roland juno g lcd screen replacement made in china
I"m considering a purchase of Juno-G with screen issue. In about 30% of cases it works ok, and the rest is some issue. First few months I"ll try using it blindly, until I get the new screen. I"ll just play different sounds without anything else. Several hundreds of patches is not easy to navigate blindly, I know. But for start I don"t need much since I’m a guitar player that needs good synth and wishes to experiment with new ideas.
Why this? This thing sounds really good to my ears and price sounds ok (200€). I don’t see that I can find this quality of sound in budget arrangers that can be found for about 250€. Seller sounds ok. He says he’s been using it at home and screen started having problems about 4 years ago. However, it was controlled from another keyboard so screen was not relevant to him. Price is therefore ok for now… but only if the screen is the only thing to fix.
So I"m counting on fixing the screen soon. I see that the screen is common issue and can be fixed. I can order new screen from some distributor (comments mention 80$). I don"t have the original receipt but I plan to buy the replacement screen so receipt is not important. Screen needs to be installed together with new firmware. I can give it to repair shop or even do it myself (I"ve done something similar). Right?
Anything else that can be wrong? Maybe there were other issues I didn’t see while searching? Can you tell anything by the serial number? Seller says it is “Made in Japan” but I don’t know if that’s relevant.
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can store some files in day & night channel, and choose your favorite programs by using the buttons. Configurations: Excellent 9inch(16:9) TFT LCD panel Support SD card Support JPEG,MPEG1,MPEG2,MPEG4 media format Built-in stereo speakers Color available: black, grey and beige Applications: It
. Descriptions: . The advertising player has a plastic frame and horizontal design. . 8-inch excellent TFT-LCD with high resolution, wide visual angle, and rich color. . Supports F card. . Supports AVI format. . It has 10 buttons, each button corresponds to one advertisement program that
1. Product Overview 1.1 Model No.: S-24W-12V 1.2 Appearance Dimension: 93mm*43mm*27mm 1.3 G.W.:350g 1.4 Canning Material:Plastic 2. Environmental Conditions 2.1 Operating Temperature: -10°C~+50°C, 20%~95%RH(without condensation) 2.2 Storage Temperature: -20°C~+85°C, 20%~95%RH
Characteristics: - Transparent, high strength. - Ten seconds to fix the position and 40 seconds to solidify under the UV lamp, high-pressure mercury lamp and sunlight. 0.4oz (100g)/bottle. Applications: Used for glass furniture, glass craft, crystal products, electronic industry, optics equipment. Using method: - Clean surface to remove grease. - Coat surface with UV glue. - Stick the surfaces and place under the UV lamp for appropriate time. Warning: - Avoid contact with eyes and skin, do not inhale.. - If product gets into `your` eyes rinse with water thoroughly and consult with your doctor. - If product gets in contact with your skin rinse with water - Keep in a dark and dry place under 25°C.
Description: This advertising player without motion sensor is a kind of mediuma for advertising propaganda with 7-inch screen. You can display any image you like and show the advertisement you want in a taxi. You should press buttons to control power on/off, turn last program and next program
in taxi and its fixing way is headrest. Features: . This advertising player with plastic frame has 7-inch excellent TFT-LCD with high resolution, wide visual angle and rich color. . It supports SD card and formats, such as JPEG, MPEG1, MPEG2, MPEG3, MPEG4, MP3 format. . The advertisement player can
Description: This kind of AD. player has no motion sensor function. You can switch on/off when press OFF button. Applications: It"s used in taxi and its fixing way is headrest Features: . This advertising player with plastic frame has 9-inch excellent TFT-LCD with high resolution, wide visual
Description: This advertising player has no motion sensor function. You can switch on/off when pressing a button. Applications: It"s used in taxis and fixed in headrests. Features: . This advertising player with plastic frame has 7-inch excellent TFT-LCD with high resolution, wide visual angle and
Description: This advertising player has 7-inch TFT screen for Ad. propaganda. You can display any image you like and show the advertisement video in taxi. 2-minute function means the AD. player will turn on automatically when the sensor detects motion and when no motion is detected for 2 minutes
in taxi and its fixing way is headrest. Features: . This advertising player with plastic frame has 9-inch excellent TFT-LCD with high resolution, wide visual angle and rich color. . It supports SD card and formats, such as JPEG, MPEG1, MPEG2, MPEG3, MPEG4, MP3 format. . The advertisement player
. Features: . This advertising player with ABS frame has 9-inch excellent TFT-LCD with high resolution, wide visual angle and rich color. It"s a kind of effective advertising media device used in taxi. . It supports SD card and formats, such as JPEG, MPEG1, MPEG2, MPEG3, MPEG4, MP3 format. . The
. Features: . This advertising player with ABS frame has 7-inch excellent TFT-LCD with high resolution, wide visual angle and rich color. . It"s an effective advertising media device used in taxis. . It supports SD card and formats, such as JPEG, MPEG1, MPEG2, MPEG3, MPEG4, and
Feature: • Arched hook knife for easy holding. • Plastic handle and steel blade made in Japan. • Blade setter with auto-lock function to ensure safe. • The blade can be retracted into the holder after use. • Safety lock system achieves, more safe application and low fatigue in use. • Hook shaped cutting blade is designed to scrape plastic surfaces to reach enough depth to snap apart. • Blade made from high quality tool steel for higher abrasion resistance and produced through multiple stages of precise process to obtain the ultimate sharpness and optimum edge-retention. Firstly, cut the acrlic board with the hook craft knife and there is a straight scratch line on the board. Secondly, along the scratch line to break off the board. If the board is a large one, cut the board make the scratch line along the table line, and then press the board by one hand along the scratch line to break it off. Notes: The hook knife is also applicable for cutting PS board and PVC board. The arched acrylic board hook knife is mostly used for cutting acrylic, plexiglass or plastic materials, such as acrylic board, PVC board, Plastic board. However, the simple design makes it easy for personal DIY projects as well. Package:
reasonable structure is good for long life-span. Features: • New hot air banner welder with motor set outside. • Enough hot air generated from the motor. • Reasonable machinery structure for long life-span. • Adopt advanced welding technology and high-precision
Our eco-solvent matte cotton canvas is based on the cotton cloth, using solvent coated , rolling up tightly. Have perfect color after printed. It can be used by solvent&eco-slovent inkjet printer. Compatible with solvent and eco-solvent ink, it is usually used in the photographs, display, outdoor advertisment, framing ,signs and other printing business line. Ink Applicable: Solvent, Eco-solvent, UV, Latex.
