adjust the sensitivity of the lcd panel pricelist

Enter Calibrate in the search box, tap Settings, and then Calibrate the screen for pen or touch input to open Tablet PC Settings. Check that the monitor shown in the Display field matches the screen you want to calibrate.

Disclaimer: There are links to non-Microsoft websites. The pages appear to be providing accurate, safe information. Watch out for ads on the sites that may advertise products frequently classified as a PUP (Potentially Unwanted Products). Thoroughly research any product advertised on the sites before you decide to download and install it.

Harassment is any behavior intended to disturb or upset a person or group of people. Threats include any threat of suicide, violence, or harm to another.

Most people consider overhead and ambient lighting to be the biggest factor when it comes to light sensitivity. The light that computer and device screens emit can be just as troublesome. The way the screens are lit and how they perform when dimmed can affect how you feel.

LCD screens are backlight by a fluorescent bulb – and they have the same issues as any other sort of fluorescent light. Dimming LCD screens can helpful, since the less intense the light from a fluorescent is, the less intense the invisible flicker is. Screens that are too dark can cause eyestrain, so be sure you find a comfortable balance.

LED-lit LCDs are, unsurprisingly, lit by LEDs. LEDs can only be completely on or completely off. To simulate any brightness less than 100%, they must pulse on and off. Dimming these screens causes an invisible flicker that is otherwise not an issue with most LED screens. Just like with fluorescent lights, the flicker is undetectable to the human eye, but the brain can still pick it up and make you feel ill.

If you have an LED-lit LCD that bothers you try keeping the brightness at 100%. If that"s uncomfortably bright, try adjusting your computer’s white balance to make the light warmer or use a program like f.lux, which automatically changes the white balance according to the time of day.

Reference:Sun J. Pulse width modulation. In Vasca F & Iannelli L (Eds.),Dynamics and control of switched electronic systems. 2012. Springer-Verlag: London.

Did you know you can change the touch sensitivity of your phone? All smartphones, including Android and iPhones, come with a default touch sensitivity which is usually good enough for most situations, but if you feel that your phone’s touch screen is too fast or slow, or otherwise not meeting your needs, you can change the touch sensitivity on your phone.

Android has a feature that allows you to control the sensitivity of your screen. This feature can be particularly useful for people with dexterity issues. If you want to be very sure you are touching the right thing, set the screen sensitivity lower and you will have to work harder to activate things. If you need a softer touch, set the sensitivity higher.

Protects your phone by land and by sea! Built-in foam padding and 2 layers of high-quality PVC-plastic provide maximum protection against pressure, puncture and penetration, making it the only case that"s not only drop, scuff, and waterproof, but the only one that keeps your phone floating above water!

Protects your phone by land and by sea! Built-in foam padding and 2 layers of high-quality PVC-plastic provide maximum protection against pressure, puncture and penetration, making it the only case that"s not only drop, scuff, and waterproof, but the only one that keeps your phone floating above water!

You can change touch sensitivity on Android by going into Language & Input settings. This feature appears in different locations, depending on the model. Some smartphones have a separate setting, but you can also just search for “Language & Input” in your settings.

5. Turn ON Touch Accommodations and do not change anything else here on this page at all. When done, go back to the home screen and try using your iPhone or iPad as you normally would.

The iPhone has two sensitivity modes for Haptic Touch — Fast and Slow. By default, Apple sets the Haptic Touch to the Fast mode, which can be too sensitive if you are getting used to the functionality. Switching to the Slow mode using the steps below can prevent accidental triggers of Haptic Touch.

3. Tap 3D & Haptic Touch. Depending on the device you have, only the 3D Touch or the Haptic Touch option might appear. For 3D Touch, turn on the feature, then use the slider to select a sensitivity level. For Haptic Touch, choose a touch duration speed, then tap the image to test your setting.

