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Turn your screen into a live Art Museum. Art Legacy Live animates paintings with up to 40 layers of depth. An immersive experience where Art becomes alive on your screen.

From Early Renaissance to Impressionism, Art Legacy Live include the greatest masters such as Botticelli, Da Vinci, Michelangelo, Van Gogh, Renoir, Rousseau,... and many others.

The legacy of the museum"s founder, Sylvester "Hawk" Francis, is ever present through pieces of the suits he wore while masking with the Spirit of Fi Yi Yi tribe and archival footage of him in parades and at the city"s Jazz Fest. His daughter, Dominique Francis Dilling, is carrying on the torch for her father, who died in 2020, as she now serves as the museum"s executive director.

Other sections of the Backstreet Museum pay homage to the Skull and Bones Gang, who wake up the Treme neighborhood every Mardi Gras morning at sunrise banging drums, chanting and dancing; and the Baby Dolls, who in 1912 were the first women"s masking group to take part in Mardi Gras at a time when women weren"t allowed to participate.

For TP400W, TP500 and TP600 keypads there are many locking options, so we recommend that you refer to the user manual. To unlock the panel, while holding down the "Temperature" button (or the "Up" button if you do not have the "Temperature" button), gently press and release the "Light" button twice.

For ML700 and ML900 keypads, press "Time", "Jets 1" and then "Warm" within 3 seconds to lock your keypad. Once locked, the "PL" indicator light will illuminate. All buttons are locked except the time button. To unlock the panel, press "Time", "Jets 1" and then "Cool".

ML200, ML240, ML260, ML400, ML551 and ML554 keypads do not have the locking option if they are used as a main panel. If one of these keypads is used as an auxiliary panel, it will lock and unlock with the main panel.

When the panel is fully locked, all functions are disabled. When the panel is partially locked, the basic functions remain accessible (pump, turbine and light activation), but it is not possible to change the set temperature, disable the Economy Mode or access the programming mode.

Locking: Press and hold the "Down", "Scroll" and "Up" keys simultaneously. The LCD screen will display "Hold the keys to activate the lock". Keep holding down the buttons for about three seconds to activate the lock. The touchpad will beep and display "Keyboard Lock".

Locking: three locking options are available. "Panel" locks all keys except "Menu". "Temp" allows you to lock only the temperature. "Menu" allows you to lock everything.

From all four sides of the buildings, visitors and staffwill beinvited to hike around the facility and end their walkon the roof.Here,900photovoltaic panels areplacedand angled according to optimalsolar efficiency while effective construction and materials methods, rainwater collection systems, heat and cooling systems, green roofs, and electric vehicles contribute toca 90% lower energy demand thanthat ofa conventional factory.An ADA-accessible ramp will allow wheelchairs and strollers toenjoythe serpentine path and the experience of being surrounded by pine trees on all sides.

Watchmaking, architecture, and nature are celebrated atHôtel desHorlogerswhich zigzags through the Vallée deJoux town justoutside of Geneva. The 8,700 m2 hotel marks the second collaboration between BIG and luxury watchmakerAudemarsPiguet following the opening of the neighboringMuséeAtelierAudemarsPiguet in 2020.

The Hôtel desHorlogersbuilds on the history of the Hôtel de France, established in LeBrassusin 1857by members of theAudemarsPiguet family. The hotel became an important stop on the Chemin desHorlogers– the watchmaking route that connected the Vallée deJouxworkshops to Geneva, where timepieces were sold by retailers.AudemarsPiguet hired BIG to design a new hotel in line with the luxury brand’s values and sustainability mission.

THE HOTEL — The new Hotel des Horlogers is an evolution on the hotel typology. Instead of a generic slab building in the Vallee de Joux, the new hotel rises from the surrounding landscape and gently unfolds onto the site. The simultaneous interweaving of the building with the topography engages the community and visitors of Le Brassus.

Guided to thehotel entrance from the main access road, guests approach the hotel through a generous driveway. From this entrance, the hotel appears as a single slab, with the four additional floors tucked into the landscape below. Defined by timber and concrete, the exterior entrance introduces the materiality of the hotel-at-large – authentic, pared-back materials that complement the natural landscape enveloping the building.

The hotel’s interior design scheme, led by AU*M, draws inspiration from the architecture’s indoor/outdoor vernacular – created through the architecture’s tilting slabs that provide the interior spaces with framed views of the surrounding valley.As guests transition from the main entrance into the reception area, the visual language becomes more sinuous and rustic, withmaterialssuch as glass, concrete, stone, and wood blurring the delineation of the constructed and the natural.

