panasonic dmc ts25d waterproof digital camera with 2.7 inch lcd suppliers

I bought my first one of these a year or so ago to take on a trip to Aruba. I had had one of those fat yellow Fuji waterproof cameras before and this looked easier to carry.....I had the LUMIX in my pocket when it was accidentally dunked for.2 seconds and that was the end of it. Having invested in a couple spare batteries and a case for this LUMIX camera I got another one for 25% of what I paid new by getting one used. It takes great pictures after all and I suspect it might survive a splash better than some digital cameras but if I want one I can immerse safely I guess I’ll pay up and get another Fuji.

Go anywhere, any time with this rugged adventure camera. The Panasonic LUMIX TS25 is the ultimate tough camera, so no matter where you find yourself, you will take the best shot possible without worrying about your camera. Featuring a waterproof, dustproof, shock and freeze proof design, this camera is built for your active lifestyle. This is a Certified Refurbished product backed by 90 days limited warranty.

This camera is equipped with a 2.7-inch (6.7cm) TFT Screen LCD Display (230K dots) and intuitive controls. The rugged Panasonic LUMIX TS25 is waterproof up to 23 feet, shockproof up to 5 feet, and freezeproof up to 14 degrees F. With multiple playback and editing features built-in, this LUMIX camera will be your companion for all your adventures delivering outstanding imaging and video performance.

The Panasonic TS25, 16MP Waterproof Digital Camera is tiny but tough: small enough to be a pocket camera, but with high-quality imaging worthy of your greatest adventures. Family life is tough on technology, and its rugged, anything-goes design makes it a perfect every day and travel camera. Waterproof up to 23ft, freeze-proof up to 14°F, shockproof from drops of up to 5ft, as well as dustproof, it"s an ideal choice for your active, on-the-go lifestyle. Aside from its life-proof design, this compact camera with a 2.7" LCD screen takes crisp and vivid 16.1MP pictures with the help of features like a 4x optical zoom, intelligent auto mode and sonic speed auto focus, to give you effortlessly perfect photos with every click. Sophisticated enough to capture low light images as well as high speed action, this versatile waterproof camera is a must-have for your family.

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Condition: New, Bundled Items: Extra Battery, Memory Card, Strap (Neck or Wrist), UPC: 885170193420, Brand: Panasonic, Series: Panasonic LUMIX, Digital Zoom: 16x, Color: Red, Optical Zoom: 4x, Connectivity: USB, Features: Auto Focus, Exposure Compensation, Waterproof, MPN: DMC-TS25R, Battery Type: Lithium-Ion, Item Weight: 4.48 Oz.

Go anywhere, any time with this rugged adventure camera. ThePanasonic LUMIX TS25is the ultimate tough camera, so no matter where you end up, you’re going to take the most efficient shot conceivable without worrying about your camera. Featuring a waterproof, dustproof, shock and freeze proof design, this camera is built for your active way of life. This can be a Certified Refurbished product backed by 90 days limited warranty.

This camera is equipped with a 2.7-inch (6.7cm) TFT Screen LCD Display (230K dots) and intuitive controls. The rugged Panasonic LUMIX TS25 is waterproof as much as 23 feet, shockproof as much as 5 feet, and freezeproof as much as 14 degrees F. With more than one playback and editing features built-in, this LUMIX camera will likely be your companion for all of your adventures delivering outstanding imaging and video performance.

Rugged Construction: The rugged Panasonic LUMIX TS25 is waterproof as much as 23 feet, shockproof as much as 5 feet, and freezeproof as much as 14 degrees

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The Lumix TS2 is Panasonic"s follow-up on their first waterproof and ruggedized camera, the Lumix TS1. While the new model looks almost identical to the one it replaces, there are some subtle and not so subtle improvements that are certain to elevate Panasonic"s standing among manufacturers of waterproof and ruggedized compact cameras. The biggest news for divers is that the new model can now handle depths up to 33 feet, addressing the 10-feet rating that limited the TS1 to just snorkeling. Resolution has been bumped to a full 14.1 megapixel, the camera is more rugged yet, and you can still shoot glorious high definition video to play back on HDTV flatscreens.