You can centralize management of target CPM or floor prices across all your programmatic demand with unified pricing rules. Find unified pricing rules by navigating to Inventory

Unified pricing rules also include Header bidding in yield groups, which allow publishers to integrate their header bidding demand directly into yield groups, and allow users to indicate the specific inventory sold.

By default, a pricing rule applies to everyone and all creative types and sizes (with the Set pricing for everything option). However, you can optionally specify pricing for individual advertisers, brands, sizes, and more (with the Set pricing for specific items option). When you do so, there"s a remaining optional setting to specify Pricing for everything.

The price under Set Pricing for everything applies to any advertisers, brands, sizes, and so forth, for which you set different prices. Within a rule, the price setting with the higher price applies.

For example, suppose you set the specific floor price of $3.00 for the travel advertiser YourAdventure and for the size 728x90. In the same rule, under Set pricing for everything, you set a a floor price of $4.00. Since the floor price under Pricing for everything is higher ($4.00), it will apply to the travel advertiser YourAdventure and to the size 728x90.

Good practice suggests setting the price under Set pricing for everything to a value lower than those included for individual advertisers, brands, sizes, and so forth, or to leave the Set Pricing for everythingoption turned off.Remnant line item types and prices

Price Priority, Network and Bulk line items can compete in the auction. Unified pricing rules affect line item types Price Priority, Network and Bulk. Line items of this type must have a CPM that meets or exceeds the price set in unified pricing rules to compete in the auction.

House line items only serve when no remnant line items (Network, Bulk, Price Priority), Ad Exchange or Open Bidding demand are available to serve. That is, House line items are treated as if they have a $0 rate and do not compete on price via dynamic allocation.

House line item CPM determines the ranking of eligible House ads. However, House ads don’t need to meet the floor price or target CPM set in unified pricing rules to be eligible to serve, so they effectively act as fall-back ads.

You can set pricing rules that apply only to creatives in selected sensitive categories. Some ads are considered “sensitive” due to the nature of the business or ad—such as Sensationalism or Significant Skin Exposure. Our system classifies ads automatically, and we don’t rely on advertiser-provided categorization.

You can set pricing rules that apply to only display or video (in-stream and out-stream) creatives. Note that the floor prices and/or target CPMs still apply across all inventory formats (including rewarded, banner, in-stream, native, interstitial, and app open). The demand’s creative type determines which floor/target CPM is applied.

Video skippability: Choose for the pricing rule to apply to only skippable video ads, only non-skippable video ads, or to simply not limit pricing based on skippability.

Advertiser- and brand-specific pricing can be configured in unified pricing rules. They don"t apply to remnant line items. Per-buyer and per-bidder pricing are not available.

Unified pricing rules set in the Ad Manager network of the primary ("mapped") Ad Exchange account apply to any inventory you"re backfilling from linked Ad Exchange accounts. Learn more about primary versus linked Ad Exchange account.

You may have linked Ad Exchange accounts. These are secondary Ad Exchange accounts belonging to another Ad Manager network. They are associated with or linked to the primary ("mapped") Ad Exchange account belonging to your Ad Manager network. Typically, secondary Ad Exchange accounts are linked to your primary Ad Exchange account in order for the primary network to backfill inventory for line items in the other Ad Manager network.

Ad Manager A owns the secondary Ad Exchange account, while Ad Manager B own the primary ("mapped") Ad Exchange account and backfills inventory coming from Ad Manager A.

By default, a pricing rule applies to everyone and all sizes and creative types (with the Set pricing for everything option). You can optionally select Set pricing for specific itemsand enter a unique floor price or target CPM for the items you specify.

When you select Set pricing for specific items, the Pricing for everything checkbox appears as an additional option below. You can select the checkbox and set a floor price or target CPM for this option. If turned on, the price set under Pricing for everything is inclusive of any advertisers, brands, sizes, creative types, and so forth, even those you selected above this option. Learn more about pricing for everything.

Match in-stream video requests: When you select a size in the "Sizes" field, the rule will never be applied to in-stream video requests. To traffic to in-stream video, make sure the "Sizes" field has a value of Any size.

