, and by 1997 were competing with CRT monitors. Among the first desktop LCD computer monitors was the Eizo FlexScan L66 in the mid-1990s, the SGI 1600SW, Apple Studio Display and the ViewSonic VP140vision science remain dependent on CRTs, the best LCD monitors having achieved moderate temporal accuracy, and so can be used only if their poor spatial accuracy is unimportant.

High dynamic range (HDR)television series, motion pictures and video games transitioning to widescreen, which makes squarer monitors unsuited to display them correctly.

Organic light-emitting diode (OLED) monitors provide most of the benefits of both LCD and CRT monitors with few of their drawbacks, though much like plasma panels or very early CRTs they suffer from burn-in, and remain very expensive.

Radius of curvature (for curved monitors) - is the radius that a circle would have if it had the same curvature as the display. This value is typically given in millimeters, but expressed with the letter "R" instead of a unit (for example, a display with "3800R curvature" has a 3800mm radius of curvature.

Display resolution is the number of distinct pixels in each dimension that can be displayed natively. For a given display size, maximum resolution is limited by dot pitch or DPI.

Dot pitch represents the distance between the primary elements of the display, typically averaged across it in nonuniform displays. A related unit is pixel pitch, In LCDs, pixel pitch is the distance between the center of two adjacent pixels. In CRTs, pixel pitch is defined as the distance between subpixels of the same color. Dot pitch is the reciprocal of pixel density.

Pixel density is a measure of how densely packed the pixels on a display are. In LCDs, pixel density is the number of pixels in one linear unit along the display, typically measured in pixels per inch (px/in or ppi).

Contrast ratio is the ratio of the luminosity of the brightest color (white) to that of the darkest color (black) that the monitor is capable of producing simultaneously. For example, a ratio of 20,000∶1 means that the brightest shade (white) is 20,000 times brighter than its darkest shade (black). Dynamic contrast ratio is measured with the LCD backlight turned off. ANSI contrast is with both black and white simultaneously adjacent onscreen.

Color depth - measured in bits per primary color or bits for all colors. Those with 10bpc (bits per channel) or more can display more shades of color (approximately 1 billion shades) than traditional 8bpc monitors (approximately 16.8 million shades or colors), and can do so more precisely without having to resort to dithering.

Color accuracy - measured in ΔE (delta-E); the lower the ΔE, the more accurate the color representation. A ΔE of below 1 is imperceptible to the human eye. A ΔE of 2–4 is considered good and requires a sensitive eye to spot the difference.

Refresh rate is (in CRTs) the number of times in a second that the display is illuminated (the number of times a second a raster scan is completed). In LCDs it is the number of times the image can be changed per second, expressed in hertz (Hz). Determines the maximum number of frames per second (FPS) a monitor is capable of showing. Maximum refresh rate is limited by response time.

On two-dimensional display devices such as computer monitors the display size or view able image size is the actual amount of screen space that is available to display a picture, video or working space, without obstruction from the bezel or other aspects of the unit"s design. The main measurements for display devices are: width, height, total area and the diagonal.

The size of a display is usually given by manufacturers diagonally, i.e. as the distance between two opposite screen corners. This method of measurement is inherited from the method used for the first generation of CRT television, when picture tubes with circular faces were in common use. Being circular, it was the external diameter of the glass envelope that described their size. Since these circular tubes were used to display rectangular images, the diagonal measurement of the rectangular image was smaller than the diameter of the tube"s face (due to the thickness of the glass). This method continued even when cathode-ray tubes were manufactured as rounded rectangles; it had the advantage of being a single number specifying the size, and was not confusing when the aspect ratio was universally 4:3.

With the introduction of flat panel technology, the diagonal measurement became the actual diagonal of the visible display. This meant that an eighteen-inch LCD had a larger viewable area than an eighteen-inch cathode-ray tube.

Estimation of monitor size by the distance between opposite corners does not take into account the display aspect ratio, so that for example a 16:9 21-inch (53 cm) widescreen display has less area, than a 21-inch (53 cm) 4:3 screen. The 4:3 screen has dimensions of 16.8 in × 12.6 in (43 cm × 32 cm) and area 211 sq in (1,360 cm2), while the widescreen is 18.3 in × 10.3 in (46 cm × 26 cm), 188 sq in (1,210 cm2).