CertifiedMinergie-ECO, a label for new and refurbished low-energy consumption buildings, the hotel addresses the local ecological and social sustainability requirementsto reduce its environmental impact–from the building’s design and constructionto its day-to-day operations. Similarly, the hotel is equipped with 86 photovoltaic panels that provide part of the building’s energy needs.

The zigzagging slabs gradually descend towards the valley, tilting slightly to embrace the site and create a visual path between natureand architecture. While theAudemarsPiguet museum located just steps away defines a visitor experience inspired by the centripetal and centrifugal forces of time through the spiral form, the hotel welcomes its guests into the ‘time’ journey by reimagining the historic winding watchmakers’ trail that the region is known for.

Quito’s location on the equator provides unique climatic conditions: comfortable temperatures year round, a lot of rain, and a consistent sunrise and sunset time.

The double-curve geometry of the museum is comprised of straight 40 cm-wide aluminum panels arranged like a stack of books, shifted ever so slightly in a fanning motion. The same principle is used inside, with white painted 8 cm-wide fir slats cladding the floor, wall, and ceiling as one uniform backdrop for Kistefos’ short-term Norwegian and international exhibitions.

On the exterior, all three buildings feature a first-of-its-kind “dragonscale” solar skin roof equipped with 50,000 silver solar panels that generate a total of nearly seven megawatts of energy.

“Our design of the new Bay View campus is the result of an incredibly collaborative design process. Working with a client as data driven as Google has led to an architecture where every single decision is informed by hard information and empirical analysis. The result is a campus where the striking dragonscale solar canopies harvest every photon that hits the buildings; the energy piles store and extract heating and cooling from the ground, and even the naturally beautiful floras are in fact hardworking rootzone gardens that filter and clean the water from the buildings. All in all, a campus where front of house and back of house, technology and architecture, and form and function have been fused into a new and striking hybrid.”

Finally, Dock A’s roof will be covered with PV panels while integrated shading will reduce solar heat gain and maintenance requirements, and a combination of water and air-based cooling and heating systems will improve the building’s energy demand.

Program — CityWave includes offices, a hotel, a podium with shared amenities and panoramic terraces with a bar and restaurant. The total area of the brief could fit within a complete extrusion of ten floors. BIG proposed splitting the main components of the program to ensure the most efficient vertical circulation and maximize amenities on the ground plane. Both plots are activated at their base, with amenities spilling onto the public space at the center of the axis.

Courtyard — Introducing courtyards brings daylight and natural ventilation into the building, as well as astonishing views over the private gardens. With a depth of 18 m, the office floorplates are extremely efficient, allowing for flexible layouts. The hotel floorplates have a depth of 9 m for efficient room layouts with open corridors facing an atrium filled with lush greenery.

Terraces — A portion of the offices" closed courtyard is removed in order to create an outdoor terrace, while another portion is reinstated to the hotel"s open courtyard to enclose the atrium. The result is two extraordinary outdoor spaces: an office terrace connected to all the amenities, and a pool for the hotel overlooking the city, the park and the three towers.

PHOTOVOLTAIC ROOF — PV roofing will contribute to the Campus’ carbon negative goal. The curvature of the roof is optimized for PV efficiencies to power the campus year-round.

With ‘The Grandmother of Juneteenth,’ Ms. Opal Lee, at the helm, the National Juneteenth Museum is dedicated to preserving the history of Juneteenth and legacy of freedom. Declared a federal holiday in the U.S. on June 17, 2021, when President Joe Biden signed the Juneteenth National Independence Day Act with Ms. Lee by his side, Juneteenth (June 19th) commemorates the Emancipation Proclamation’s enforcement and the liberation of the remainder of the enslaved both in Texas and throughout the newly reformed United States, which happened on June 19, 1865.

The Treehotel in Swedish Lapland is known for its broad variety of cabins, with each one having a distinct identity that responds and interacts differently with the surrounding forest. BIG’s aim was to amplify Treehotel’s focus on sustainability and natural tourism, and createa resilient design in a region with strong seasonal climatic contrasts.

Designed in collaboration with Treehotel and Swedish ornithologist Ulf Öhman, the Biosphere cabin brings 350 bird houses to the Harads village, with the mission to decrease the downward spiral of the bird population in the region.