Set target CPMs(default): This is an alternative way of setting a floor price that allows for increased fill rate and yield, while still maintaining an average minimum price for your inventory. Leveraging Google’s machine learning expertise, target CPM dynamically adjusts the floor price on matching inventory to maximize yield.

For any unified pricing rule you create, you can review the number of remnant line items below the price set in the rule. Total line items shown compares the price in a rule with the CPM of remnant line items, and does not take targeting into account.

To see affected line items, enter a floor price or target CPM. The "Affected remnant line items" section lists any Price Priority, Network and Bulk line items that are below the price you specified. For instance, you might see:

Line items that are below the price set in unified pricing rules appear in line item troubleshooting. For "Non-delivery causes", you"ll find the a "Below pricing rule floor" reason. From here, you can click through to the pricing rules that are affecting the line items in question. Learn more about troubleshooting using below pricing rule floor.

Apple"s new pressure sensitive 3D Touch can be adjusted for sensitivity, allowing users to require more or less force to invoke the input method. Here"s how you can customize it to your liking.

By default 3D Touch is enabled and set to "medium" pressure on a new, out-of-the-box iPhone 6s. But there"s a way deep within the iOS Settings app to change how much pressure is required for 3D Touch.

In Settings choose General and then Accessibility. Scroll down to the fourth grouping of accessibility options where you"ll find the new first item is a 3D Touch menu.

In there, users can choose to turn 3D Touch on or off entirely, or adjust the sensitivity required for it to work. Apple offers three options: light, medium, or firm.

Conveniently, the menu also includes a "3D Touch Sensitivity Test" directly below the adjustment. Here, users can change the sensitivity and then immediately test how it feels for them.

As in other parts of iOS, the sensitivity test includes both "peek" and "pop" modes. Lightly pressing on the image of flowers brings up the photo into peek mode, while a firmer press opens the photo full-screen, with an option to close the image appearing at the bottom of the display.

For some, the default medium setting might require too firm of a press to invoke 3D Touch. And for others, it"s possible that the force with which they normally press their iPhone inadvertently invokes 3D Touch, for whom a firm setting might be preferable.

For more, see AppleInsider"s first look video with the new iPhone 6s, demonstrating how Force Touch works in iOS 9 and what new quick capabilities it will offer users of Apple"s latest handset.

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To create an LCD, you take two pieces ofpolarized glass. A special polymer that creates microscopic grooves in the surface is rubbed on the side of the glass that does not have the polarizing film on it. The grooves must be in the same direction as the polarizing film. You then add a coating of nematic liquid crystals to one of the filters. The grooves will cause the first layer of molecules to align with the filter"s orientation. Then add the second piece of glass with the polarizing film at a right angle to the first piece. Each successive layer of TN molecules will gradually twist until the uppermost layer is at a 90-degree angle to the bottom, matching the polarized glass filters.

As light strikes the first filter, it is polarized. The molecules in each layer then guide the light they receive to the next layer. As the light passes through the liquid crystal layers, the molecules also change the light"s plane of vibration to match their own angle. When the light reaches the far side of the liquid crystal substance, it vibrates at the same angle as the final layer of molecules. If the final layer is matched up with the second polarized glass filter, then the light will pass through.

If we apply an electric charge to liquid crystal molecules, they untwist. When they straighten out, they change the angle of the light passing through them so that it no longer matches the angle of the top polarizing filter. Consequently, no light can pass through that area of the LCD, which makes that area darker than the surrounding areas.

Building a simple LCD is easier than you think. Your start with the sandwich of glass and liquid crystals described above and add two transparent electrodes to it. For example, imagine that you want to create the simplest possible LCD with just a single rectangular electrode on it. The layers would look like this:

The LCD needed to do this job is very basic. It has a mirror (A) in back, which makes it reflective. Then, we add a piece of glass (B) with a polarizing film on the bottom side, and a common electrode plane (C) made of indium-tin oxide on top. A common electrode plane covers the entire area of the LCD. Above that is the layer of liquid crystal substance (D). Next comes another piece of glass (E) with an electrode in the shape of the rectangle on the bottom and, on top, another polarizing film (F), at a right angle to the first one.