Until about 2003, most computer monitors had a 4:3 aspect ratio and some had 5:4. Between 2003 and 2006, monitors with 16:9 and mostly 16:10 (8:5) aspect ratios became commonly available, first in laptops and later also in standalone monitors. Reasons for this transition included productive uses for such monitors, i.e. besides Field of view in video games and movie viewing, are the word processor display of two standard letter pages side by side, as well as CAD displays of large-size drawings and application menus at the same time.LCD monitors and the same year 16:10 was the mainstream standard for laptops and notebook computers.

In 2011, non-widescreen displays with 4:3 aspect ratios were only being manufactured in small quantities. According to Samsung, this was because the "Demand for the old "Square monitors" has decreased rapidly over the last couple of years," and "I predict that by the end of 2011, production on all 4:3 or similar panels will be halted due to a lack of demand."

The resolution for computer monitors has increased over time. From 280 × 192 during the late 1970s, to 1024 × 768 during the late 1990s. Since 2009, the most commonly sold resolution for computer monitors is 1920 × 1080, shared with the 1080p of HDTV.2560 × 1600 at 30 in (76 cm), excluding niche professional monitors. By 2015 most major display manufacturers had released 3840 × 2160 (4K UHD) displays, and the first 7680 × 4320 (8K) monitors had begun shipping.

Every RGB monitor has its own color gamut, bounded in chromaticity by a color triangle. Some of these triangles are smaller than the sRGB triangle, some are larger. Colors are typically encoded by 8 bits per primary color. The RGB value [255, 0, 0] represents red, but slightly different colors in different color spaces such as Adobe RGB and sRGB. Displaying sRGB-encoded data on wide-gamut devices can give an unrealistic result.Exif metadata in the picture. As long as the monitor gamut is wider than the color space gamut, correct display is possible, if the monitor is calibrated. A picture which uses colors that are outside the sRGB color space will display on an sRGB color space monitor with limitations.Color management is needed both in electronic publishing (via the Internet for display in browsers) and in desktop publishing targeted to print.

Most modern monitors will switch to a power-saving mode if no video-input signal is received. This allows modern operating systems to turn off a monitor after a specified period of inactivity. This also extends the monitor"s service life. Some monitors will also switch themselves off after a time period on standby.

Most modern laptops provide a method of screen dimming after periods of inactivity or when the battery is in use. This extends battery life and reduces wear.

Most modern monitors have two different indicator light colors wherein if video-input signal was detected, the indicator light is green and when the monitor is in power-saving mode, the screen is black and the indicator light is orange. Some monitors have different indicator light colors and some monitors have blinking indicator light when in power-saving mode.

Many monitors have other accessories (or connections for them) integrated. This places standard ports within easy reach and eliminates the need for another separate hub, camera, microphone, or set of speakers. These monitors have advanced microprocessors which contain codec information, Windows interface drivers and other small software which help in proper functioning of these functions.

Monitors that feature an aspect ratio greater than 2:1 (for instance, 21:9 or 32:9, as opposed to the more common 16:9, which resolves to 1.77:1).Monitors with an aspect ratio greater than 3:1 are marketed as super ultrawide monitors. These are typically massive curved screens intended to replace a multi-monitor deployment.

These monitors use touching of the screen as an input method. Items can be selected or moved with a finger, and finger gestures may be used to convey commands. The screen will need frequent cleaning due to image degradation from fingerprints.

Some displays, especially newer flat panel monitors, replace the traditional anti-glare matte finish with a glossy one. This increases color saturation and sharpness but reflections from lights and windows are more visible. Anti-reflective coatings are sometimes applied to help reduce reflections, although this only partly mitigates the problem.

Most often using nominally flat-panel display technology such as LCD or OLED, a concave rather than convex curve is imparted, reducing geometric distortion, especially in extremely large and wide seamless desktop monitors intended for close viewing range.

Newer monitors are able to display a different image for each eye, often with the help of special glasses and polarizers, giving the perception of depth. An autostereoscopic screen can generate 3D images without headgear.