More than the TS1, which was already pretty tough. Tough and rugged is in, and almost all major manufacturers are now offering some sort of ruggedized and waterproof camera for the great outdoors. But ruggedness comes in various degrees, and customers have different requirements. The TS1 was designed to survive a drop from five feet, to be used underwater at depths of ten feet, and in temperatures between 32 and 104 degrees Fahrenheit. That"s pretty tough, but the TS2 can do better. It can now survive a drop from 6.6 feet (two meters), handle depths to 33 feet, and temperatures as low as 14 degrees Fahrenheit. Are these differences meaningful? Absolutely. If you"re into winter sports, you can now use the camera in freezing temperatures. If you like the water, it can accompany you now on real dives and not just snorkeling or splashing around. Many dives, of course, are deeper than 33 feet, but not all; many dives on our recent camera eval dive trip off California"s Channel Islands were in the 30-40 foot range.

This second Panasonic entry into the waterproof/rugged camera space has a larger 14.1 megapixel sensor, but many other specs remain unchanged. You still get an internal 4.6X optical zoom that starts wide at 28mm equivalent and is augmented by 4X digital magnification. It has several optical image stabilization modes, and you can take movies with sound at 1,280 x 720 pixel resolution, or what in TV speak is known as 720p. You can even use the optical zoom during recording. The camera has most of the features and goodies common to modern digital compacts, such as advanced face recognition (including memorizing faces and making sure they are always properly exposed), predefined scene modes that the camera can select automatically, various advanced autofocus modes, and so on. The bright and crisp 2.7-inch LCD is viewable from almost any angle, and the camera, though it looks identical, is a bit larger, but still small and light enough to fit into almost any pocket.

The Lumix TS2 uses a small 940 mAh, 3.6V Li-Ion battery that, however, is up to the job. A full charge is good for a generous 360 pictures, though that depends on how often you use the LCD. The camera comes with a very compact charger that accommodates the battery and plugs directly into the outlet without a cord.

How did Panasonic waterproof the camera and what do you need to observe when using it in the water? At first sight you"d swear this was just an ordinary compact camera. It"s always fun to see people"s reactions when you take the LUMIX into the water. Everyone thinks you forgot about the camera and it"s now destroyed. It isn"t, of course, and the LUMIX certainly makes a nice conversation starter in addition to its many other qualities.

In the strong current, I ran into another problem with the Lumix. Like most waterproof cameras, the TS2 has an underwater mode, but just one. Even in fairly shallow water with decent light, that mode apparently leaves the shutter open so long that pictures do not have a chance to be sharp. Underwater everything moves all the time, and a slow shutter is deadly. Almost none of the pictures of our initial shoot at 25-33 feet was sharp, and so I decided I"d use the sports or automatic mode instead on the next dive.

Bright LCD. The very bright 2.7-inch hi-res display and a wide viewing angle is a good choice for an outdoor and underwater camera, and the LCD brightness booster is much appreciated. However, LCD size and resolution are unchanged from the TS1, and no longer state-of-the-art.

HD video. Simply put, VGA video is out, passee, last decade. It"s good to see Panasonic give its first waterproof camera glorious 1280 x 720 high definition video. Now just ditch the old stuff.

The 14-megapixel Lumix TS2—available in silver, blue, yellow or orange—is Panasonic"s second entry into the waterproof/rugged camera space where it joins offerings from the likes of Olympus, Pentax, Fuji, Canon and a number of specialty manufacturers.

The TS2 has a bright and vibrant 2.7-inch LCD display that is large enough and can be seen from any angle. The camera"s controls are still much too small and have tiny, hard-to-read icons and labels. The 28-128mm equivalent 4.8X optical zoom is perfect for underwater use where wide angle shooting is almost mandatory. The zoom is still located right next to the shutter—not optimal for shooting in difficult conditions.

The camera has numerous settings, scene and shooting modes and other features. 1280 x 720 video recording quality is excellent. The list price of US$399 is high compared to the rugged/waterproof competition.

