gopro hero+ lcd waterproof case made in china

HERO11 Black & HERO10 Black are rugged and waterproof right out of the box, but this housing handles anything you can throw at it. It protects from dirt and flying debris, and it’s waterproof down to 196ft (60m) for deep-water diving.

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Last week, GoPro announced the Hero4 Session, a small, square camera that doesn"t need a waterproof housing. The diminutive size and simple controls (one press turns it on and starts it recording) gave the Hero4 Session unique character, but its price -- $400 -- caused a few double-takes. Why? Because that makes this 1080p camera (with 8-megapixel stills) just as expensive as the Hero4 Silver, a camera that shoots in higher resolution (2.7K and low frame rate 4K) has an LCD touchscreen, among other flagship features. Then there"s the Hero+ LCD, which costs $100 less than the Session, but has similar shooting modes (1080p at 60fps video, and 8MP stills). You may be wondering exactly where the Hero4 Session fits in, and which one might suit you best. I did a little image comparison to help you with that.

I kept things pretty simple. All three GoPros are mounted on a K-Tek Norbert Sport Junior (as seen above, and recommended in our accessory guide), and controlled via WiFi remote to trigger them all at the same time. For video, I set all three to 1080p/30fps (wide), with Protune turned off -- a standard configuration for multiple use cases. For images, the Hero+ LCD and Hero4 Session were set to their default/highest setting, which is eight megapixels (wide). The Hero4 Silver was set to the nearest equivalent, which is seven megapixels (wide); it"s possible to shoot at 12MP, but I wanted to keep things as close to like-for-like as I could.

The image above is a composite of the same shot from all three cameras. At the size here (630 pixels wide) it"s not easy to see the different levels of detail captured. The Hero+ LCD and Hero4 Session have a very similar color tone; the Hero4 Silver is a little more washed out. The biggest difference is in the sharpness/detail. When I view the images at 100 percent, the difference is quite dramatic. The Hero+ LCD does an OK job at making out the individual palm leaves; the Hero4 Silver is the clearest by far, with visible definition on each leaf. The Hero4 Session, however, is a smudgy mess. Edges are blurred, and there"s much more noise. It looks pretty terrible compared to the other two, as you"ll see in the GIF below. Converting it to a GIF loses a good amount of detail, but all three went through the same treatment, and the difference is still striking.

The difference between the Hero4 Session and the Hero+ LCD isn"t always as pronounced as this. Sometimes the image clarity is very similar, but in my testing, if one of the two cameras comes out looking worse, it"s usually the Hero4 Session. The Hero4 Silver on the other hand is, one might expect/hope, consistently sharper, with images looking finer and clearer across the board.

One thing I noticed while doing this test is that the Hero+ LCD and Hero4 Session appear to have a very similar color profile. Reds are slightly hot, and blues are cool. The screen grabs/video stills above are a good example. Both the red tiles in the mosaic and the terracotta tiles surrounding the column are considerably warmer than the more natural tones as captured by the Hero4 Silver. Conversely, the blue of the sky is paler in the Hero+ LCD and Hero4 Session, and more vibrant in the Silver. At 3PM on a hot day in Valencia, Spain, the sky is much closer to that as captured by the Hero4 Silver.

When viewed side by side, the Hero4 Silver can appear a bit weak. But, like watching a TV with the colors juiced right up, or with added saturation, natural tones can feel a bit pale by comparison, even though they are actually more authentic. The trees are a good example. The Hero4 Silver shows a punchy green, whereas the Hero+ LCD and Hero4 Session look too strong -- and unnatural because of as a result.

The composite image above follows the same trend as with sharpness and color -- the Hero+ LCD and Hero4 Session underexpose the subject a little, while the Hero4 Silver does a better job at balancing the background and foreground. The stripes on my shirt are barely visible via the other two cameras, with the Hero4 Silver being the only one to really pick them out.

When there"s not much light, any camera is going to have to work harder to deliver a good image; that"s true across the board. What"s interesting with this photo is how different all three cameras performed. In a flip of the script, the Hero+ LCD delivered the best image. The colors are natural and despite the contrast between the dim street and the sky, you can still make out details on the buildings. The Hero4 Session doesn"t do a terrible job, but for some reason introduces an orange hue, particularly noticeable on the hood of the car. Even more surprising, is how the Hero4 Silver struggled. The slow shutter speed caused the image to come out blurry. This wasn"t consistently the case, but I picked this image out, as it shows how, on occasion, the other two cameras can best the Hero4 Silver.

One of the key features in the Hero4 Session was a new dual-microphone configuration. The idea is that, when one camera gets bombarded with wind or background noise, the camera switches to the other one for clearer audio. The challenge is providing good audio in a camera that"s waterproof without a housing. The naked Hero4 Black or Silver record much better audio when not in the enclosure, but with the Hero4 Session, this simply isn"t an option. The Hero+ LCD is also waterproof, but while it doesn"t have a separate housing either, that"s because it"s effectively glued into one permanently; as such, its audio is always of the "housed GoPro" variety.

As you"ll hear in the clip, in terms of volume, the Hero4 Session wins out. Both the Hero+ LCD and the (housed) Hero4 Silver sound much quieter, and muffled. The flipside of that is that neither of those two picked up the wind at all. You can hear it on the Hero4 Session, but it still does a pretty good job with it. Wind noise can easily make a microphone "clip" (when the volume goes above the max it can handle), but the Hero4 Session pushes it down to a manageable level.

So, I"d really like to spend some more time testing out different audio situations, but the Hero4 Session does an admirable job. If you listen carefully, you can even hear the low tones of cars pulling away in the distance. Like for like (i.e., a waterproof setup), this is a definite win for the Hero4 Session.

Anyone who"s been using GoPro cameras for any amount of time will likely have a good stash of batteries. Typically, you can expect about two hours of video per battery (depending on your settings, etc.). This is a problem for the Hero+ LCD and the Session, however, as neither of them has a removable battery. That means once it"s gone, you need to stop and charge it. The Hero4 Session has one thing in its favor here: It switches off when you stop recording, so there"s less waste while the camera idles. The other two cameras in this test will remain on, until you manually switch them off. They both have battery-guzzling LCD screens to support, too.

My test was simple, set the cameras to record video (at 1080p/30fps) and see how long the resulting video was. The Hero4 Silver managed 119 minutes on average. I tested a few different batteries (official GoPro 1,160mAh cells) in case any had lost some of their capacity, but two hours on the nose was fairly consistent. The Hero4 Session turned in a respectable 141 minutes -- which means it"s eking out another 20 minutes on a smaller battery (1,030mAh). The winner, surprisingly given it has the same 1,160mAh battery as the Silver, was the Hero+ LCD that managed an average of 160 minutes. The real test is how long the Session lasts over a day of turning it off and on in practical use (while you leave the other cameras on between shots). It"s virtually impossible to replicate under test conditions, though.

With the Hero+ LCD and the Hero4 Session, it"s a closer call. The Session has better sound, but seems to fall behind the Hero+ LCD on sharpness at times. The Hero4 Session is, of course, much smaller, which will win it some fans. But, the Hero+ has an LCD for preview and playback, which is likely much more useful to the majority of users. Especially when you factor in that the Hero+ LCD is $100 cheaper, too. The bottom line is that the Hero4 Session has a couple of things going for it: size, ease of use and audio quality. But, for the price, the Hero4 Silver is so much more camera that it"s hard to make a case for buying the Hero4 Session unless size is a dealbreaker.

It seems like GoPro are releasing new cameras every few months now. Not content with their entry level Hero and Hero+ LCD models, the new Hero+ is essentially a Hero with the addition of Wi-fi and Bluetooth control, taken from the higher up models. Looked at another way it is the Hero+ LCD, but without the LCD.

This allows the camera to maintain a relatively low sub $200 price point and still offer remote control via smartphone. It weighs in at a mere 123g and is waterproof to 40m. It also has a timelapse mode and 8 megapixel stills.

GoPro has faced greater competition in the lower end of the action camera market this year. The biggest single threat coming from China’s Xiaomi Yi which has similar image quality and specs to the Hero+, but comes in at just over $80 online (without a waterproof case).

√【Full Protection】The main body of waterproof housing case is made of high-quality PMMA plastic. The whole structure is sturdy enough to protect your camera lens and LCD display scrren against high impact drops, dents and scratches.

Replacement USB Data & Charging Cable Cord for GoPro Hero+ (CHDHC-101), GoPro Hero+ LCD (CHDHB-101), GoPro Hero4 Session (CHDHB-100) Digital CamerasColor: Black

Compatible: •This USB cable is compatible with the following GoPro Digital Camera Models: GoPro Hero+ (CHDHC-101), GoPro Hero+ LCD (CHDHB-101), GoPro Hero4 Session (CHDHB-100). Please Note: This USB cable IS NOT compatible with the GoPro Hero4 Black or GoPro Hero4 Silver.

OCLU offers a few interesting accessory add-ons as well including a waterproof housing, various helmet and body mounts depending on the activity, and an expandable grip mount for recording vlogs or POV. The waterproof housing allows for shooting at depths up to 165ft (50m).

Construction-wise, the AkasoBrave 4 comes with a touchscreen in addition to the usual USB and HDMI ports. The camera is waterproof on its own up to 1m without a case or 30m with the included case

Although not waterproof on its own, the Garmin VIRB becomes so with the addition of an external housing, which is rated at a maximum water depth of 131 feet. Amazingly, the touch screen and voice recognition controls still work with the housing installed.

Due to its bullet shape, the Sony FDR X3000R may not fit in the same places that smaller cubical action cameras could. The X3000R does come with a built-in tripod mount that is compatible with GoPro accessories though so there are still lots of mounting options. Note that the body itself is only splashproof and that an external case will be required for underwater use. With the case, this action cam is waterproof up to 197 ft.

Build-wise, the VIRB 360 delivers in every way that Garmin action cam should. The camera is waterproof without a separate housing for up to 100 feet and is, overall, very durable. Control wise, the VIRB 360 is very straightforward, offering a series of physical buttons and an LCD screen for accessing in-camera menus.

The majority of the camera’s settings and controls are found within the LCD menus that are accessed via the rear touchscreen. Though responsive, the rear touchscreen suffers from glare in bright lights, which is a common phenomenon. There is a settings button in addition to a power found at the front camera but that’s all.

The SJCAM SJ7 is not waterproof on its own and requires a separate housing (100 ft)  to be so. Unlike the Yi 4k +, the housing in addition to several other accessories is included with the SJ7 camera package. Oddly enough, there is no tripod threading found on the bottom of the camera, the inclusion of which is pretty much industry standard in all cameras these days.

The recording capabilities may not be impressive but the overall construction is definitely up to standard. Like a true action camera, you can toss, drop, and beat up this camera like any other. The Polaroid is not waterproof and will require an external housing to be submerged.

The body of the Bandit is particularly hardy and is, aside from the front lens elements, waterproof. By removing the standard lens cover and installing a separate “dive” cover though, the Bandit becomes fully waterproof up to 131 feet.

The TomTom shines because of its controls and connectivity. Between the on-camera buttons and the LCD viewing screen, setting up the Bandit is a snap. In-camera menus are also very easy to navigate and changing settings are very straightforward.

The Olympus Tough TG-Tracker is a bullet-shaped action camera. Unlike other bullet-shaped cameras on this list, the TG-Tracker is very light and weighs only 180 grams. This camera can easily fit in your pocket and, since it’s fully waterproof by itself, won’t get any bigger with the addition of a separate housing! You will need to mount a small waterproof cover for the lens to make it 100% waterproof though.

The Olympus Tough TG-Tracker is very straightforward and easy to use. There are multiple buttons on the camera body for changing settings and starting videos. The LCD screen flips out like most camcorders but cannot be rotated. A small LED light is also present for low light shooting.

Though the DSC-RX0’s optics feel more like a conventional camera, its construction is still purely action camera. The DSC-RX0 is tiny – around the size of a GoPro – and fully waterproof. There are several ports as well that can accommodate additional accessories like a microphone, HDMI cord, and small travel tripod.

The iSaw Edge is built very well and rivals the GoPro in ruggedness and portability. The iSaw Edge is around the same size as the GoPro both in and out of its waterproof housing. When inside of the housing, the iSaw Edge is waterproof up to 130 feet.

Overall, the iSaw Edge is very easy to use. There are three physical buttons that are used for turning the camera off/on, shooting, and changing settings – these are all very straightforward and very useful. There is a touchscreen LCD screen as well but it suffers from the usual glare that afflicts such screens.

The Olfi One.Five’s design is both unique and impressive. The camera body is flatter in shape looking like a small remote rather than a cube. Overall integrity still feels very solid and, though it may feel like the Olfi could break at any time, it’s actually very durable. The Olfi One.Five will require a separate housing to be waterproof, which, unfortunately, does add some bulk.

One of the most appealing aspects of the Olfi One.Five is its very easy-to-use controls. There are only a few buttons on the body itself and an LCD screen, which, contrary to many cameras in this guide, performs quite well in direct sunlight. The in-camera menus are very straightforward and settings are modified with ease.

Of special note is the waterproof depth of an action camera, that is, how far it can be submerged before the sealing is compromised. 30 feet is generally the shallowest depth for action cameras though an increasing amount can go upwards of 150 feet. If you’re a deep-water diver, these numbers will mean more to you.

Released in June of 2015, the GoPro Hero+ LCD is covered by a grey waterproof casing with the logos under the lens. The GoPro Hero+ has a latch on top of the device that removes the casing, and allows access to the touchscreen. This camera also has a built in mount and three buttons that allow the user to control the camera without opening the casing. The Hero+ LCD edition came with new additions to the GoPro line such as: built in Bluetooth, WiFi, LCD display, and a touchscreen. The Bluetooth allows the user to use one"s phone or tablet as a remote to have full control over the camera"s functions. After capturing the video or photo, WiFi allows the users to upload their work or art to social media. Please be aware that these capabilities can only be used if the GoPro App is downloaded onto a smartphone or tablet.