The electrode is hooked up to a power source like a battery. When there is no current, light entering through the front of the LCD will simply hit the mirror and bounce right back out. But when the battery supplies current to the electrodes, the liquid crystals between the common-plane electrode and the electrode shaped like a rectangle untwist and block the light in that region from passing through. That makes the LCD show the rectangle as a black area.

This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.

Apple"s new pressure sensitive 3D Touch can be adjusted for sensitivity, allowing users to require more or less force to invoke the input method. Here"s how you can customize it to your liking.

By default 3D Touch is enabled and set to "medium" pressure on a new, out-of-the-box iPhone 6s. But there"s a way deep within the iOS Settings app to change how much pressure is required for 3D Touch.

In Settings choose General and then Accessibility. Scroll down to the fourth grouping of accessibility options where you"ll find the new first item is a 3D Touch menu.

In there, users can choose to turn 3D Touch on or off entirely, or adjust the sensitivity required for it to work. Apple offers three options: light, medium, or firm.

Conveniently, the menu also includes a "3D Touch Sensitivity Test" directly below the adjustment. Here, users can change the sensitivity and then immediately test how it feels for them.

As in other parts of iOS, the sensitivity test includes both "peek" and "pop" modes. Lightly pressing on the image of flowers brings up the photo into peek mode, while a firmer press opens the photo full-screen, with an option to close the image appearing at the bottom of the display.

For some, the default medium setting might require too firm of a press to invoke 3D Touch. And for others, it"s possible that the force with which they normally press their iPhone inadvertently invokes 3D Touch, for whom a firm setting might be preferable.

For more, see AppleInsider"s first look video with the new iPhone 6s, demonstrating how Force Touch works in iOS 9 and what new quick capabilities it will offer users of Apple"s latest handset.

This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.

Yes. You can tap on the screen to select titles or pause music. Or, swipe from the left edge to the right to go back, or swipe up from the bottom edge to access settings.

Yes. Google Assistant devices can operate together when connected to the same Google Account. However, based on proximity and mic sensitivity, the device that best detects your voice command will be the one that responds to you.

They vary according to the size of the device: Smart Display 7: 2 x 1.5", 5W stereo speakers, plus passive radiator; Smart Display 8: 1.75", 10W full-range speaker​, plus 2x passive tweeters; Smart Display 10: 2", 10W full-range speaker, plus​ 2x passive tweeters

This really depends on the volume of your voice, background noise, and volume setting. Lenovo Smart Display should be able to hear you from across the room, up to around 5 meters away.

Yes. Lenovo Smart Display can be linked to up to 6 accounts via the Google Home app. When Voice Match is set up on the app, the Google Assistant will be able to return customized answers to your family"s queries based on your family"s calendar, settings, preferences, and subscriptions.

This is determined by the Google Assistant capabilities, which are constantly evolving. Visit http://support.google.com/assistant/answer/7544506?ctx=assistant_partner_lenovo to find out more.

Yes. Lenovo Smart Display requires the Google Home app for set up. The app will let you link Lenovo Smart Display with your Google Account, and will allow the Google Assistant to send relevant information to your phone – directions to a point of interest you have asked for, for instance.

This is determined by the Google Assistant capabilities, which are constantly evolving. Visit http://support.google.com/assistant/answer/7544506?ctx=assistant_partner_lenovo to find out more.

Yes. When you set up your Google Assistant, you’ll be asked whether you want to share your information with Google. You can change these permission settings at any time in the Google Home app. Visit support.google.com/assistant to find out more.

Yes. Lenovo Smart Display works with more than 30,000 smart home devices from more than XYZ brands. It can control all gadgets featuring the “works with the Google Assistant” badge.