The Panasonic Lumix DMC-TS2 is a rugged, shockproof, waterproof, and dustproof digital camera with a sensor resolution of 14-megapixels, with a useful 28-128mm zoom range. The Panasonic TS2 has a 2.7-inch LCD with 230,000-dots of resolution. The Panasonic TS2"s lens has a two-step aperture, which can select between f/3.3 and f/10 at wide angle, or f/5.9 and f/18 at telephoto. The minimum focusing distance for the Panasonic DMC-TS2 is ordinarily 30 centimeters, but drops to just five centimeters when switched to Macro mode. That rugged body is one of the biggest selling points, though, with the camera being well protected against harsh usage. Rated as capable of passing MIL-STD 810F Method 516.5, the Panasonic TS2 can survive a drop from 2.0 meters. It is also rated waterproof and dustproof to the IEC60529 IP68 standard, which means that it is dust tight, and is suitable for immersion at one meter or below, under conditions specified by the manufacturer. In the case of the TS2, Panasonic states that the camera is waterproof down to a depth of ten meters.

The rear continues the Transformer feel with its four corner bolts and brushed metal finish. A 2.7-inch LCD is the key feature but it"s only 230K dots. A $399 camera should have 460K. In the Auto Power LCD mode, the screen is usable even in direct sunlight and underwater but it tends to smear in low light. Other controls are the digicam classics: a mode dial, Movie (with a red dot), Playback, a four-way controller with center Menu/Set key, Display and Q (Quick) Menu. The compass points on the controller give access to exposure compensation, macro, self-timer and flash options.

Normal Picture is comparable to Program AE in other cameras. Why Panasonic calls it this is another one of life"s mysteries. In the Normal setting when you press Q. Menu button you get access to the key parameters including metering, white balance, ISO, resolution, movie quality, LED light (on, off, auto) and Auto Power LCD to quickly brighten the screen. Hit the Menu key and more options are available such as Face Recognition on/off, AF mode, Color Mode (standard, natural, vivid, and so on). Since this is a point-and-shoot, there are no options for changing the aperture or shutter speed. If you want these adjustments, you must look elsewhere.

Storage and Battery. The Panasonic TS2 uses SD and SDHC cards as well as the newer SDXC format. Since AVCHD Lite video is an important feature, at least a Class 4 high-speed card should be used. Class 6 is needed for Motion JPEG. I suggest 8GB or 16GB before heading outside. It would be a real bummer to be out on boat snorkeling and get a "Memory Card Full" message on your LCD screen.

Playback. Tap the Panasonic TS2"s Playback key near the LCD and you can easily review your shots. By pressing the left/right controller keys you move forward and back one image at a time. Press the right side of the zoom toggle and you can enlarge the photo up to 16x. Press the left side and you can change your view from single shot to thumbnails, and finally to a calendar view. It"s straightforward and usable but a higher-res screen would certainly come in handy.

Before getting into the results, let"s discuss overall handling and ergonomics. I had really no problem with the LCD--especially shooting with the sun hitting it directly. I had no issues with the screen underwater as well. Panasonic"s Auto Power LCD mode adjusts brightness appropriately. It worked well but I do wish the screen didn"t smear as much in low light. (Note: the Auto Power LCD feature drains the battery more than the basic setting so keeping a spare handy is a good idea.)

Since it was about a billion degrees out, I had no problems jumping in the pool to retrieve the Panasonic TS2, which I had casually tossed into the water. Unfortunately there were no coral reefs or colorful angel fish to shoot, just typical items such as a Polaris pool sweeper; the underwater Scene setting was used. The Panasonic TS2 did a nice job capturing it and the color of the liner. Although there was some haze this was more an issue of the water itself rather than the camera. It was a lot of fun paddling around, camera in hand, shooting underwater and the results were more than acceptable. The camera was none the worse for wear although some lines appeared in the LCD screen. They were temporary effects and disappeared after a short time. Beachgoers will appreciate the brush Panasonic supplies to wipe away any sand or dirt before you open the compartment doors. Washing it off with clean water and letting it stand upright to drain as a matter of course would be a good plan.

The Panasonic Lumix DMC-FT4 (also known as the DMC-TS4) is a waterproof, shockproof and dustproof digital camera. The FT4 can be used underwater to a depth of up to 12 meters and is drop proof from a height up to 2m, freezeproof to -10 degrees C and dustproof. In addition, the 12.1 megapixel Panasonic FT4 offers a 28mm wide-angle 4.6x optical zoom lens, 1920x1080 full-HD movie recording, 3D photo mode, an on-board GPS module, a compass, altimeter and even a barometer. Panasonic has also added three new shooting modes, including Time Lapse Shot, Miniature Effect and Panorama Shot. The Panasonic Lumix DMC-FT4 / TS3 is available in black, blue, white or orange and costs £349.99 / $399.95.