Our eco-solvent matte cotton canvas is based on the cotton cloth, using solvent coated , rolling up tightly. Have perfect color after printed. It can be used by solvent&eco-slovent inkjet printer. Compatible with solvent and eco-solvent ink, it is usually used in the photographs, display, outdoor advertisment, framing ,signs and other printing business line. Ink Applicable: Solvent, Eco-solvent, UV, Latex.
Our eco-solvent matte cotton canvas is based on the cotton cloth, using solvent coated , rolling up tightly. Have perfect color after printed. It can be used by solvent&eco-slovent inkjet printer. Compatible with solvent and eco-solvent ink, it is usually used in the photographs, display, outdoor advertisment, framing ,signs and other printing business line. Ink Applicable: Solvent, Eco-solvent, UV, Latex.
Our eco-solvent matte cotton canvas is based on the cotton cloth, using solvent coated , rolling up tightly. Have perfect color after printed. It can be used by solvent&eco-slovent inkjet printer. Compatible with solvent and eco-solvent ink, it is usually used in the photographs, display, outdoor advertisment, framing ,signs and other printing business line. Ink Applicable: Solvent, Eco-solvent, UV, Latex.
Eco-Solvent Matte Polyester Canvas (WYYE2NZ): 600D x 300D, 100% pure polyester fabric, weight is about 240g / SQM. printed by eco solvent inks, recommend to out door using, high precision, good water proof and UV protective, strong tear resistant, coated by needle plate type coating machine. Ink Applicable: Solvent, Eco-solvent, UV, Latex. Excellent crack Resistant when stretched Can be Laqured or Varnished Quality Report:
Our eco-solvent matte cotton canvas is based on the cotton cloth, using solvent coated , rolling up tightly. Have perfect color after printed. It can be used by solvent&eco-slovent inkjet printer. Compatible with solvent and eco-solvent ink, it is usually used in the photographs, display, outdoor advertisment, framing ,signs and other printing business line. Ink Applicable: Solvent, Eco-solvent, UV, Latex.
This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Items must be returned in original, as-shipped condition with all original packaging.Learn More.
Wow thanks everyone for the update on the Juno G. Hopefully this thread will serve others in the community who may be considering this board because blowout pricing is going to appear more often. The Juno Gi ships soon.
Very disappointed to hear that Roland didn"t get their act together with this unit. Even when I spoke to an agent at Guitar Center he said he saw the problem with his own eyes from a unit they had sitting on the floor.
Great idea poorly executed seems to be the story with this unit. I dont want to play russian roulette with this investment either. I"ve owned a Roland D10 in the past and it was rock solid for years. But those were different times I guess.
Easy to carry and easy to use, the XPS-30 is an ideal keyboard for performing musicians. It’s filled with ready-to-play sounds like pianos, organs, strings, brass, and synths, plus authentic local sounds from around the world. And with its ability to run on batteries or AC power, you’re able to take the XPS-30 anywhere you want to play.
Gigging keyboardists rely on acoustic and electric pianos more than any other sounds, and these essentials have been newly enhanced in the XPS-30 for improved tone and response. In addition, the regional instrument selection has been expanded, providing even more versatility for local playing. The complete sound sets from the XPS-10 and JUNO-Di are also included, and patches from those keyboards are fully compatible with the XPS-30.
With its intuitive, instant-access design, the XPS-30 makes it simple to call up excellent sounds on the spot. But if you like to customize things, you can dive deeper and tweak patches and performances with detailed precision. The front panel also includes numerous hands-on knobs and sliders for creating patches and adjusting sounds while performing, while the rear panel features jacks for connecting hold and expression pedals for further real-time control.
To complement its impressive onboard sound set, the XPS-30 supports internal waveform expansion via USB for unlimited tonal range. Over 1000 EXP sounds are available for free download at Roland’s Axial website, including top-quality acoustic piano collections, world instruments, go-to studio standards, percussion, loops, and more. If don’t find what you need there, it’s even possible to load in WAV sounds from your personal library and play them from the keyboard. Version 2.00 software supports multi-sample import for rich and expressive sounds, along with the creation of custom drums and percussion kits. Out of the box, the XPS-30 comes with the versatile EXP-06 Studio Collection preloaded in the wave expansion slot.
The XPS-30 is equipped with eight Phrase Pads (two more than the XPS-10), allowing you to supplement your keyboard performances with samples or music files stored on USB memory. Just load up the pads with whatever you like—one-shot samples, vocals, sound effects, loops, or complete music tracks—and trigger them with a quick touch when needed.
If you’re a solo performer or singer/songwriter, you’ll love the XPS-30’s mic input, which lets you get great vocal sounds without having to carry around extra gear. There’s a dedicated vocal reverb, plus Auto Pitch for singing with the popular “stepped” electronic vocal effect heard in a lot of modern music. The built-in vocoder is big fun too, allowing you to sing into a mic and control the tone and pitch via sounds played on the keyboard.
When you have an idea for a song or beat, you can easily capture and develop it with the onboard pattern sequencer. The intuitive, non-stop operation won’t interrupt your creative flow, letting you build up full arrangements with multiple sounds in no time. The sequencer is also perfect for enhancing live performances with pre-made backing and on-the-fly looping.
