canon powershot sx10is lcd display not working pricelist
I"ve got a good working SX10, wasn"t aware of such a problem - I like to use the LCD for tripod shots but only EVF handheld. To some extent uses and user preference matters most.
In case it"s your bridge that rotates displays (Disp button) between LCD and EVF, I"d take time to check settings and user manual to be sure that the LCD isn"t simply properly deactivated. If that"s not it, because it is a software switch, I"d try a Menu - Tools Icon - Reset All to take the camera back to its out of the box setings and try again. Only then would I look into hardware.
I have no idea about LCD replacement, but as above, would be leery of putting much money, time or trouble into a second-hand camera as old as SX10, that might have other problems, too.
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*Estimated delivery dates- opens in a new window or tabinclude seller"s handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. Delivery times may vary, especially during peak periods.Notes - Delivery *Estimated delivery dates include seller"s handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. Delivery times may vary, especially during peak periods.
The Canon PowerShot SX10 IS was released in October 2008 and can be identified by the name PowerShot SX10 IS in the front upper left area of the device. This device was developed after the Canon PowerShot S5 IS. The Canon PowerShot SX10 IS introduced a new wide angle lens, an SD card slot that is easier to access, and an electronic viewfinder. Focal length of the lens is 5-100 mm f/2.8-5.7. The Canon PowerShot SX10 uses a TTL auto focus system. LCD monitor uses a 2.5 inch TFT color vari-angle LCD monitor.
Thanks for the question – I’ll attempt to keep my answer brief and not too technical. This is a question that I’m regularly asked, increasingly so as the price of DSLRs have dropped and become much more in the reach of the average digital photographer’s budget.
Let me declare up front that I own both a Point and Shoot digital camera (a Fujifilm FinePix F30) and a DSLR (a Canon EOS 5D). I like having both because I do feel they compliment each other and are each suited for different situations. My preference in terms of quality of shots is with the DSLR but for convenience the point and shoot sometimes wins out.
Vivo V25 Pro review summary: Editor’s rating: 3.7/5 Design Display Performance Battery Camera Pros Eye catchy design Amazing display Adaptive refresh rate Cons Heating issues User interface Priced higher than…
Perfect to hook-up to a television, Amazon is offering the MK802 Mini Android PC for $35.21 — lower than the regular list price of $59. For those unfamiliar, this little gadget offers a full Android 4.0 Ice Cream Sandwich experience in the size of a USB flash drive. A mini HDMI port is on the device for connecting it to an external display, making it a compelling device for the living room.
Additionally, the Mini Android PC features a full-sized USB port to connect to another computer or add peripherals. It ships with an HDMI, USB, and power cable and supports 802.1b/g/n Wi-Fi. Of course you’ll need a keyboard and mouse, so something like the Logitech diNovo Mini Keyboard plus a Bluetooth Micro Adapter may be the perfect solution. [Amazon]
The recently released EOS 70D appears to be a much improved and direct replacement for the EOS 60D in the Canon range. The 70D has a high level of specification for a camera at its particular price point, and for a nature and wildlife photographer like myself, completely outclasses the model it replaces (the 60D) when it comes to autofocus, image quality, speed and just about everything else. In fact, the 70D has such an impressive set of specifications that in some ways it matches or exceeds the next model above it in Canon’s range, which is the the EOS 7D (another camera with high specifications). For this reason, and because the 70D offers much of what the 7D can do, I have decided to compare the two dslr bodies side by side.
Both share the APS-C sensor size, (although not resolution or sensors) which makes it easier to compare image quality between them. My wife and I used three Canon 7D bodies as our primary camera bodies for some time. Recently, I have been using the EOS 70D as a working camera doing what I do, which is taking wildlife photographs in the outdoors. I have compared the two camera bodies extensively, feature for feature, and shared my own experience that comes from shooting with both of them. If you are wondering which one might be best suited for your own purposes, keep on reading, and hopefully my findings will be of use to you.