Fighting its corner in a market that has become awash with waterproof and shockproof compacts of late, the Panasonic Lumix DMC-FT4 follows on from last spring’s FT3. And the FT2 and FT1 models before that. Like its forebears it is fashioned in the rugged style of a workman’s toolbox miniaturized and with a lens attached, and is available in a range of colours. Dimensions are 103.5x64x26.5mm, so it’s barely wider than your non-armoured compact, while a weight of 197g with battery and optional SD card loaded ensures it can be comfortably transported in a trouser pocket.

With images framed and reviewed via the so-so but adequate 2.7-inch, 230k dot resolution LCD screen, commendably, video clips here are the Full HD 1920x1080 pixels, with a dedicated record button provided alongside the shutter release button to commence their capture – no matter what alternative stills mode might be in play. There is also a choice of two formats: the highly compressed AVCHD or the less tightly squeezed MP4 for wider compatibility. The useful wind cut feature remains for making recordings, as does continuous auto focus, and the fact that the optical zoom can be accessed for video as well as stills. There’s no traditional bottle-top style mode dial here for alternative stills selections – indeed the control layout at the rear is identical to that of the FT3 in its streamlined appearance – whereby a mode button is provided instead, a press of which brings up the shooting options as two rows of icons presented centre of screen. These are then tabbed through and selected via four-way command pad with familiar ‘menu/set’ button located at its centre as you’d expect, a press of which selects whichever setting is highlighted upon.

As identical to the FT3, the remaining two buttons at the bottom of the camera back are for the self-explanatory display and the less immediately obvious ‘Q.Menu’. A press of the latter ‘Quick Menu’ option brings up a toolbar across the top of the LCD screen, allowing the user to quickly tab through options for adjusting the likes of GPS mode, AF mode, burst shooting (maximum 10fps at three megapxels) white balance, ISO, still and video resolution/quality as well as adjusting the LED light and monitor brightness. Basically, these are your key settings at a glance, saving the time required to dip into the menu folders previously discussed. Subsequent presses of ‘display’ meanwhile turn off the otherwise constant onscreen icons and shooting info to provide an image clear of distractions, and/or call up a nine zone compositional grid on screen for those users practicing their rule of thirds, or, more funky still, a graphical interface of GPS coordinates and compass, which adjusts automatically as you tilt the camera itself.

As with the competing Olympus Tough range with which it shares certain boxy characteristics, the Panasonic Lumix DMC-FT4 sells itself as a photographic device that will happily bounce around with the rest of your holiday luggage and still be fit for purpose when you arrive at your destination. With GPS still on board too, there’s also the added draw of (potentially) never getting lost en route. However, like any of these compact pocket models the FT4 is not a professional tool nor is it a camera that you want to set about deliberately mistreating. Indeed Panasonic warns that should you actually drop the camera, this can impede its waterproof abilities, so you should have it checked out professionally first – which slightly defeats its purpose. Treat it instead as a bit of fun, if you can afford to spend £350 on pure enjoyment.

6.7cm(2.7") TFT Screen LCD Display (230K dots), AR Coating / Field of View : approx. 100% Wide Viewing Angle / Power LCD mode, AUTO Power LCD mode

*1 / Recording conditions by CIPA standard / - CIPA is an abbreviation of [Camera & Imaging Products Association]. / - Temperature: 23 oC (73.4 oF)/Humidity: 50%RH when LCD monitor is on. / - Using a Panasonic SD Memory Card (32 MB). / - Using the supplied battery. / - Starting recording 30 seconds after the camera is turned on. (When the optical image stabilizer function is set to [ON].) / - Recording once every 30 seconds with full flash every second recording. / - Rotating the zoom lever from Tele to Wide or vice versa in every recording. / - Turning the camera off every 10 recordings and leaving it until the temperature of the battery decreases. / *2 / - These are standard times taken at a temperature of 23 oC (73.4 oF) and a humidity of 50%RH. / - The time available for recording varies depending on the environment, the interval between recordings, and the manner of use. / - Actual recordable time is the time available for recording when repeating actions such as switching the power supply [ON] / [OFF], starting/stopping recording, zoom operation etc. / *3 / - Motion pictures can be recorded continuously for up to 29 minutes 59 seconds in European PAL areas. Also, motion picture recorded continuously in [MP4] is up to 4 GB.