The XPS-30 is not only great on stage—it works great for computer music production as well. The integrated USB interface provides a solid front end for a mobile or studio recording setup, allowing you to record MIDI and audio data, including sounds from the mic input. There’s even a dedicated DAW Control mode for controlling your music software from the XPS-30’s front panel.
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A few days ago I picked up a used Roland Juno-G in nice shape from a local second hand music store for a hundred bucks. This is actually my second Juno-G as I purchased one about a year ago in mint shape with a working LCD screen. The LCD screen still works today which is great considering Juno-G LCD screens are breaking down like crazy now. It’s days are numbered though for sure. The second Juno-G had a failed LCD screen but the reason I bought it was because inside there was a Roland SRX-07 Vintage Keys expansion board. Plus there was a 512MB ram stick and a really nice soft case included. The Juno-G itself is in excellent condition with the only exception being the bad LCD screen. I felt it was a good purchase because those SRX-07 expansion boards are over $300 on Ebay now. I took out the SRX-07 board and put it in my Fantom X7.
After some research over the past few days I’ve come to the conclusion that there is absolutely no known or “consistent” fix for the LCD screen. This is unfortunate because the Juno-G has a pretty nice feature set that would have made it a nice synth to keep and use for some time. Here is a consolidated rundown of fixes that worked for some, but ultimately failed or will fail.
1. Replacement LCD Screen – So far just about everyone who has forked over money for a replacement LCD screen has experienced a 2nd, 3rd, and in some cases a 4th failure of the LCD screen. There is no way I’m going to spend $200 or so on a replacement LCD screen for the Juno-G knowing that it’s just going to break down again within months or even a year of replacement. That’s crazy! At this time there does not seem to be any known replacement LCD Screen for the Juno-G.
2. Ribbon Cable Fix – I’ve been intrigued about a ribbon cable fix that suggests the LCD cables need to be heated near the connection on the LCD PCB board. I’ve read an account from someone in Germany who fixed their LCD this way but I have yet to find any specific details to how this was done. There does seem to be an agreement among many technicians that the ribbon cables are the root of the problem, but we just don’t know where. Note that Roland is said to have replaced the two small interconnecting ribbon cables on the LCD PCB with a longer one, however, in almost every case the LCD resulted in failure. So I don’t think replacing two short cables with one long one fixed the problem at all.
3. Updating the OS to v2.0 – Contrary to what’s been written around the web, OS version 2 does absolutely NOTHING to fix the LCD issue. Do not believe otherwise. This is an absolute myth.
4. Other things that do NOT work are cleaning the synth, swapping the ribbon cables, working the job wheel or sliders in a frantic manner, powering off and then on after 5 minutes, or sprinkling pixie dust over the Juno-G.
Like a few other synths I’ve worked on, it seems the exact problem with LCD screen is still a mystery with the general public. I believe Roland knows the exact problem but of course they are not going to say a word. I’ve lived in Japan long enough to know how Japanese companies like Roland work so that’s no surprise. What is a surprise is that the Roland Juno-G is a decent synth with a lot of great functionality and features on board. Why nobody has cracked the the LCD puzzle yet is interesting. All I know is that I don’t plan to sell either of my Juno-G synths just yet. I really believe IF the LCD problem gets solved they will definitely get some attention again and could even become popular for stage performance.
Currently I have my Roland Juno-G with the LCD problem sitting on my work bench. I’m going to do my best to solve the problem because I believe the solution does not require an LCD replacement or a cable change. I really only think it requires understanding how those cables work and finding a way to attachment them in a more effective manner that improves the contact of the LCD. Perhaps there is a power supply problem, or maybe another issue, but I really do think the answer is in there somewhere.
Unless proven otherwise, as of the date of this post I absolutely see no solution at all right now for replacing or fixing the Juno-G LCD screen. Nothing out there works including the Roland repair. I would like to find out more about the “heat” or “solder” solution from the gentleman in Germany but that’s like finding a needle in a haystack. There is zero information in the Yahoo groups and the info on Roland Clan is dated at best. Other forums and blogs have bits of information here and there but nothing solid.
UPDATE #1 – It’s gone!! I stripped the second Juno-G for spare parts and then chucked the rest into the garbage bin this morning. The Roland Juno-G is a lost cause with the crappy LCD screen they installed. I would avoid this synth like the plague and stick to the Fantom series instead or later Juno series synths. Luckily I didn’t waste my money in that I got a working SRX-07 Vintage keys expansion board, nice case, 512MB memory stick, and some replacement knobs. Sayonara Roland Juno-G!!
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If you experience any problems with the screen shaking, freezing or rolling around, try resetting the GBS8200 board back to the defaults by pressing and holding the "DOWN/AUTO" button for more than 5 seconds. This will reset the GBS8200 board into the 800*600 output mode
If this video board will be used with an S‑50 or S‑330, an inexpensive metal housing is recommended to keep the static sensitive components safe. I use a Hammond 1599DD aluminum enclosure (normally used as a guitar pedal case). If this is to be used with an S‑550 and there is no HD5‑IF SCSI Interface Card installed, you can do what I did and take advantage of the empty space on the underside. Place the video board inside the sampler like so...
I tested the GBS 8200 video board with a Sharp LL‑T15A4‑B 15" LCD Flat Screen VGA Color Monitor (manufactured in 2003 ‑ specs)and a Dell E176FP 17" LCD Flat Screen VGA Color Monitor (manufactured in 2006 ‑ specs).In addition to a standard 15‑pin VGA Out connector, there is also a 12‑pin socket (P12)on the GBS 8200 video board which provides a video output signal for R, G, B, VSYNC, HSYNC, and GROUND. If you have an older style monitor like a CGA, EGA, or RGB, this extra 12‑pin connector might be able to adapt to those older style monitors by using a different connector arrangement. For this DIY, the included 8‑pin connector (P11) with six wires was used. You might be tempted to use a tap off of the main S‑550 circuit board to supply power for the GBS 8200 video board. Don"t do it. Ordering a replacement circuit board for vintage gear like the S‑550 is not an option. Play it safe and stick with a cheap external power supply. An external power supply will also help to isolate any hum the GBS 8200 video board might introduce into the S‑550 audio circuit
NOTE: The S‑50 will not work with any type of mouse. The EXT CONTROLLER port on the back of the S‑50 will only work with the optional DT‑100 Digitizer Tablet. If you plug a mouse into the EXT CONTROLLER port, you run the risk of causing a short circuit in the sampler. Likewise, if you plug a non‑Roland mouse into the EXT CTRL port on the S‑550, S‑330, S‑750, S‑760 or S‑770, you run the risk of causing a short circuit. If this happens, see the Roland Fuse Reference Webpage
After losing bid after bid on expensive MU‑1 mice at eBay, I decided to purchase a KMTech PS/2 to MSX mouse adapter instead. It works flawlessly with my S‑550 and S‑760. The adapter is very small at 63mm x 19mm x 13mm. Compared to the price of a used MSX mouse, this clever adapter board is a bargain at $32 (USD) + shipping. The overseas shipping to the USA was amazingly fast at only 6 business days! The eBay seller is kevinmount* who has a 100% Feedback Rating
The big advantage this adapter has over an MU‑1 mouse is that if the PS/2 mouse goes bad, a replacement is inexpensive as opposed to finding another expensive MU‑1 mouse on eBay. Plus, every MU‑1 or MSX mouse I"ve seen for sale on eBay is being sold as a used item and is already 20+ years old. I"ve had excellent results using a WYSE PS/2 (P/N: 770510‑21L / LED Optical Type) and a DELL (P/N: M-S34-6MD / Ball Wheel Type). It"s recomended that when using a LED Optical Type mouse, do not use a mousepad with complex patterns. Use one with a solid color or the mouse pointer will jump around the screen
My only complaint about the board is that it needs some type of cover. My solution was to wrap everything with black electrical tape. I can"t stand to have an exposed circuit board with static sensitive components glaring at me. It goes against everything I was taught about electronics
Tired of always looking for that oddball 2‑Prong AC power cable? Do something about it. Here"s a super simple mod that will let you use the more common 3‑prong AC cable with your Roland sampler. The cost for parts was less than $1. In addition to always being able to find the right AC cable, this mod adds ground circuit protection. Why is that important? Just ask several S‑50, S‑550 and W‑30 owners who connected their sampler to an ungrounded mixing board. The audio output transistors on their samplers were toasted!!!
The mod is so simple that all it needs is a picture to explain. It"s easy as "connect the dots".If you buy the correct sized AC power adapter (P/N: 703W‑00/03), it"s a 1 for 1 swap, no case modification and no sheet metal to cut. There"s even a pre‑drilled hole in the case for the ground wire. Just piggy‑back onto one of the screw holes used for the serial number plate. Easy!The DIY image shows the mod for an MKS‑70 but this will also work with an S‑50, S‑550, W‑30, MKS‑50 and a bunch of other Roland rackmounts and keyboards. If you are using a sampler with something running other than 110/117V AC, please note... this mod has NOT been verified to work on a sampler running 220V/240V. This mod is only for those with electronics experience. Author accepts no liability if you damage your synth or hurt yourself. Always keep one hand behind your back when working with live electrical circuits. It"s the best way to stay alive
Detailed instructions for replacing your old LCD. Not the easiest DIY in the world but the good news is for under $30 (USD), you can get rid of that annoying high pitched shrill in the process
* * * Update: December 2021 * * * A new version of this DIY manual is now available. Feedback from others report that a 100 Ω / 1W resistor works best with the Blue, Black and Monkey Vomit Green displays. Also, most people agree that cutting off the existing LCD wiring harness and reusing it is easier than assembling a new Hirose connector so this has been added as Option #1
Over time, the W‑30 backlight will begin to fail and get dimmer. It takes a while to disassemble the W‑30 to gain access to the LCD, but installing a new Electroluminescent Panel (ELP) segment is quick and easy. The old ELP slides out easily after unsoldering two leads
When soldering in place, use a heatsink (a large coin also works well) and touch the leads with the soldering iron for only very brief moments and use a lower than normal temperature for the soldering iron. I had to trim off about 1mm from the top and bottom edges to make it fit. However, it"s not an issue because this flexible ELP may be bent or cut into any shape. This ELP also works with Roland S‑750, S‑770, Akai, Kurzweil and EMU samplers. The Roland W‑30 Blogspot has some good before/after pictures about this replacement. A green ELP is shown on that webpage but the instructions are valid
* * * Please Note * * * If your W‑30 has a high pitched and incredibly annoying shrill, that sound is caused by a failing high voltage inverter circuit which drives this ELP. Replacing the ELP will not stop this annoying sound. Your best course of action would be to replace the entire LCD assembly as detailed at this link
One of the most common failures on the W‑30 is a broken LCD Contrast Potentiometer which is located on the back of the sampler. This knob has a tendency to break easily during transport because Roland used a sub‑standard plastic part. Symptoms are a wobbly, unreliable knob or worst case scenario, a blank LCD. You can replace this one using an Alpha brand 9mm B10K Ohm potentiometer. The cost is only 67¢ (USD) and is available from taydaelectronics.com. The part number is SKU: A‑1850
This part is not a direct "drop‑in" replacement. Replacing this one is a little tricky because of the tight quarters and the case alignment. I had to cut off a small section at the end of all three pins and bend them at a right angle to make it fit into the PCB holes. I cut two 25mm sections from a strong paperclip, sanded off the outer chrome and soldered them to the ground frame of the pot. I then soldered the other ends to the empty GROUND trace holes on the PCB for stability (the empty GROUND trace holes were leftover from the old potentiometer). The result was a perfect fit. The old potentiometer I removed was a B5K Ohm so I"m not sure if the previous owner of this sampler replaced it sometime in the past or if Roland changed the value to a B5K Ohm on later production models?!? The schematics in the W‑30 Service Notes say this part should be a B10K Ohm pot so that"s what I used
Don"t get your potentiometers locations mixed‑up like I did LCD CONTRAST is on the MAIN BOARD and Silkscreened as VR1 INPUT GAIN is on the ANALOG BOARD and is also Silkscreened as VR1
Note: This replacement part from taydaelectronics.com is also a plastic part just like the Roland original. A metal shaft potentiometer is too large to fit through the opening in the case unless you drill it larger. You can take your replacement one step further and cut the plastic shaft off flush with the back of the case and add a flat‑blade screwdriver notch for adjustment. This way, if the back of the sampler gets knocked around during transport, the recessed knob will be unaffected. The drawback is of course, it"s not very easy to adjust the contrast knob while you are on stage
The INPUT GAIN Potentiometer is also a part which breaks easily but this potentiometer is much harder to replace because of it"s odd‑ball value which is C5K Ohm (Anti‑Logarithmic). To date, I"ve been unable to source an equivalent part number for this potentiometer
I designed these templates after being frustrated time and time again by having to move my S‑50 and W‑30 away from the wall to locate where certain audio and control jacks are located. This makes it easier to plug cables in and out without having to always face the back of the sampler... or use a mirror. There are four template variations with different fonts and color schemes for each sampler
I always thought the mouse interface on the S‑550 sucked due to a poorly designed operating system. It turns out those claims were unwarranted. I didn"t know it at the time but the problem was always with the EXT CTRL 9‑pin connector on the front panel. I opened up five S‑550"s and all five had broken or loose solder connections at this PCB location. Due to age, excessive pressure on the case, strain on the 9‑pin connector or a combination of all three, these solder connections break off or become loose. Some of the symptoms includeMouse or RC‑100 Is sluggish, intermittent, unresponsive or not working at all
Sampler stops and reboots itself for no reasonAfter reflowing new solder to all 9 pins, the mouse works better than ever now. Of course Murphy"s Law kicks in for this fix. This section of the S‑550 is the most difficult to access. It requires no less than the removal of 26 screws, the faceplate, the Jack Board, three wire harnesses and three mounting plates. Have at it!
If you are still having problems with the mouse or RC‑100 after extensive troubleshooting, be aware that there is a 1/6 Watt PICO® Fuse Resistor which may have blown. I remember back in the 1980"s when a rash of Atari computers had a similar problem. If a device other than an Atari mouse or joystick was plugged into the 9‑pin jack, it would sometimes create a short and blow a PICO fuse because one of the pins carries a +5V signal. A similar situation may exist here with the S‑550, S‑330, S‑750 and S‑770 (the S‑760 does not use a PICO fuse in the EXT CTRL circuit)
This Fast Blow PICO Fuse (P/N: 0251.750NAT1L) manufactured by Littelfuse has nearly the same resistance as the original of 0.15 Ohms. Since this is a "Fast Blow" fuse, use a heatsinkwhen soldering this component in place. Use a slightly lower than normal soldering temperature and don"t let the soldering iron make contact for more than three seconds at a time. Otherwise, the performance may be deteriorated or the fuse may open. This one (P/N: 0251.630MXL) will also work in a pinch. It has a lower blow point (630mA vs. 750mA)and a higher resistance (0.2 Ohm vs. 0.15 Ohm). The differences are so minimal that it should not be an issue (i.e. only 1/20 Ohm). As long as the blow point is lower and the resistance is close, you"re covered
If your sampler is having an issue with no video output, it is possible that a fuse in the video circuit has blown. Just like the mouse circuit, the same 1/6 Watt PICO® Fuse Resistor is used. This Fast Blow PICO Fuse (P/N: 0251.750NAT1L) manufactured by Littelfuse has nearly the same resistance as the original of 0.15 Ohms. Since this is a "Fast Blow" fuse, use a heatsinkwhen soldering this component in place. Use a slightly lower than normal soldering temperature and don"t let the soldering iron make contact for more than three seconds at a time. Otherwise, the performance may be deteriorated or the fuse may open. This one (P/N: 0251.630MXL) will also work in a pinch. It has a lower blow point (630mA vs. 750mA)and a higher resistance (0.2 Ohm vs. 0.15 Ohm). The differences are so minimal that it should not be an issue (i.e. only 1/20 Ohm). As long as the blow point is lower and the resistance is close, you"re covered
One important thing to know is that Pin #1 of the 8-pin DIN connector in the video circuit is connected to the PICO fuse and +5V DC. Pin #1 is used by some monitors and some external video boards but not by others. SCART external video boards and some older RGB monitors require a connection to Pin #1. The GBS 8200 external video board and some older RGB monitors like the Atari SC1224 and SC1435 do not use a Pin #1 connection. If you have no video output with the latter, replacing the PICO fuse will not help so look elsewhere for the problem. If you have no video out and are using an external SCART video board, check for a fried PICO fuse
Broken traces on the Switch Board are a common point of failure with the S‑550, S‑220 & MKS‑100. Over time, moving the sampler around will place too much strain on a particular section of the Switch Board and it will eventually crack. This usually occurs when the module is shipped from Point A to Point B. Broken traces on the board will set the total output volume knob to zero which renders the sampler useless. The problem area is located near the REC LEVEL and VOLUME potentiometers (VR1 and VR2). I was able to fix my S‑550 by using epoxy on the broken PCB then soldered some jumper wires to reconnect the traces which were snapped
Scratchy sound or no sound at all can also be related to the REC LEVEL or VOLUME potentiometers (VR1 and VR2). If you are experiencing scratchy sounds when using either of these potentiometers, you can replace them using an inexpensive one manufactured by Bourns. The part is available here at Mouser for less than $1 (P/N#: 652‑PTV09A‑4015FB103). Just like the original B10K potentiometers VR1 and VR2, this replacement has a very short Flatted/D shaft. The pins need to be bent slightly to fit into the PCB but it works perfectly
If your S‑550 is experiencing distorted sound output, it"s possible the previous owner was careless and connected one or more of the 1/4" output jacks to a non‑grounded mixer or some other type of non‑grounded equipment. Since the S‑550 is not grounded by default, this can easily damage one or more of the nine output transistors on the Analog Board (this board is located in the compartment underneath the sampler). It"s an easy fix if you are handy with a soldering iron. Replace all nine 2SC2878A transistors at locations Q1 through Q9. As of January 2022, there are a few vendors on eBay and AliExpress selling replacement 2SC2878A transistors. Even if you"ve isolated only one or two outputs as the culprit, take some extra time and replace all nine transistors while you have the board out. It"s possible that other transistors were damaged and are ready to fail soon. Detailed information about this fix is available in this thread over at gearsz.com. This is another reason why it"s a good idea to ditch that stupid 2‑prong Roland power cable and add a three‑prong AC power outlet to your Roland samplers/synths to ensure proper grounding! If you are in a jam and can only find 2SC2878-B transistors, they will work but... you will need a transistor tester to measure and select only those with an hFE less than 700
If your S‑50 is experiencing noise, static or distorted audio then join the crowd. Over time, the S‑50 can start to experience a problem with the relay coil which is located on the Jack Board. The relay coil is there to temporarily delay an inrush of current to the Audio Out circuit so that any annoying loud pops are avoided when you power on the sampler. The Audio Out circuit is essentially turned off for a couple of milliseconds
Tom Arnold, another S‑50 owner, has supplied an excellent solution which has been verified by several online visitors here. He designed a very small PCB which is used to replace the single relay coil by using three inexpensive, low current and easy to source relays. The big advantage to this solution is these new relays are easily swapped out when they fail. According to Arnold, the S‑50 design is prone to failure because the original single relay coil and replacement relays will eventually fail over time. Since it"s very difficult to remove and clean the factory installed relay coil, swapping out three 0.85¢ relay coils makes more sense because they are socketed on this new PCB
"This is a 3DPDT relay board to replace the 6PDT relay in the Roland S‑50. Two holes in the middle are for hold‑down screws. I recommend putting in sockets so you can replace the relays more easily as they will go out again the way they are being used."
UPDATE (November 2018) : Open Mirror from Australia was able to install this new PCB and Relay setup into his S‑50 before I was able to (it"s still on my To‑Do list).He reports excellent results. The distortion he was experiencing has completely disappeared
Some online visitors have reported they have bypassed the coil completely and just remember to keep the volume slider at zero when powering up. Since this will significantly alter the original circuit design, I won"t provide any info about that fix. It seems risky, IMO
A: Some owners have reported failures with bad solder connections on the FIP display. Use a magnifying glass to inspect for hairline cracks and reflow NEW solder if needed. The FIP driver coil for the display panel is also a common point of failure with the S‑50, S‑550, Super JX‑10, MKS‑70 and other Roland synths. The cause is a manufacturing defect which has been traced to the Sumida Corporation, the only supplier of this coil (P/N: 12449251). Unfortunately, sources for replacement coils are very difficult to find. A supplier on eBay has some redesigned replacements which sell for $75 USD. Another hope is to find an old coil from a cannibalized Roland product which uses the same part number. The JX‑10, JX‑8P, GM‑70, GR‑1, DDR‑30, S‑50 and S‑550 synths/samplers all use the same part number. However, be aware that these coils may also be defective. There seems to be no rhyme or reason as to when or if a coil will fail. Guy Wilkinson has a webpage with detailed troubleshooting of the FIP display and FIP coilat this linkNote: The image on the right shows the coil on an S‑550 Main Board as denoted by the silkscreen label T1. The coil for an S‑50 is located on the Panel Board Assembly and has a silkscreen designation of L1 even though these are the same part number. Also, the MKS‑70 synth uses a nearly identical coil but the windings are slightly different. The coil from an MKS‑70 will most likely work in a pinch
After time, some of the buttons (tact switches) will start to act intermittently or fail. The best solution is to replace all of the tact switches at the same time because if you only replace a few, others are bound to fail soon after. eBay and other vendors sell complete sets of tact switches and these range anywhere from $30 (USD) to $92 (USD). Ouch! You can save a lot of money buying them instead from an electronics supplier such as mouser.com. You can get a complete tact switch replacement set from Mouser for less than $8 (USD)
There are two types of tact switches to choose from. I prefer a harder press Operating Force of 2.6 Newton because I like to hear that solid "Click!" whenever I make a selection
(Do yourself a favor and buy a couple of spares because... shit happens!)S‑50 / 34 S‑750 / 21 S‑770 / 21 W‑30 / 29** FYI ‑ After replacing tact switches on my W‑30, the Panel Board position was lower than expected. To make all tact switches work properly when pressing buttons, I had to place a 1mm tall plastic spacer under each tact switch before soldering them in place. I"m not sure if all W‑30"s are like this or not?!? The original factory tact switches were Roland P/N: 13169633 which is the discontinued ALPS P/N: SKHHAD039A. This same tact switch was used for the D‑70, Juno‑106 and S‑10
Tact Switch Replacement (S‑760 Only)Tact switch leads for the S‑760 are mounted extremely close on top of the Panel Assembly PCB and using diagonal flush wire cutters to remove them (as explained above) is not the best method for this sampler. I recommend using the combination of an Exacto razor knife and a stainless steel hollow desoldering needle (or a solder sucker) to remove these small tact switches from the PCB. Heat the solder trace on the backside of the PCB and use the Exacto razor knife to gently pry the tact switch up and out of the PCB via. Use the stainless steel hollow desoldering needle (or a solder sucker) to remove any excess solder from the PCB vias. I found working with the S‑760 Panel Board Assembly to be a real challenge. After soldering the switches in place, two of them did not work because the solder did not make a good connection. I suspect that using a very low temperature setting was the culprit. After reflowing solder on these areas, a good contact was made. I used a very low temperature setting because the 30+ year‑old Roland PCB"s and traces are quite brittle and fall apart easily. Also note that the Panel Board Assembly and Encoder Assembly are incorrectly labeled in the S‑760 Service Notes
There are two types of tact switches to choose from. The original Panasonic tact switches installed by Roland had a light touch Operating Force of 1.3 Newton*
The original switches I previously recommended were manufactured by Panasonic but these have been discontinued. You may still be able to find some of these from other electronic supply houses like AliExpress
Although it"s not exactly a "Drop-In" solution, this rotary encoder replacement works extremely well. It requires an inexpensive custom PCB, a low‑cost commonly found rotary encoder and little bit of soldering. I have also supplied an alternate method which does not require a PCB. It takes a little more work but if you are miserly to the extreme... that"s the one for you
A defective high voltage inverter supplying current to the LCD’s Electroluminescent (EL) backlight causes a high pitched & incredibly annoying shrill. Replacing the electroluminescent panel will not solve this issue. The only solution is to replace the entire LCD assembly. It"s a lot of DIY work but luckily, you can find an inexpensive modern day replacement LCD for only $26 (USD). This replacement completely removes the high voltage inverter circuit and does not rely on an EL backlight panel because it uses a normal LED for illumination. As a bonus, there are four colors to choose from for a new LCD - White (over Black), Black (over White), White (over Blue) or Black (over Monkey Vomit Green)
DIY info for replacing an unreliable or broken FDD using inexpensive Chinon, Teac, Panasonic, Mitsubishi, NEC & other brands. Some of the instructions are easy as moving/adding jumpers while others require a steady hand w/intermediate soldering skills
A very cool, easy and inexpensive DIY using a minimal amount of parts. These same functions can be performed using the Roland EV‑5 or EV‑7 Expression Pedal
This foot pedal is a variable resistor for controlling different parameter functions on the W‑30. Depending on how the EV‑5 control jack is assigned, this pedal can modify Control Changes in real‑time. The W‑30 Control Change parameters which can be changed using an EV‑5 are
The video bleepbit posted above has info on his webpage which states, "...the trick is to set the EV‑5 to receive the Control 2 (Breath Controller) and the Breath Controller to the Aftertouch (to do it press Config 2 / F4 in the Performance Mode) and save your preferences to the System Disk (Save / F1): Now, you can manage the cut‑off in your sounds by the real‑time filter."
The EV‑5 retails for the outrageous price of $119 USD and the EV‑7 retails for even more at $279 USD. It is a very simple circuit and it is quite easy to make an equivalent tabletop hand controlled input device using a couple of inexpensive potentiometers, a 1/4" stereo plug, an enclosure and some 2‑conductor shielded cable
Instead of buying the 1/4" stereo plug and 2‑conductor shielded cable separately, I suggest that you buy an inexpensive, ready‑made cable on eBay and snip off one end. That way, you"ll have a 1/4" plug already soldered onto a cable which will eliminate extra work on your part. I have found this to be the least expensive route. I was able to build one for under $11 ‑ and that includes the shipping charges! Granted, it"s not a true foot controller but, it"s still a useful real‑time input device for the W‑30 and other samplers/synths, as demonstrated in the video above by bleepbit
The S‑550 has a pair of EPROM"s on the Main Board labeled IC#3 and IC#6 which contain the sampler firmware. Depending on the production year, these IC"s are either EPROM"s with Quartz windows or One‑Time Programmable EPROM"s (OTP). The easiest way to tell is:If they are in sockets and can be removed easily, they are EPROM"s with Quartz windows (the label on top covers the Quartz window)
These S‑550 EPROM"s are found on earlier production runsOn late production models, it will be extremely difficult to upgrade because they will be soldered onto the PCB. The part numbers shown on both of my OTP EPROM"s are LH57F003 (v2.00) and other owners have reported LH57F007 (v2.01). This is a Roland manufactured version of the Sharp LH57128‑20 OTP EPROM. It can be read and backed‑up using an EPROM burner but obviously, it will be next to impossible to unsolder it safely from the Main Board without taking a chance on breaking fragile PCB traces. My advice would be to just keep things as they are if you have v2.00, v2.01 or v2.02. I have seen a few rare cases on late production models which have socketed Quartz window EPROM"s containing v2.02 firmware
Note: Unlike the W‑30, the S‑550 does not use ODD or EVEN EPROM"s. Both IC#3 and IC#6 contain identical firmware code so you only need to backup one of the EPROM"s and burn two of the same EPROM"s when duplicating. Binary files for creating your own S‑550 EPROM"s may be downloaded for free at the Synth & Sampler Binaries Webpage
To check the current firmware version of your S‑550 EPROM"s, a monitor needs to be connected to the RGB port of the sampler Power on the S‑550 while holding down the [ 1 ] button on the DATA ENTRY KEYPAD
Press the following buttons in order: [ FUNC ] [ MENU ] [ ∇ ] [ EXECUTE ] [ MENU ] [ 1 ] [ DEC / NO ] A message similar to the following will be displayed on the CRT screen:
Ver # disp MT25 ROM. Ver. 2.01 05 AUG/88(This Line Displays The EPROM Firware Version#)S‑550 SYS. Ver 1.13 26 OCT/88(This Line Displays The Floppy Boot Disk O/S Version#)
This is a list of all the S-550 EPROM firmware versions I have found in the wildMT25 ROM. Ver. 2.00 11 SEP/87 MT25 ROM. Ver. 2.01 05 AUG/88 MT25 ROM. Ver. 2.02 01 FEB/88Through extensive testing, I have been unable to find any differences between these three versions. My best guess is that some minor changes were made to improve timing on the SCSI chain
Every W‑30 I have ever seen(early and late production models)have both EPROM"s IC#19 (EVEN) and IC#20 (ODD) socketed so they are much easier to work with. Also, I"ve never seen any version other than v1.03. The only real need to make copies of these two EPROM"s would be to have a backup available in the event the electrons deplete over time. For more info about electron depletion, see the EPROM Quick Start Guide
Special Thanks go out to Ishibashi Hisao and Bernd Brüning for all of their hard work on this very cool and FREE W‑30 upgrade. It replaces the two default Wave ROM"s with new code on the factory Wave ROM IC"s and contains 32 new Wave samples. Vintage Drums, Oberheim, Moog, Juno and several others are included. For more information, see this YouTube video
Carefully unsolder the two original Wave ROM"s on the MAIN PCB at locations IC29 and IC30NOTE: DO NOT confuse these new Wave ROM"s with the main O/S EPROM"s at locations IC19 and IC20
After burning the new Wave ROM"s, plug them into the new 32‑pin DIP sockets Ensure the IC notches are aligned correctly in the DIP sockets before you turn on the W‑30 ! ! ! ! !
You will also need a new custom W‑30 Boot Disk to use these new Wave ROM samples (included in the download link from above). After starting‑up your sampler with a custom boot disk, the W‑30 will work just like before but it will have a new set of amazing default Wave ROM samples to work with. Included in the download link above are variations of W‑30 boot disks. Depending on the setup you are using, these are the new boot disks to use:v1.10(Only 3.5" FLOPPY or GOTEK) v1.07 (SCSI2SD / HARD DRIVE / CDROM / ZIP DRIVE)v1.06 (Only 3.5" FLOPPY or GOTEK - Fast Boot)v1.01 (Only 3.5" FLOPPY or GOTEK - Old School Version)Note: If you are new at burning synthesizer Wave ROM"s, there are detailed instructions for creating your own at this link
If your old S‑550 switch is experiencing problems, don"t bother trying to repair it. Some of the parts inside are sealed in plastic and other parts are wired in place. Repairing it is a lost cause. This power switch works with the S‑550, S‑220, MKS‑100 and a wide selection of other Roland synths and samplers including the D‑110, D‑550, GM‑70, JV‑880, MKS‑20, MKS‑50, MKS‑70, MKS‑80, and U‑220. In the 1980"s and 1990"s, this power switch was also used with a variety of Sony/JVC/Panasonic TV"s and component stereo devices. This power switch is quite robust and therefore more expensive than most. Replacements can sometimes be found on eBay for about $10 (USD). Do a keyword search for "ALPS SDGA3P"
If your old switch is experiencing problems, the outer shell is removable and the inner workings can most likely be repaired by cleaning the contacts only if you have the skillset and patience of a watchmaker and you like puzzles. Use caution if you attempt to repair this switch! My experience with this one proved they explode like a hand grenade because they are spring loaded. Use eye protection and only open the outer case while holding it inside a Ziploc baggie to keep the parts inside from flying across the room! Replacement switches can be found on eBay for only $2.50 (USD). Do a keyword search for "ALPS SDL1P‑D" or visit the jk_parts storefront on eBay
There are four different models of the S‑550 sampler. Each one uses a different transformer (110V, 117V, 220V or 240V). The DIY"s shown above were installed and tested on five different S‑550 samplers. Four of the models tested use the 117V transformer and the fifth uses a 240V transformer. 117V And 240V transformer systems use identical Power Supply Board Assembly PCB"s. Main CPU Board Assembly silkscreen part numbers on the five models tested were
There are two different models of the W‑30 sampler each using a different Power Supply Board (110V/117V & 220V/240V). The DIY"s shown above were installed and tested on two W‑30 models using only the 110V/117V transformer model. The Main CPU Board Assembly silkscreen part numbers on both models tested was
S/N"s: AB0xxxx & AB1xxxx w/socketed EPROM IC"s v1.03It"s interesting to note that the W‑30, S‑330, S‑750 and S‑760 samplers all use the identical Power Supply Board. If you find yourself in a pinch and can"t find a replacement power supply, one option might be to buy a "broken" sampler on eBay (i.e. one with a broken floppy drive, broken LCD, etc...) which has the same model power supply inside... provided it powers on, of course :^)
The schematic for this power supply is absent from the W‑30, S‑330, S‑750 and S‑760 Service Notes. A stripped down schematic and component layout does appear in the S‑770 Service Notes. However, there are no component values listed... only the PCB silkscreen numbers. This model is extremely difficult to repair because TDK also took extra precautions to protect their design by encasing some of the circuitry inside a shell of polyresin. Thus, some of these components can"t be replaced or even identified. Thanks soooooo much :^(
Listed above are the Main PCB Board Assembly model numbers used for testing these DIY"s. It"s highly unlikely, but there is always a possibility that some modifications and add‑on gadgets will not work with other Main PCB Board Assembly models. Modifications made to any factory stock equipment will always pose an element of risk. Sometimes mistakes are made which are irreversible. The author is not responsible for any damage or injury resulting from this DIY info. Use this DIY information at your own risk
I"ve compiled a small cross reference chart which is useful for matching duplicate spare parts on Roland synths and samplers. I use this list to find spares on broken equipment bargains found at eBay auctions. I just bought an S‑220 for only $23 which has enough spare parts for 19 different Roland synths and samplers. Gotta love eBay!
Tips For DIY Freaks Who Like To Save $$$. I picked this selection of gadgets and vendors because of the extremely LOW cost. I use everything shown here almost every day and highly recommend each one