Google Assistant on Lenovo Smart Display already has some predefined routines. For instance, try “Hey Google, good morning” or “Hey Google, good night”. To customize or create your own Routines, visit the ‘Settings” panel of your Google Home app.

Yes.. As of May 2018, the Google services supported by the Google Assistant are: YouTube, Google Play Music, Google Calendar, Google Maps, Google Duo, Google Photos, Google Express, Google Chromecast, Google Translate, and Google Search. To find all supported services and actions, visit assistant.google.com/explore.

Lenovo Smart Display is designed to work best in your home and with networks that allow deviceto-device communication. If the router/network on which you are attempting to set up Lenovo Smart Display has access point or client isolation enabled, or blocks mDNS, you will not be able to complete the set up. To recover and setup properly: 1- Remove the device from Google Home app if it shows up in the linked device list 2- Factory reset the device by pressing and holding the (+) and (-) volume buttons for 15 seconds until you see a message indicating restoration 3- Reset up your device on a network that allows device-to-device communication

Will the device work for those that are hard of hearing, given you need to be able to listen to its responses? Does it caption the audio? Are there any accessibility features? If there aren’t at launch, will there be soon?

Yes. Google Assistant on Lenovo Smart Display is there to be helpful to all. At the most basic level, it has graphical/text content for many of its features. For example, it displays text for Search answers. In addition, for those who are hard of hearing, they can activate closed-captions style voice transcriptions in order to be able to read exactly what the Google Assistant is saying. There are also other additional accessibility features, including a screen reader, color inversion, and screen magnification.

Yes. As an update becomes available, Google will release the update across all Lenovo Smart Displays. This includes feature, security, and OS updates for the foreseeable future.

We take our customers" privacy very seriously. That"s why, we do not collect any user data through Lenovo Smart Displays. It"s also why Lenovo Smart Displays have security features to enhance privacy, including a TrueBlock Privacy Shutter which physically blocks the camera, a microphone mute button, and a visual indication to let you know whether the camera and mic are off or on.

The color tone sensor is able to detect lighting conditions in the room. It then dynamically adjusts the brightness and display tones accurately to provide a more natural looking image.

An articulating or vari-angle LCD – commonly called a flip screen – is a useful addition to a camera. The screen is mounted on a swivel, allowing you to flip the screen away from the camera body and rotate the LCD 360 degrees.

Flip screens have traditionally been useful for taking photos at unusual angles. For instance, framing a bug’s-eye view from ground level used to mean setting your camera down low and awkwardly trying to see through the optical viewfinder. There was usually a lot of guesswork involved.

With a vari-angle, or flip screen, you can now set the camera up at ground level and angle the articulating LCD up towards you and frame the scene in live view.

Likewise, a flip screen allows you to shoot overhead by swivelling the screen down. Street photographers might also appreciate a swivel screen because it can let you shoot more discreetly. Shooting from the hip is a lot easier with a flip screen and gives you more control. Hold the camera against your body and angle the swivel screen upwards so you can frame your shot, then shoot discreetly.

Despite all these advantages for shooting stills, it’s probably the rise of vlogging that has seen the popularity of cameras with flip screens soar. Like shooting self-portraiture, vlogging requires placing yourself on the other side of the camera, and before flip screens were a thing this required a lot of careful setup and trial and error.

But swivel LCD touchscreens mean you can now place your camera in front of you, frame your shot accordingly and simply tap the screen to take a picture or start recording. If you have even modest ambitions to post videos on YouTube, a camera with an articulating screen will undoubtedly be the best option for you. In this guide we’ll round up the best cameras with flip screens.

Metering: 384-zone metering with Evaluative metering (linked to All AF points), Partial metering (approx. 6.1% of viewfinder at centre), Spot metering: Centre spot metering (approx. 3.1% viewfinder at centre), Centre weighted average metering

Autofocus: Dual Pixel CMOS AF II with Advanced Animal AF (recognising dogs, cats and birds) supported in all video modes with 100% coverage and up to 1053 "AF segments"

The Canon EOS R5 leaves little doubt that Canon is now serious about the mirrorless camera market. It has phenomenal specification with features like a 45Mp full-frame sensor, phase detection autofocusing that covers the whole frame, eye AF for humans and animals that works in video and stills mode and a class-leading viewfinder paired with a vari-angle touchscreen.

The Canon EOS R5 is built to a similar standard to the Canon EOS 5D Mark IV and has a magnesium alloy construction along with weatherproof seals. Its handling is also similar, but the control arrangement has changed to accommodate the vari-angle screen.

It’s great to have a vari-angle screen on the EOS R5. It makes it much easier to shoot video from above or below head-height while keeping the kit size and weight down. Also, as the screen is touch-sensitive you can control the camera with a few taps.

Autofocus: Dual Pixel CMOS AF II with Advanced Animal AF (recognising dogs, cats and birds) supported in all video modes with 100% coverage and up to 1053 "AF segments"

While the R6’s viewfinder is the same size as the R5’s (it’s a 0.5-inch type), its resolution is lower at 3.69million dots instead of 5.76million. That’s the same as in the EOS R and on par with the electronic viewfinders in the Sony A9 and Nikon Z7. It’s a great EVF specification for a camera of this level.

If the display performance is set to ‘Power saving’ in the Shoot8 section of the menu, fast-moving subjects look a bit jerky when you shoot them. Switching to the ‘Smooth’ setting makes the movement look more natural.

There’s also a 3-inch vari-angle touchscreen with 1.62million dots. We’re a fan of vari-angle screens because they make shooting portrait or landscape format images from above or below head-height much easier than a fixed screen. And a tilting screen is only of help with landscape format images.

Both the viewfinder and the screen provide an accurate preview of the image as it will be captured. Overall, Canon’s control arrangement on the R6 and use of touch control is excellent and the vari-angle screen is a real asset.

Autofocus system: Hybrid AF with 759 phase detection points and 425 contrast detection points, Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select), sensitive down to -4EV

After we reviewed the Sony A7 III, a flip-out touchscreen was at the top of our wishlist for improvements we’d like to see on the next iteration of Sony’s full-frame all-rounder. Sure enough, Sony has given the A7 IV a vari-angle screen that can be flipped face forward or be angled to help compose low- or high-level shots in either landscape of portrait orientation.

What’s more, the A7 IV’s 3-inch 1,036,800-dot screen is touch-sensitive and users can now navigate the menus and settings with a tap. In previous Sony touchscreen LCDs, you were limited to setting the AF point via touch.

Sony has also carefully thought through the design, as well, placing the A7 IV’s mic port just above the screen on the side of the camera so it can still move freely when an external mic is plugged in.

OM System has given the OM-1 a very bright 1.62-million dot vari-angle touchscreen. It’s a 3-inch screen and like on the OM-D E-M1 III and OM-D E-M1X and it’s mounted on a vari-angle hinge. This vari-angle hinge means the screen can be angled for clear visibility whether you’re shooting in landscape or portrait orientation.

Like the screens on existing Olympus Micro Four Thirds cameras, the OM-1’s screen is touch sensitive. It responds quickly to a tap and it’s a shame that OM System’s hasn’t extended the touch control to the new main menu.

In overcast conditions and indoors, the OM-1’s screen gives an excellent view it also performs well in brighter conditions. my toughest test for this was when skiing on a bright sunny day trying to video my companions ahead of me. Keeping them framed as we all moved over the piste was challenging, but thankfully, I was able to see them on the screen.

Although Panasonic Lumix S5 is smaller than the GH5, it has a well-proportioned and ergonomically shaped grip. A rubber-like coating also ensures that the camera feels secure in your hand. It’s also weather-sealed so you don’t need to worry if the weather changes when you’re out on a shoot.

Despite the shrinkage in size and weight, the Panasonic Lumix s5 has both a 3-inch 1,840,000-dot vari-angle touchscreen and a 2,360,000-dot OLED electronic viewfinder built-in.

The Panasonic GH5 has a vari-angle screen and it was high on the request list for the S-series camera when their development announcement was made. However, the S1 and S1R have 3-way tilting screens. These are useful if you’re shooting in landscape and portrait format images, but they’re not as intuitive or flexible to use as a vari-angle screen and they can’t be seen from in front of the camera.

Happily, the Lumix S5’s screen delivers what many were hoping for and it can be flipped around to face forwards. It means that the S5 could also be a good full-frame vlogging camera.

Further good news is that, like the viewfinder, the S5’s screen provides an excellent preview of the image. If you’re shooting outdoors in bright conditions it’s worth activating the Live View Boost to brighten screen to make the scene easier to see. The screen is also very responsive to touch.

Sensitivity range: Stills (normal): ISO 100-25600 (expandable to ISO 50-25600), (V-Log) ISO 250-12800 (expandable to ISO 125-12800), Video: (Normal) Dynamic Range Boost OFF (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 800): Auto / 800-12800 (V-Log) Dynamic Range Boost OFF (Base ISO 250): Auto / 125 (Extended ISO) / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800 (Hybrid Log Gamma) Dynamic Range Boost OFF (Base ISO 250): Auto / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800

The Panasonic GH6 has a 3.0-inch 1,840K-dot tilt and free-angle touchscreen with an aspect ratio of 3:2 on its rear. The tilting aspect of the screen isn’t immediately obvious, but pressing the button underneath the monitor’s bottom left corner releases the mechanism so the screen can be tilted up from the bottom.

There are two stop points in the screen’s tilt movement. The first one is at the right point to enable the screen to be flipped out to the side of the camera without catching on the viewfinder while the second one at about 45° gives a more comfortable viewing able when shooting at waist-height.

To the uninitiated, the tilt and free-angle combination may seem a bit over the top but it means that the screen can be flipped out and twisted to face forwards, up or down, without fouling on any of the cables that may be connected to the ports on the left side of the camera (mic, USB-C and full-size HDMI).

With 1.84-million dots, the 3-inch screen gives a good view of the scene and doesn’t suffer to badly from reflections even in sunny conditions (at least not in March in the UK). However, even when shooting video, there are times when it’s preferable to use the 3,680k-dot 0.76x OLED viewfinder. This has a contrast ratio of 10,000:1 and gives a sharp, accurate preview of the scene.

The GH5 is Panasonic’s flagship compact system or mirrorless camera and it has a mini-DSLR design, featuring a high-quality electronic viewfinder and vari-angle touch-screen. As a Micro Four Thirds camera it’s compatible with an extensive collection of Micro Four Thirds mount lenses from Panasonic and Olympus as well as third-party manufacturers.

While its viewfinder is still a 21mm OLED device, its resolution has been bumped up from 2,360,000 dots to 3,680,000 dots from the GH4 and the magnification is 0.76x rather than 0.67x. It provides a very clear and detailed view of the scene.

Panasonic has also upgraded the rear screen and it now measures 3.2-inches across the diagonal and has 1,620,000 dots. It’s still a vari-angle unit but instead of an OLED screen it’s an RGBW LCD. It provides a nice sharp view and the revised menu, which has fewer pages but more lines, is clear. The screen also responds quickly to tap of your finger.

The GH5 is a complex camera and it will take some getting to know, but all the main controls that you want on a shot-by-shot basis, for example to adjust exposure and white balance or to set the AF point are within easy reach. There are also plenty of customisable buttons to help you get it working as you want.

Sensitivity: Video: ISO 80-102,400 expandable ISO 40-409,600. ISO base in S-Log is ISO 640 but it can be expanded down to ISO 160. Stills: ISO 80-102,400 expandable 40-409,600

Autofocus system: Hybrid with 759 phase detection points and 425 contrast detection points, Real Time Eye AF (Human and Animal for stills, Human for video)

Like previous A7S models, the Sony A7S III has a full-frame sensor with 12.1 million effective pixels. Keeping the resolution down benefits its low-light capability by keeping noise levels down.