A combination of a monitor with a graphics tablet. Such devices are typically unresponsive to touch without the use of one or more special tools" pressure. Newer models however are now able to detect touch from any pressure and often have the ability to detect tool tilt and rotation as well.

Raw monitors are raw framed LCD monitors, to install a monitor on a not so common place, ie, on the car door or you need it in the trunk. It is usually paired with a power adapter to have a versatile monitor for home or commercial use.

A desktop monitor is typically provided with a stand from the manufacturer which lifts the monitor up to a more ergonomic viewing height. The stand may be attached to the monitor using a proprietary method or may use, or be adaptable to, a VESA mount. A VESA standard mount allows the monitor to be used with more after-market stands if the original stand is removed. Stands may be fixed or offer a variety of features such as height adjustment, horizontal swivel, and landscape or portrait screen orientation.

The Flat Display Mounting Interface (FDMI), also known as VESA Mounting Interface Standard (MIS) or colloquially as a VESA mount, is a family of standards defined by the Video Electronics Standards Association for mounting flat panel displays to stands or wall mounts.

A fixed rack mount monitor is mounted directly to the rack with the flat-panel or CRT visible at all times. The height of the unit is measured in rack units (RU) and 8U or 9U are most common to fit 17-inch or 19-inch screens. The front sides of the unit are provided with flanges to mount to the rack, providing appropriately spaced holes or slots for the rack mounting screws. A 19-inch diagonal screen is the largest size that will fit within the rails of a 19-inch rack. Larger flat-panels may be accommodated but are "mount-on-rack" and extend forward of the rack. There are smaller display units, typically used in broadcast environments, which fit multiple smaller screens side by side into one rack mount.

A stowable rack mount monitor is 1U, 2U or 3U high and is mounted on rack slides allowing the display to be folded down and the unit slid into the rack for storage as a drawer. The flat display is visible only when pulled out of the rack and deployed. These units may include only a display or may be equipped with a keyboard creating a KVM (Keyboard Video Monitor). Most common are systems with a single LCD but there are systems providing two or three displays in a single rack mount system.

A panel mount computer monitor is intended for mounting into a flat surface with the front of the display unit protruding just slightly. They may also be mounted to the rear of the panel. A flange is provided around the screen, sides, top and bottom, to allow mounting. This contrasts with a rack mount display where the flanges are only on the sides. The flanges will be provided with holes for thru-bolts or may have studs welded to the rear surface to secure the unit in the hole in the panel. Often a gasket is provided to provide a water-tight seal to the panel and the front of the screen will be sealed to the back of the front panel to prevent water and dirt contamination.

An open frame monitor provides the display and enough supporting structure to hold associated electronics and to minimally support the display. Provision will be made for attaching the unit to some external structure for support and protection. Open frame monitors are intended to be built into some other piece of equipment providing its own case. An arcade video game would be a good example with the display mounted inside the cabinet. There is usually an open frame display inside all end-use displays with the end-use display simply providing an attractive protective enclosure. Some rack mount monitor manufacturers will purchase desktop displays, take them apart, and discard the outer plastic parts, keeping the inner open-frame display for inclusion into their product.

Van Eck phreaking is the process of remotely displaying the contents of a CRT or LCD by detecting its electromagnetic emissions. It is named after Dutch computer researcher Wim van Eck, who in 1985 published the first paper on it, including proof of concept. Phreaking more generally is the process of exploiting telephone networks.

Masoud Ghodrati, Adam P. Morris, and Nicholas Seow Chiang Price (2015) The (un)suitability of modern liquid crystal displays (LCDs) for vision research. Frontiers in Psychology, 6:303.

Koren, Norman. "Gamut mapping". Archived from the original on 2011-12-21. Retrieved 2018-12-10. The rendering intent determines how colors are handled that are present in the source but out of gamut in the destination

Definition of terms clarified and discussed in Aaron Schwabach, Internet and the Law: Technology, Society, and Compromises, 2nd Edition (Santa Barbara CA: ABC-CLIO, 2014), 192-3. ISBN 9781610693509

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

From cinema content to motion-based digital art, Planar® Luxe Displays offer a way to enrich distinctive spaces. These professional-grade displays provide vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior