lcd screen animation brands

BrickScreen is our name for our line of mini OLED and LCD video screens, designed to add a whole new level of realism and awesomeness to whatever you build. Screens are available in several different sizes, orientations, and configurations. The two main configurations are:Pre-loaded with animations and videos tied to a specific theme. Any of the screens below that do not include "Basic" in their product title have videos pre-loaded, and the videos cannot be changed or customized by the customer.

BrickScreens operate on a standard 5V DC power source. Each kit includes a standard Brickstuff power connector and adapter board for connecting to our power supplies (our USB power cable is recommended). Also included is a DIY power cable that can be connected directly to any 5V DC supply, so you can use these screens with non-Brickstuff power sources too.

We can load just about any video onto a screen, so if you have finished video (not in need of additional editing), chances are we can load it onto a screen for you! Contact us and tell us what you have in mind. For those with custom requirements, we can also create custom animations, though for that we will bill on an hourly basis (contact us for a pricing estimate).

We hope you love playing with these screens as much as we loved creating them, and we can"t wait to see how you use them to take your models to the next level.

Now is a great time to get one of the best drawing tablets for animation. There is such a wide array of options out there to suit all kinds of creative needs and budgets, so whether you"re an animation student going to college or a seasoned professional artist be sure one of the below options will be perfect for you!

When you talk about art tablets, you know you"ll be seeing big names such as Wacom, XP-Pen and Huion. However we have added our favourite picks from other big-name brands like Apple and Samsung if you"re wanting a tablet you can use for both animation and more general use. We"ve also included some older tablets that offer amazing value for money as long as you don"t need the most up-to-date technology.

We understand most people can"t spend a fortune on an animation tablet. This guide is a great place to find the product for you as we"ve tested a multitude of options for all budgets that include various features and different sizes so whatever you"re looking for be sure you"ll find it here.

Despite increasing competition from challenger brands such as Huion and XP-Pen, Wacom is still the name to be reckoned with when it comes to tablets for drawing and animation, and deservedly so. And if you"re getting serious about animation, the Wacom Cintiq 16 should be able to meet all your requirements.

In our Wacom Cintiq 16 review our writer found this tablet for animation delivers a wonderfully smooth and intuitive drawing experience, with top-notch stylus compatibility, as well as compatibility with plenty of animation software packages. Essentially, nearly every working animator"s going to find a lot to love here.

The Wacom Cintiq 16 gets its name from its 16-inch screen, which is a good size for most users. When we tested it, we found it"s not the biggest, with Wacom tablet screens going as large as 32 inches, but most people probably don"t need that much display real estate. The Wacom Pro Pen offers 8,192 levels of pressure sensitivity, and if you"re into 3D animation, you also get compatibility with the Wacom Pro Pen 3D.

The Xencelabs Pen Tablet Medium Bundle is the new kid on the best drawing tablet block, kind of. Xencelabs is one of the newer brands making high-quality tablets for animation, and it has a newer SE model just released that comes in a sleek white finish.

Our test found that the new M1 chip makes this tablet an absolute powerhouse, with ultra-fast performance that essentially puts this iPad on the level of a Macbook. The mini-LED powered XDR display is also best-in-class, with 1,600 nits of peak brightness, 1,000 nits of full-screen brightness, greater contrast and better control of local dimming. Drawing with the Apple Pencil also feels fantastic, with incredible sensitivity and that unmistakable Apple design that makes it comfortable to use in the hand.

The Galaxy Tab S8 ultra is another top option if you"d prefer a general purpose tablet over a dedicated drawing tablet for animation. The Galaxy Tab S8 ultra is the largest of three welcome updates to Samsung"s tablet range. It"s bigger than the S8 and the S8+, and it comes complete with Samsung"s brilliant S-Pen, which means that you get all the physical tools you"re going to need for animation straight out of the box.

Yes, we"ve already featured two Wacom tablets in this list; the Cintiq 16 for more advanced animators and the One for beginners. But we"d also recommend the Intuos Pro Large as a tablet for animation, for the simple reason that it"s good, reliable all-rounder that anyone can get brilliant results from.

If you"re just starting out and all you need is a cheap tablet for animation while you find your feet, it"s hard to go wrong with the Huion HS610. It"s a great value graphics tablet that you"ll need to plug into an external display so that you can see what you"re doing, but if you can live with that you"ll find some worthwhile premium features, including 8,192 levels of pressure sensitivity in its pen, and 16 customisable keys that you can map to your favourite tools and shortcuts to really speed up your workflow.

Our Huion HS610 review found there"s a good-sized drawing area to work with, and we appreciated the general compatibility with dedicated animation software like Adobe Animate.

This is a great tablet for beginners that comes at a low-ish price point, but which still delivers that Wacom drawing experience. Okay, it’s not as cheap as some others on this list, but you are getting a Full HD screen and a tablet that interfaces seamlessly with Mac and Windows alike.

There"s no need to spend a fortune on a tablet for animation. If all you need is a solution that does the job without overloading you with expensive extras that you"ll never use, the XP-Pen Deco 03 makes for a fantastic choice.

The XP-Pen Deco 03 plugs into a computer or smart device via USB, and offers broad compatibility with all manner of animation packages, making it a drawing pad pretty much anyone will be able to use. It"s lightweight and slim, with a pleasingly sleek design and customisable keys that can be mapped to your preferred function. Here"s our XP-Pen Deco Pro review for more.

Before you splash out on one of the best drawing tablets for animation, it"s well worth familiarising yourself with the criteria you"ll need to think about, so that you can be sure you"re buying something that has just the right feature set for you. Here are the main things you should consider:What kind of tablet do animators need?There are three kinds of tablet: graphics tablets (connect to a PC or Mac), pen displays (drawing onto a screen) and computer displays (as the name says, a computer and display combined). All are good for animation, but go up in price the more tech is on offer.

If you can afford it, a computer tablet is excellent – this can be an iPad Pro, Wacom Cintiq or Huion Kamvas Pro. The good medium ground is a pen display that uses a computer to power the software but enables you to draw onto a Full HD screen.Display vs graphicsThere are two main types of drawing tablet: display tablets and graphics tablets. Display tablets have a built-in screen, while graphics tablets are drawing surfaces that require an external display such as your computer"s monitor.

Display tablets are the better choice for animation where possible, as having your drawing surface and your display in the same place makes for a smoother experience, and makes it easier to take advantage of the various animation software programs.

In terms of screen size, it’s worth thinking about how much drawing space you actually need. While it may seem like the obvious thing would be to get as big a tablet screen as possible, this will drive the cost of the unit way up, and it may simply be more space than you need.

This will of course depend on the nature of the animation you’re doing – it’s worth looking at your art with a critical eye to determine how much space you need.Controls and shortcut keysWhen you"re just starting out with a drawing tablet you might not feel that having a set of shortcut keys is that important. Trust us, though: once you find your feet and get into your flow, you"ll regret not having enough customisable shortcut keys when you"re continually having to pause to hit actual keyboard shortcuts.

Shortcut keys can seriously speed up your workflow; some tablets will have one or two, some will have as many as 16, and others will have none – though many of these will be tablets like iPads, which offer other advantages.Pen sensitivityOne of the main reasons that tablets are so useful for drawing and animation is the incredible level of pen pressure sensitivity they’re capable of. With pen sensitivities routinely going as high as being able to recognise as much as 8,192 levels of pressure, you can get truly granular with line thickness and shape.Budget/priceWe’ve mentioned this already a few times of course, but it is simply a fact of life. Deciding which is the best animation tablet for you will of course in part be dictated by how much you’ve got to spend.

This will vary for everyone of course, and while the more you spend, the more you’ll get, there are plenty of great cheap animation tablets out there – we’ve included some in the guide above.

Founded in 1999 as a design and animation studio, today FlickerLab"s principals, long-term collaborators and strategic partners employ their skills, technology and industry experience on a variety of projects be they concept-to-screen development and production, or design and execution of commercials or broadcast promotions. In addition to high quality creative digital content development, FlickerLab works with clients to extend their project reach through advertising, Internet impact, online marketing, and merchandising.Bushwick, Brooklyn, NY

Bonfire is a motion picture design agency. By "motion picture", we do not just mean "The Big Screen". We design moving images for any screen; from a living room TV to a cell phone"s LCD to a New York City block of lights. We partner with agencies and fortune 500 companies to provide creative and production services to tell our client"s story.Financial District, San Francisco, CA

Founded by EP Peter Barg, Z Animation specializes in 2D animation. Our roster includes over 25 ward-winning directors, graphic artists and illustrators from around the world.Mid-Wilshire, Los Angeles, CA

Bix Pix Entertainment is an animation studio, where original work for television, film and independent clients is created. From traditional clay animation to a variety of stop-motion techniques, Bix Pix delivers a distinctive look.Burbank, CA

Clockwork is a visual effects and CG animation company. For the past 8 years, our core business has been the creation of high-end CG visual effects and animation for the commercials market.Manhattan, New York, NY

Grasshorse Studios is a Midwest character animation studio that approaches our development like jazz. We often employ experimental, hybrid animation techniques with capabilities for 2D, 3D, stop motion and animatronic puppetry. We specialize in engaging, entertaining and drawing our viewers" attention. Our clients are regional, national and international television studios, networks, advertising agencies and new media companies.

Spontaneous is a creative collective dedicated to the realization of ideas. Great design is our inspiration, our motive and our goal. Whether your needs involve concept, CG, visual effects or animation, the artists and producers of Spontaneous believe in delivering a total experience of stunning execution, clear communication and excellent customer service.Manhattan, New York, NY

Click Play Films is a 3D animation company focused on delivering superior production value while maintaining a reasonable price point for our clients. Understanding client objectives and conversion goals, we maximize the value of the final product by not only producing beautiful animated videos but also injecting scientifically proven attributes to increase marketing effectiveness.Manhattan, New York, NY

Springtime Jellyfish creates unique, hand-made stop-motion animation. Utilizing our combined talents, we craft sets and characters that make great ideas reality, giving life to inanimate objects through the magic of stop-motion.Williamsburg, Brooklyn, NY

Witness is a full service design, animation, and post production studio in Atlanta, Georgia. We have over 50 years combined industry experience working with agencies, networks, and corporate clients of all sizes. Whether you need a turn key solution to a high end graphics project or a set of boards and some creative insight, we are ready and capable.Midtown, Atlanta, GA

Liquid Pictures specializes in 3D animation, special effects, video production, interactive media and architectural/forensic simulations. Liquid Pictures was developed from the need for low cost, high-end 3D animation and graphics.

Oscar winning character animation and visual effects studio for feature films, commercials and theme parks based in Marina del Rey, California.El Segundo, CA

Cross-media branding contractor with focus on flash animation. Owned and operated by Robin Rozum Knight, 3MB is interested in networking and working with environmentally and socially conscious businesses.Central, Denver, CO

Kalakala is a full-service animation studio dedicated to the craft of fine storytelling. We believe in making beautiful, compelling work that stays with you.

Shadowmachine is a collective of award-winning artists, designers, writers, directors and producers and serves as a platform to launch great stories. It is an environment of collaboration, inspiration and artistry with a culture of hard-work and efficiency. With a wide spectrum of projects in development and production, including live-action, 2D animation, stop-motion, comedy, adventure and drama, Shadowmachine is defined by its passion for storytelling.Central LA, Los Angeles, CA

Afteglow Studios is a animation and design studio. We specialize in creating animation content by working with clients to create the most compelling visuals for their product.

An Emmy award winning studio in Los Angeles, California, specializing in both stylized and photo realistic character animation and visual effects for feature films, episodics, commercials, video game cinematics & trailers, pre-visualization, integrated media and location based entertainment.

Tiara Motion is Florida based company which creates 2D as well as 3D animation for television commercials and television shows. We have a highly creative team which uses state of the art technology to produce animated videos that are world class.

Heid Design is an animation design company based in Charlotte, North Carolina. Our client list covers a range of both broadcast and corporate clients throughout the nation.

Two Animators is a professional animation and multimedia company that specializes in creating Traditional and Flash animation for broadcast on television and the Internet.Hamilton Township, NJ

Led by Creative Director Wayne Brejcha and Executive Producer Sean Henry, Calabash Animation, Inc. is the Chicago, IL-based animation production studio, known for its award-winning cel, 3D and stop-motion animation for the advertising and entertainment industries.West Town, Chicago, IL

TheLiquidCrystal librarymakes it easy to use LCDs with Arduino. A particularly interesting function from that library is thecreateChar()function: you can create custom glyphs (characters), each described by an array of eight bytes, one for each row. The five least significant bits of each byte determine the pixels in that row. Writing bytes by hand to create art is not exactly an artist"s ideal process, soI have madein which you can draw the glyphs, and the code is generated for you.

In this article I will show how to create custom animations having only just an Arduino board and an LCD - which you can use to create a whole lot of projects: you can make a game, or a short story, or a music video, or decorate a status panel.

Connect the LCD to the Arduino - depending on the model of your screen, different connections might work better. For one of my screens, the schematic below worked well - but for another, I had to use a potentiometer (like in the tutorial under this link) and tweak the value of the resistor to get the best contrast.

Go to the tool athttps://tusindfryd.github.io/screenduino/and create your art. Up to 8 sections can be used at once, so if you cannot select a new square, make sure you"re not using 8 sections already.

When you"re done with your first image,uncheckthebox"justthefunction". Copy the code to clipboard and upload it onto your Arduino. At this point you should see your image on the LCD.

About products and suppliers:animate lcd provide the touch interface in smartphones, which are vital for them to function. Alibaba.com stocks a stunning range of high-tech animate lcd with vibrant color depictions. Truly crystal-clear displays of animate lcd are available covering various brands and models such as the Samsung Galaxy Edge 2, OnePlus 7T, Samsung Galaxy C5, and many more.

animate lcd are the most commonly used displays, as they produce great image quality while consuming low power. Rather than emitting light directly, they use back lights or reflectors to produce images, which allows for easy readability even under direct sunlight. animate lcd are energy-efficient, and are comparatively safer to dispose of, than CRTs. animate lcd are much more efficient when it comes to usage in battery-powered electronic equipment, due to their minimal power consumption.

Some other advantages of animate lcd over the CRT counterparts are - sharper images, little to no heat emission, unaffected by magnetic fields, narrow frame borders, and extreme compactness, which make them very thin and light. Some types of animate lcd are transmissive, reflective, and transflective displays. Transmissive displays provide better image quality in the presence of low or medium-light, while reflective displays work best in the presence of bright light. The third type of animate lcd, transflective, combine the best features of both the other types and provide a well-balanced display.

Whether as an individual purchaser, supplier or wholesaler, browse for an extensive spectrum of animate lcd at Alibaba.com if you don"t want to stretch a dollar yet find the best fit.

- In this video, we will build a simple display screen. Since I was listening to myself carefully in the prior videos, I will start by using the strategy of making a curve, looking for command line options that will help out, and then leveraging existing work whenever possible. Before we build the display screen let"s take a look at a bad example, which is always fun. So I"m going to turn on this layer down here at the bottom. Now here we"ve got a LCD display screen. You might notice it looks a little bit odd. Typically they"re not flush in consoles like this. Also we"ve got some very sharp edges so no fielding whatsoever. So again, just keep this in mind as an example of what not to do. Turn that back off. We"re going to go over here. So let"s build our first curve. I think it might be easier to do this in another viewport here because this is going to appear on the front face. So I"m going to switch from perspective to front view, double-clicking on the label to zoom in. I"d like to…

Flat-panel displays are thin panels of glass or plastic used for electronically displaying text, images, or video. Liquid crystal displays (LCD), OLED (organic light emitting diode) and microLED displays are not quite the same; since LCD uses a liquid crystal that reacts to an electric current blocking light or allowing it to pass through the panel, whereas OLED/microLED displays consist of electroluminescent organic/inorganic materials that generate light when a current is passed through the material. LCD, OLED and microLED displays are driven using LTPS, IGZO, LTPO, and A-Si TFT transistor technologies as their backplane using ITO to supply current to the transistors and in turn to the liquid crystal or electroluminescent material. Segment and passive OLED and LCD displays do not use a backplane but use indium tin oxide (ITO), a transparent conductive material, to pass current to the electroluminescent material or liquid crystal. In LCDs, there is an even layer of liquid crystal throughout the panel whereas an OLED display has the electroluminescent material only where it is meant to light up. OLEDs, LCDs and microLEDs can be made flexible and transparent, but LCDs require a backlight because they cannot emit light on their own like OLEDs and microLEDs.

Liquid-crystal display (or LCD) is a thin, flat panel used for electronically displaying information such as text, images, and moving pictures. They are usually made of glass but they can also be made out of plastic. Some manufacturers make transparent LCD panels and special sequential color segment LCDs that have higher than usual refresh rates and an RGB backlight. The backlight is synchronized with the display so that the colors will show up as needed. The list of LCD manufacturers:

Organic light emitting diode (or OLED displays) is a thin, flat panel made of glass or plastic used for electronically displaying information such as text, images, and moving pictures. OLED panels can also take the shape of a light panel, where red, green and blue light emitting materials are stacked to create a white light panel. OLED displays can also be made transparent and/or flexible and these transparent panels are available on the market and are widely used in smartphones with under-display optical fingerprint sensors. LCD and OLED displays are available in different shapes, the most prominent of which is a circular display, which is used in smartwatches. The list of OLED display manufacturers:

MicroLED displays is an emerging flat-panel display technology consisting of arrays of microscopic LEDs forming the individual pixel elements. Like OLED, microLED offers infinite contrast ratio, but unlike OLED, microLED is immune to screen burn-in, and consumes less power while having higher light output, as it uses LEDs instead of organic electroluminescent materials, The list of MicroLED display manufacturers:

LCDs are made in a glass substrate. For OLED, the substrate can also be plastic. The size of the substrates are specified in generations, with each generation using a larger substrate. For example, a 4th generation substrate is larger in size than a 3rd generation substrate. A larger substrate allows for more panels to be cut from a single substrate, or for larger panels to be made, akin to increasing wafer sizes in the semiconductor industry.

"Samsung Display has halted local Gen-8 LCD lines: sources". THE ELEC, Korea Electronics Industry Media. August 16, 2019. Archived from the original on April 3, 2020. Retrieved December 18, 2019.

"TCL to Build World"s Largest Gen 11 LCD Panel Factory". www.businesswire.com. May 19, 2016. Archived from the original on April 2, 2018. Retrieved April 1, 2018.

"Panel Manufacturers Start to Operate Their New 8th Generation LCD Lines". 대한민국 IT포털의 중심! 이티뉴스. June 19, 2017. Archived from the original on June 30, 2019. Retrieved June 30, 2019.

"Samsung Display Considering Halting Some LCD Production Lines". 비즈니스코리아 - BusinessKorea. August 16, 2019. Archived from the original on April 5, 2020. Retrieved December 19, 2019.

Herald, The Korea (July 6, 2016). "Samsung Display accelerates transition from LCD to OLED". www.koreaherald.com. Archived from the original on April 1, 2018. Retrieved April 1, 2018.

"China"s BOE to have world"s largest TFT-LCD+AMOLED capacity in 2019". ihsmarkit.com. 2017-03-22. Archived from the original on 2019-08-16. Retrieved 2019-08-17.

Whether you’re working solo or are a professional editor, colorist or finishing artist, Fusion lets you complete shots faster. That"s because instead of sending out graphics, retouch jobs, or full blown visual effects shots to another system, all of the tools you need are built in. You can seamlessly move between the edit, Fusion and color pages with a single click. Fusion lets you quickly design lower thirds, animate 3D infographics or pull perfectly clean keys on a green screen shot. Multiple masks can be created, tracked and then passed to the color page, saving time and making intricate secondary color corrections such as realistic sky replacements, easier and better looking than ever.

There are five simple operations in the Fusion workflow that are the basis for all of your work. You merge images together, insert effects, use masks to isolate effects, adjust settings and fine tune your animations. You start by merging images together in either 2D or a true 3D workspace. Next, insert effects in between nodes. After that, you can create masks to limit effects to specific areas of the image, then adjust tool settings in the inspector. Lastly, you can fine-tune your animation by using the spline and keyframe editors. Once you’ve mastered these basics, you’ll be able to combine techniques to create virtually any type of visual effect or motion graphic animation that you want!

Fusion includes over 200 filters and effects called "tools" in the effects library. To add a tool, drag it into the node tree at the bottom of the screen. You can insert an unlimited number of tools at different points in the node tree to create the desired effect.

You can access the spline (or curve) and keyframe editors by clicking on their buttons at the top of the Fusion page. These panels give you advanced controls for creating and manipulating custom animation curves, as well as for positioning keyframes across time.

The Fusion page allows you to quickly and precisely add and track infographics. First, connect a tracker to your clip, use the on screen controls to place the tracker over the part of the image to which you want to attach the graphic, then click track forward. After the track is complete, click on the operation tab and change the operation to “match move”. This turns the tracker into a merge node! Import your multi layered Photoshop files using the import menu or by dragging them in from the media pool. Connect the graphic to the green foreground input on the tracker node to complete the composite. Now, as you animate your graphics, they’ll move in sync with the tracked object in your scene.

Fusion’s powerful planar tracker lets you add new screens to a smartphone, replace a sign on the side of a moving truck, add a new billboard to a shot and more. All you have to do is connect a clip to the planar tracker, draw a shape around the area you want to track and click the track forward button in the inspector. A tracking cloud will be created with a precise motion path that contains position, rotation, scaling, and perspective changes. The planar tracker node includes built in corner pinning, making it easy to connect the new screen or sign into the node and position the four corners. You can even use the tracker data to animate mask shapes, making rotoscoping tasks incredibly fast!

Fusion"s Delta Keyer quickly removes green and blue screen backgrounds so you can place actors into settings that are impossible to shoot. Setting up your key is simple. Start by dragging the Delta Keyer from the effects library onto the line between your green screen clip and the foreground input on the merge node. From the inspector, drag the eye dropper into the viewer to sample the color you want to remove. The pre-matte, matte, fringe and tuning tabs give you a complete set of controls to refine the key until it’s perfect! You can also add a clean plate node which makes it easier to remove the background from shots and is especially useful for clips with reflections, hair and smoke!

Tracking plays a key role in creating sophisticated visual effects and motion graphics. Fusion makes tracking easy with advanced 3D camera tracking, powerful planar tracking and rock solid 2D tracking. The 2D tracker is great for following most objects that move throughout a scene. Planar tracking lets you track image planes, or flat objects, in a scene. It’s ideal for replacing signs or screens. The 3D camera tracker is extremely powerful because it analyzes the motion of the camera that shot the original scene and recreates it in 3D space. This lets you add objects such as text, 3D model set pieces, or even atmospheric particles such as fog or smoke that seamlessly blend into the scene.

Fusion is packed with time saving tricks to help you click less and move faster. Keyboard shortcuts like Shift+Spacebar enables a tool search window, type in the tool name and press enter to add the tool. Node versioning is perfect for trying out new animations without duplicating a node. Quickly switch between versions by clicking on the numbers located at the top of the inspector. The clip timeline gives you quick access to every clip in the timeline on the edit page, so you can work on new shots without having to leave the Fusion page. Lastly, quickly view any selected node in the right and left viewers by pressing the number 1 or 2 key, and clear all viewers by pressing the tilde key.

The Fusion page features hundreds of advanced feature rich tools for creating photorealistic visual effects, powerful broadcast graphics and sophisticated title animations. Unleash your imagination with an infinite 3D workspace, transport characters to new worlds with 3D set extensions, or build custom templates that can be used right from the edit and cut pages for efficient broadcast workflows. Best of all, Fusion’s powerful spline based keyframe editor and expressions let you create incredibly smooth and sophisticated animations. There"s even built in scripting and automation. There really is no limit to what you can achieve with Fusion, and it’s right inside of DaVinci Resolve!

You can import 3D models or even entire 3D scenes from apps such as Maya and 3D Studio Max directly into your shots on the Fusion page. Using the FBX import menu, Fusion gives you the option to import FBX (Filmbox) scenes or Alembic animated geometry files, dramatically increasing your creative options for visual effects and motion graphics. For example, you can import a 3D model of a mobile phone and replace its screen, add a new car into a commercial spot, create a swarm of attacking spaceships, or add a dragon fighting live action knights in front of a castle! Then add textures, shading and lights, composite your actors into the shot and create photorealistic Hollywood style effects!

The Spline Editor, which can be opened by clicking on its icon at the top right, gives you incredible control over curves that control the speed, or rate of change, in an animation. You can change the speed between keyframes using linear or fully customizable bezier and b-spline curves. The spline editor features a strip at the bottom with tools to reverse, loop or ping pong animations, making it faster and easier to create keyframe animations. You can even squish and stretch keyframes to shorten or lengthen animations without changing the relative motion! Curve shapes can be copied and pasted between parameters, independent of values, so you can create consistent, perfectly timed animations.

Quickly create dynamic animations by linking parameters together with modifiers and expressions. When one parameter changes, the others will automatically follow based on how you’ve customized their relationship to each other. For example, when working with text, you can add a special "follower" modifier that lets you create sequential text animations line by line, word by word, or even character by character. You can then add an expression that adjusts the blur parameter as character positions change over time. This allows you to quickly create sophisticated and dynamic animations in which multiple parameters change at the same time, all without having to manually animate each setting!

Once you’ve designed titles and graphics, creating and updating them with current data can be tedious. With support for Python and Lua built in, you can write scripts to automate repetitive tasks and to feed live data sources into your animations in realtime. For example, you can use a Python or Lua script, along with a simple text document, to automatically create and render updated broadcast graphics, titles and animations with things such as up to the minute weather forecasts, sport scores and player statistics, news headlines and more. It’s not just for motion graphics, either. It goes beyond motion graphics as scripting can speed up your workflow by automating virtually any repetitive task!