As well as a host of improvements to its video specification, the Sony A7S III introduces the highest-resolution electronic viewfinder we’ve seen to date and it’s the first Sony A7-series camera to feature a vari-angle screen.

According to Sony, the 3-inch vari-angle screen wasn’t a request for the A7S III, it was a demand. It’s certainly something I’ve mentioned on many occasions.

In the past, the argument against one has been that a vari-angle hinge is less robust than a fixed screen and that ‘most dedicated videographers use an external monitor’. Those two points may still be true, but one of the key benefits of using a camera like the A7S III is its small size. If you start having to add an external monitor it makes it bigger and heavier.

Sony is also at pains to point out that the A7S III is for new videographers as well as experienced shooters and many of those people are unlikely to want to also lash out on a monitor.

It’s good to see that there’s an option to show a red outline around the on-screen image when the camera is recording. There are times when this is more useful than the usual flashing red dot.

After the 8K-capabilities of the Canon EOS R5, the Sony A7S III might seem a bit of an anti-climax. We’re sure some videographers were hoping for a big jump in resolution from the 12mp A7S II. However, Sony already has the 61Mp A7R IV and the 24Mp A7 III, so sticking with 12Mp means that the A7S III has even better low-light capability than its predecessor but with a much better autofocus system, a vari-angle screen and the highest-resolution viewfinder around.

As with Canon’s full-frame mirrorless cameras, including the flagship Canon EOS R3, the R7 has a vari-angle touchscreen. This is great for composing low- and high-level shots in landscape or portrait orientation. Because Canon has embraced full-touch control, it’s also useful for changing camera settings with a tap.

Overall, Canon’s new flagship APS-C mirrorless camera has a layout and design all of its own, yet it retains some of those signature Canon design marks that will help people quickly adapt to using it.

Although the 0.39-inch 2.36million-dot electric viewfinder on the Canon EOS RP doesn’t match those in recent high-end mirrorless cameras for resolution, it still provides a decent preview of images. And let’s not forget, the RP is much more affordable than other new full-frame mirrorless cameras.

With Exposure Simulation activated, you get an accurate view of the final image’s brightness as well as the colour. However, if you want to see the depth of field, you’ll need to customise one of the camera’s buttons to that purpose. Or of course, you can take a quick shot. That could be avoided, however, if Canon showed the preview with the selected aperture applied.

Like the EVF, the 3-inch screen’s 1.04-million-dot resolution doesn’t really wow these days, but the fact that it’s mounted on a vari-angle hinge is great. That means you can twist it around to give you a clear view whichever angle you’re shooting from. And unlike a tilting screen, it’s useful if you’re shooting in portrait or landscape orientation.

We love that Canon has enabled the RP’s touchscreen to be used for browsing the Quick and main menu, selecting settings and browsing through images as well as setting the AF point. It really speeds using the camera and makes it more intuitive. It’s also good that this isn’t at the expense of physical buttons and dials.

Autofocus system: Intelligent Hybrid with up to 425 points plus subject detection for humans, animals, birds, automobiles, motorcycles, aeroplanes and trains

Viewfinder: 0.5 inch 5.76 million-dot OLED Color Viewfinder with 100% coverage Eyepoint: approx. 24mm Diopter adjustment: -5~+3m-1 Magnification: 0.8× with 50mm lens

Among the many improvements Fujifilm put into the X-H2S over the X-H1 is an upgrade of the LCD screen. Instead of the 3-way tilting screen of the X-H1, the X-H2S has a vari-angle screen that can be flipped out and rotated to face forward for vlogging. This means it’s useful when the camera is above or below head-height in landscape or portrait orientation.

There are a number of handling changes in the X-H2S in comparison with the X-H1, and anyone looking at the camera with fresh eyes cannot fail to be impressed by its build and capability.