"Inventories in Norrbotten County, carried out both by us as ornithologists and by the County Administrative Board, show that a number of different bird populations are decreasing. Forestry has led to a reduced number of natural holes in trees where breeding birds nest. The installation of bird nests is therefore an important measure to take. Furthermore, climate change leads to the insect boom happening earlier in the year, and by the time the birds’ eggs hatch, the boom has already passed. Feeding is an important support mechanism for the birds that stay in Northern Sweden and require food during winter. Demonstrating the use of bird nests and feeding, not just at the Treehotel but for people to install near their own homes, is valuable."

Biosphere is accessed via a suspended bridge that slopes from the ground to the top of the trees. The interior of the 34 m2 hotel room incorporates rich dark interiors and organic materials inspired by the surrounding landscape. The checker solid-open conceptual make-up allows for a range of experiences within a relatively small space. Visitors have access to a roof terrace – close to the treetop canopies – that offer a 360-degree views of the forest.

Through wrapping the new hotel room in an ecological habitat, guests are given the opportunity to experience birdlife in close proximity, finding themselves in the epicenter of nature.

“I got to spend a few days and nights in some of the Treehotel rooms right before the pandemic, and left with a sense of rejuvenation from complete immersion into nature. I couldn’t help wondering if there was a way to take the immersion one step further - and almost instantly the idea of inviting not only the human visitors but also the resident bird and bat population to cohabit a spherical swarm of nests came to life. After our first conversations with Ulf Öhman from Norrbotten Ornithological Association we were relieved to learn that birds don’t drop where they nest - so there is hope for the glass to remain clear within this cloud of aviary architecture.”

“We designed our addition to the Treehotel - the Biosphere - to create a unique experience for hotel guests, which takes inspiration from the qualities of the surrounding forest and absorbs them into the interior. The ecology is the driver behind the architectural expression.”

Approximately 9,000 SF of solar panels on the Robert Day Sciences Center roof will provide between 200-230 megawatt hours of energy production per year.

The building consists of four main materials and elements which are also found in the existing structures and natural landscape of the area – concrete, steel, glass, and wood. The walls of the exhibition rooms are made of concrete cast onsite, supporting the landscape and carrying the fascinating roof decks that cantilever out 36 m. The largest roof deck weighs approximately 1,090 ton – a complex roof structure that is engineered by Swiss Lüchinger+Meyer. The main interior materials utilized throughout the gallery spaces are wood and hot rolled steel, which is applied to all the interior walls.

The exhibitions, designed by Dutch agency Tinker Imagineers, showcase permanent and temporary themed experiences. Every gallery has its own rhythm, beating in sync with its storyline: high and low, night and day, good and bad, hot and cold, the passing of time.

La Linea is a flexible tube of light, capable of twisting and turning throughout endless distances for countless applications in a wide variety of locations. Elegant and sleek, La Linea is created for both indoor and outdoor spaces. Each individual modular element is 5 m long but can be extended endlessly and seamlessly thanks to its concealed joints without visible shadows or signs.

The façade is composed almost entirely of 4,800 prefabricated concrete panels interspersed with windows of various sizes to control the amount of light entering inside and to create a sense of transparency. The concrete slabs, which weigh up to 1.6 tons, are sandblasted to expose its raw qualities and to texture the surface with the local sandstone of Bordeaux. Yellow granules for brightness and warmth radiate the building in the sun and help integrate MÉCA as a familiar yet new vernacular sight to the city.

On the same ground floor, those with tickets can enjoy performances in OARA’s 250-seat theatre featuring flexible seating configurations and acoustic systems optimized by an all-black checkerboard panel of concrete, wood and perforated metal. Upstairs, film-goers can view screenings at ALCA’s red-accented 80-seat cinema or visit the two production offices and project incubation area. FRAC occupies the upper floors with 7 m high exhibition spaces, production studios for artists, storage facilities, 90-seat auditorium and café.

The modules are powered by a photovoltaic array and use a heat-exchange system that draws upon the thermal mass of water to warm and cool the interiors.

With an energy performance coefficient (EPC) of 0.00,Sluishuisgenerates more energy than it consumes. The building’s heating requirements are minimized by combining high-performance insulation techniques, triple glazing and heat recovery on the ventilation systems and wastewater. Energy consumption is further reduced by a heat and cold storage (CHS) system in the ground for heat and cooling in combination with a connection to the district heating system for peak times. The remaining energy consumption for heating, heat pumps, ventilation and LED-lighting is fully compensated by approximately 2,200 m² of solar panels, to which an entire floating island adjacent to the project is dedicated.

The Smile’s textured black façade blends with the black and red brick of the existing buildings in the neighborhood. The stainless-steel panels were handmade in Germany and produced by a combination of mechanical, chemical, and electro-chemical treatments that, without any lacquer, create a natural and durable surface.

The interlocking panels are all straight yet configured so that each element reflects the sky and light slightly differently, resulting in varying shades of black. The checkerboard pattern façade panel system allows for floor-to-ceiling windows in each unit, creating exciting views in all directions of the city.

The curvilinear geometry uses interlocking checkerboard façade panel system, allowing for floor-to-ceiling windows in each unit, creating open views of the city for the residents.

PERIMETER & SETBACK FACADES — All perimeter walls are sandblasted, pre-cast concrete panels, while setback facades are composed of polished concrete and reflective materials to contrast the perimeter walls. Glass is replaced with perforated metal to conceal mechanical equipment and allow airflow.

The platforms feature six integrated systems: zero waste and circular systems, closed loop water systems, food, net zero energy, innovative mobility, and coastal habitat regeneration. These interconnected systems will generate 100% of the required operational energy on site through floating and rooftop photovoltaic panels. Similarly, each neighborhood will treat and replenish its own water, reduce and recycle resources, and provide innovative urban agriculture.

The folded wall provides a free view through clear glass in one direction and creates a condition with plenty of diffused daylight by reflecting the direct sun between the interior panels. Even when the sun comes directly from the east or west, the main part of the solar rays is reflected off of the glass due to the flat angle of the windows.

Extroverted Ground Floor — On the ground floor, half of each façade is a transparent glass panel opening the HQ up to its surroundings. The entrance and exhibition space face west, while a restaurant with outdoor seating opens towards south.

Structurally, the pavilion was a giant self-supporting tubular steel truss, similar to the hull of a steel ship. The external façade structure was the buildings most efficient element. The perforation holes let in daylight and created natural ventilation. It was the only pavilion out of 200+ that did not use mechanical cooling. Due to the structural performance of the truss, the degree of perforation varied with the structural stress along the façade.

Other artists include Jeppe Hein from Denmark, who designed a ‘social bench’ that ran alongside the bicycle lane and adapted to its environment elastically by incorporating different functions. The works of filmmaker Martin De Thurah and photographer Peter Funch were also included in the exhibition areas.

A through-block street between 17th and 18th Streets will provide tenant and visitor access to the residential lobbies, with a vehicular drop-off at a landscaped mid-block inner courtyard. The hotel will be accessed on 18thstreetadjacent to the High Line. The project also includes below grade parking, afive storycommercial building, and a multi-level retail space with frontage below the High Line, facing a public plaza along 10th Avenue.

Through the diverse mix of interconnected spaces – including a range of stages, production-support areas, open and private offices, fitness room, cafes and lounges – the design aims to facilitate the best creative work possible by providing dynamic spaces for collaboration and connection. On the exterior, the 145-foot-tall building will be clad with precast concrete panels, set at angles that create an animated effect on the building façade as the angle of the sun changes through the day. Two open-air terraces puncture the façade providing an outdoor connection to the waterfront, natural daylight, and views of the Manhattan skyline. The building’s roof will include a 150,000 sq ft solar panel footprint.

Since the infrastructure is the most important element, the rest of the program is integrated with it as much as possible. In order to create a physical interface, the elevated vacuum tube wraps around itself and descends as a gentle ramp, ending in an airlock that allows for save entry and exits for pods. While the pill shaped loop of the tube forms the exterior façade of the facility, the support structure gets extended towards the interior as a sequence of concrete frames with fileted corners for lateral support.

Interface — HCC is connected to one of the ends of the tube where pods can enter and leave through an airlock. This also offers the opportunity to simulate and test the passenger interface of the commercial system, where people can enter and leave the pod while it remains in the low pressure tube.

Structure — The main structural system for the building is shared with the vacuum tube. For greater lateral stability, the corners have been reinforced with a radius on top and bottom, and frames with pill-shaped cutouts.

Enclosure — By adding a flat roof and simple glass facade enclosure between the frames, the enclosure in plan becomes a rational and modular low-res version of the tube"s curved radius.

The outdoor space can be used for assembly and testing of pod components, large gatherings, and as social space for the staff. It provides visual connections between the different departments and references the courtyard of Virgin Hyperloop’s LA campus. The facility also houses a test portal, that provides a passenger interface into the pods while they remain in the vacuum tube. This first prototype will be applied in the first commercial Hyperloop portals and continue HCC’s legacy of the first architecture turned Hyperloop infrastructure project.

The JRC will provide 4 times more solar cells than initially planned. BIG proposes to cover the entire site with an array of solar panels to reduce the operational carbon footprint of the building.

GLASS WALLS — The exterior façade as well as the walls in the sauna area are full height clear glass panels. All vertical walls are either transparent or mirror finish creating the perception of an endless space.

MIRROR WALLS — The walls to the rooms requiring privacy are made of full height mirror panels. The finish of doors, built in cabins double as mirrors.

Incorporated as a natural extension of the existing harbor bath, the new winter bath will  extend the existing wooden deck and lift to allow the underlying saunas and thermal baths to overlook the harbor. The winter bath experience is based on contrast: between cold and hot; outside and inside. These contrasts are what generate the physical experience and  health benefits.

At the bridge anchorages, legacy car infrastructure has crowded the historic bridge vaults, impeded access to the waterfront and divided communities from one another for decades. As the bridge transitions away from vehicular use, these ramps can be removed, and life brought back to the historic vaults and their surroundings.

In DUMBO, Brooklyn, legacy city properties can be rethought to create spaces that welcome New Yorkers. As New York City’s aging subway system strains to keep up with demand, and the city continues to search for new and safe ways to commute in the coming years, the creation of safe, dedicated and shaded corridors for biking and collective transit is the most high-impact, low-cost urban investment towards recovery. The corridors in Back to the Future can be interwoven seamlessly with the existing network of vehicular streets, creating a city with room for both people and logistical demands.

A new road system and the access bridge to the facility will reduce heavy vehicle traffic through the inhabited center. Furthermore, the photovoltaic panels, high energy-efficiency systems, and water recovery systems for rational consumption of water resources will be implemented – an approach in line with the company’s focus on environmental longevity.

Plot A & B — The site is divided into Plot A and Plot B. The first will house the three phases of Farfetch"s new home, while plot B will be occupied by mixed use office buildings, serviced apartments and a hotel.

1200 Intrepid’s front façade is created by the strategic stacking of High Concrete’s precast panels of varying sizes, figured in a basket-weave pattern to realize the top of the building’s straight edge. As the panels reach upward they also tilt outward, creating an inviting, cave-like canopy over the building’s front sidewalk. Each of the building’s other three sides stand straight up, maintaining the structure’s signature paneling.

The Woven City is conceived as a flexible network of streets dedicated to various speeds of mobility for safer, pedestrian-friendly connections. The typical road is split into three, beginning with the primary street, optimized for faster autonomous vehicles with logistical traffic underneath. The Toyota e-Palette – a driverless, clean, multi-purpose vehicle – will be used for shared transportation and delivery services, as well as for mobile retail, food, medical clinics, hotels, and workspaces.

A mix of housing, retail and business – to be built primarily of carbon-sequestering wood with photovoltaic panels installed on the roofs – characterize each city block, ensuring vibrant and active neighborhoods at all times of the day.Toyota’s R&D spaces house robotic construction, 3D printing and mobility labs, while typical offices flexibly accommodate workstations, lounges and indoor gardens.

By combining the legacy of Japanese craftsmanship and the tatami module with robotic fabrication technology, Japan’s construction heritage lives on, while building sustainably and efficiently into the future.

The historical heritage of Le Marais has provided us with a rich urban fabric of quirky courtyards and intimate spaces. BIG decided to expand this legacy from below to above and inside to outside. The future starts in the past. The outside begins on the inside.

Skylight — The row of solar panels is tilted 35 degrees towards the south to provide optimal orientation towards the sun. Under the solar panels, a long skylight provides natural ventilation and additional diffuse daylight for the office areas.

The building orients all work areas towards the north, maximizing diffused daylight and minimizing solar heat gain. The roof integrates solar panels with a large skylight, providing further diffused daylight to the office areas and functioning as part of the building’s hybrid natural/mechanical ventilation system, resulting in low energy use and reducing running costs for the building.

Reaching 30 storeys at the highest point, the stepped complex will include 800,000 sq ft of office space and approximately 250 residential units. Two boutique hotels, retail and restaurant spaces, and a grocery or farmer’s market will also be included in the development.

ZERO WASTE SYSTEMS — Materials will be managed in circular loops to avoid the creation of waste. Packaging will be reusable. Domestic items will be shared and fixed at the Exchange hub. Food waste will be collected in pneumatic tubes and converted into energy and compost.

Fanø is a sandy island in the Wadden Sea off the coast of southwestern Denmark. It is known for its infinite sandy beaches and strong westerly winds. The site of Lycium, a small local museum, sits between old villas and a late 1960s prefabricated hotel on a naturally formed, waving sand dune covered with patches of lime grass.

Through the scorching heat of the Arabian Desert to the unforgiving chills of the Finnish tundra, HOT TO COLD: an odyssey of architectural adaptation took the visitors of National Building Museum in D.C on a journey across the globe to explore the forces that shape our cities and buildings.

Running from January 2015 through August 2015, Hot to Cold marked BIG’s first major North-American exhibition offering a behind-the-scenes look at BIG’s creative process and how the studio’s designs are shaped by  cultural and climatic contexts. More than 60 architectural models, mock-ups and prototypes were suspended at the sec­ond-floor balconies of the museum’s historic Great Hall, turning the architecture of the National Building Museum into the architecture of the exhibition.

"Architecture never happens in the clinical conditions of a lab. It is always responding to a series of existing conditions - the context, the culture, the landscape, the climate. Our climate is the one thing we can"t es­cape - the one condition we always have to respond to. HOT TO COLD is conceived as a colorful exploration of how architecture evolves in response to its context and climate and as an artistic contemplation of how life in return reacts to the framework created by the architecture. I can"t imagine a greater venue than the National Building Museum for this journey, looking back at our work and massive transformation over the last six years from both sides of the Atlantic."

The10-foot tallglowing heart consisted of 400 transparent, LED-lit, acrylic tubes. Ahovering heart suspended within a glowing grove of glass-like poles, reflected and bent the light from the flashing billboards of Times Square.

BIG ♥ NYC was areflection of what Times Square is made of: people and light. The more people, the stronger the light. Like a daisy chain of human contact, the more people who held hands ormade contact withothers while touching the heart, the brighter and faster the heart would pulse.

Social Heart — In the heart of the building, on the north and south side of the atrium, are the main areas dedicated to meetings and occasional encounters. Facing the park are spaces dedicated to open offices, hot desking or other work constellations. Facing the agora are spaces for creative and informal activities.

on the east coast of Taiwan. In this rural region, bound to experience massive growth, BIG was invited to conceive a dense development of holiday homes and hotels.

The site is laid out as a grid of 3,6 x 3,6 meter squares, creating one continuous pixelated surface. As a topographic map the surface is morphed to form a terraced landscape of towers, accommodating 40.000 m2 housing, hotel, offices and shops. The project becomes an accumulation of individual niches and outdoor spaces forming a collective organic architecture –  a Scandinavian high rise typology incorporating the human scale, the rationality and flexibility of Danish building tradition.

Al Wasl Plaza will be the heart of the 2020 Dubai World Exhibition as well as the center of the future community of the legacy neighborhood. During the day it will serve to shade thousands of visitors as they congregate at the center of the Expo between visits to the plethora of pavilions. At night it will become the arena for the rich program of performances and spectacles that will take place every night during the expo.

The first stages of project development at BIG always involve a careful study of the site and the programmatic requirements. In the case of the Escher Tower, the site was an orthogonal intersection of an east-west highway and a north-south subway line, populated by a department store and a medical business. The program was 1000 identical hotel rooms with the only interesting activities to be placed in a single floor at the ground.

The canopy can contain all the public functions supporting the hotels - Lobby, restaurants, gardens, conferences, auditoria, banquet spaces and retail.

By conceiving the building as cluster of small and tall pyramids, a shaded space is created beneath the canopy of the large floating building mass. Like an urban oasis, an open air market occupies the space between the trunks of the 5 hotels.

The Battery, a 124,000 m2 architectural interpretation of an Alpine landscape in the center of Copenhagen, seeks to weave together the three currently disparate neighborhoods into one overlapping urban activity center, offering apartments, offices, shopping, child care provision, sports facilities, cultural institutions, a hotel and a mosque.

The YES IS MORE exhibit displayed 34 projects, including 30 models. The exhibition materials were kept simple: MDF, black paint, 400 light tubes, 19 screens, 45 acrylic plates.

The VMCP building is a hotel and conference center at the Arlanda Airport directly on the highway to Stockholm, Sweden. A small variation in the horizontal window band of each of the 600 rooms creates an abstract pattern, that seen from a distance turns into crystal clear portraits of Crown Princess Victoria, Princess Madeleine and Prince Carl-Phililp of Sweden.

The equilateral triangular footprint creates a building with no ends, only three faces perceived as free standing two-dimensional surfaces. The conference center and lobby is sunken into the landscape, leaving the hotel building in a small oasis of Swedish forest in an airport city of parking lots and infrastructure. In the center of the building a series of executive meeting rooms hang inside a hexagonal atrium, creating a kaleidoscopic view from the lobby to the sky.

The Arizona landscape is quiet, hot, dry, and still. Monsoon rains and intense dust storms violently break the silence at exceptional yet ephemeral moments. The landscape is vast, open and flat, interrupted by rough edged mountains which become the points of reference in the horizon.

RÉN People’s Building was BIG’s proposal for a hotel, sports and conference center for the World Expo 2010 in Shanghai and subsequently redesigned and scaled up for a private consortium to be built on the Bund in Shanghai.

The two buildings meet in a 1000 room hotel, forming the Chinese sign for the word “People”, becoming a recognizable landmark. Together the two buildings become a tower and an arch at once. The arch creates a sheltered square for gatherings and activities in the middle.

Large curved plazas cover the pool and conference buildings, creating a continuous recreational public space along the river. Round openings and roof lights bring light to the auditoriums and pools, and become gradually denser as they rise from the river, eventually becoming glittering windows and terraces for the hotel rooms.

BIG was approached by Danish brewery TUBORG to design a mobile structure for Roskilde Festival 2016. Drawing inspiration from inflatable castles of childhood, SKUM (in English: FOAM) is a bubble-like cloud pavilion that is filled with air powered by two wind turbines.

The hot tub control panel is a functional display system that operates all your tub’s features. It handles everything from the main power, to the spa jets, and even things like the lights and music.

It consists of a small screen outfitted with LEDs or LCDs, with various buttons and indicators covered in an overlay. The buttons control the functions and the screen communicates to the user what current function is being carried out.

If you have a tub that was built from the ground up, the controls will be housed with the rest of the spa equipment. This is known as a spa side control panel.

Many spa side controls will be linked up with a remote, so you can still access the control system while in the tub. In most cases, the remote will be installed at the tub, and hardwired back to the control panel through tubing.

Issues with topside and spa side control panels are varied, so we’ve compiled a list of the most common problems and what you can do to rectify the issues.

An issue like this could be the result of a cracked panel, or one that has been exposed to moisture. In this case, a full panel replacement is usually the best solution.

Start by verifying the DIP switches on the board are in the factory default positions. If they need to be repositioned, turn off the power to the tub before resetting them.

Inspect the connection between the board and the control panel. The connection could be compromised in some way (loose, bent, damaged) and needs to be fixed/replaced.

The silver lining is there are remedies for a malfunctioning control panel, you just have to decide if you want to fix it yourself or hire a professional to do the job.

For TP400W, TP500 and TP600 keypads there are many locking options, so we recommend that you refer to the user manual. To unlock the panel, while holding down the "Temperature" button (or the "Up" button if you do not have the "Temperature" button), gently press and release the "Light" button twice.

For ML700 and ML900 keypads, press "Time", "Jets 1" and then "Warm" within 3 seconds to lock your keypad. Once locked, the "PL" indicator light will illuminate. All buttons are locked except the time button. To unlock the panel, press "Time", "Jets 1" and then "Cool".

ML200, ML240, ML260, ML400, ML551 and ML554 keypads do not have the locking option if they are used as a main panel. If one of these keypads is used as an auxiliary panel, it will lock and unlock with the main panel.

When the panel is fully locked, all functions are disabled. When the panel is partially locked, the basic functions remain accessible (pump, turbine and light activation), but it is not possible to change the set temperature, disable the Economy Mode or access the programming mode.

Locking: Press and hold the "Down", "Scroll" and "Up" keys simultaneously. The LCD screen will display "Hold the keys to activate the lock". Keep holding down the buttons for about three seconds to activate the lock. The touchpad will beep and display "Keyboard Lock".

Locking: three locking options are available. "Panel" locks all keys except "Menu". "Temp" allows you to lock only the temperature. "Menu" allows you to lock everything.