When it comes to build quality and feel, the 70D feels pretty solid in the hand, with a comfortable, deep grip covered in grippy rubber. The 70D body is constructed of aluminium and plastic composite material, which make it both light and strong. It is a very compact body though, and might not suit those with very big hands.
Canon claim similar levels of weather sealing for both bodies. Again, I have had no moisture issues with either camera body. I would think that the 7D may have a slight weather sealing advantage with its flush, integrated rear LCD screen as compared to the flip-out screen on the 70D. This is just my assumption of course. To date, I have found the 70D to be just as good as the 7D is at staying free of dust, either on it’s mirror, sensor or AF screen. Both cameras are exceptionally good at staying clean, with both featuring the flourine coating on the sensor, which helps them stay clean. In more than a month of use, and multiple lens changes, I have yet to find any dust specks on the 70D sensor and I often went months in the field before having to clean the 7D sensor.
The 70D has the new locking mode dial that comes standard on most Canon dslr’s these days. The 7D has a non-locking mode dial, and it is one that I often accidentally nudge onto a setting other than what I was meaning to use. It is possible to have Canon tech support fit the new dial at a cost to the 7D. Both cameras share AV, TV, P, M, Bulb, Auto and Creative Auto settings on their mode dials. The 7D has three Custom C settings for users to store favoured settings, whilst the 70D has just one Custom setting. The 70D is alone in having a Flash Off setting, as well as a bunch of presets under the SCN setting, which stands for Scene. Selecting SCN and pressing the Q button will reveal these presets. The SCN (Scene) mode is a feature that may be appreciated by users upgrading from entry level and compact cameras. On/off switches are identical.
Flash mounts are similar, with built-up ridging around the mount to help with keeping water out. Both cameras have a top lcd screen that shows virtually all the most important settings.
Information displayed on the top screens is pretty similar, though the 70D includes indicators for HDR and Wi-fi that are not options on the 7D. The 70D also leaves out White Balance selection from the top panel, though one can easily see what WB setting is selected by looking on the back screen and pressing the Q-button.
There are differences in layout and function of the top row of buttons ahead of the lcd screen. The 70D buttons have only one function each, and there are 5 buttons laid out in a row. They control Autofocus mode, Drive, Iso, Metering and Light. Pushing one of these buttons and then turning either the Main Dial or Quick Control Dial cycles through the options. On the 7D, there are only 4 buttons. Each button controls two functions, depending on whether the Main Dial or Quick Control Dial is used to change selections. The buttons control Metering/WB, then Autofocus/Drive, then Iso/Flash Exp comp, and then the light for the top panel. Both 70D and 7D have a button just ahead of the shutter release that can be used for changing between the AF point groupings.
The eyepiece on the 7D is larger and deeper. The viewfinder itself in the 7D has full coverage of the frame, unlike the 70D which has a viewfinder giving 98% coverage. The 7D also has a deeper grip which is quite chunky in comparison to that of the 70D. The 7D body should be a better fit for those with larger hands and bigger fingers. Users of the 70D with bigger fingers should also note that certain lenses which may have wide barrels close to the lens mount, can make the grip area a bit uncomfortable.
The back of the 70D has a full set of controls, with a layout roughly similar to the EOS 60D and the EOS 6D. The swivel LCD means that there are no controls down on the left side of the screen. The 70D has a dedicated AF-On button, a combined Live View and Video switch, as well as a Q -Quick Control button for accessing menu functions rapidly. The 70D uses the two buttons high up on right side of the back of the camera for zooming in or out. The Quick Command Dial is a composite control, with the outer ring a separate piece than the directional pad inside it, and the Set button positioned right in the middle. You can customize what the different parts of this composite dial do, although the directional pad serves mainly to move the focus point around the grid.
Although both cameras have 3-inch sized LCD screens, of similar non-reflective design, similarities end there. The 70D screen can flip out and swivel, which allows Live View shooting and video capture from unusual angles with ease. As well as this, the LCD itself can be used in a multitude of ways to control and operate the camera functions. The touchscreen design means that it is fast and intuitive to just use finger pressure to move around the menus, make selections from the Q-screen, and even browze images. Zooming in and out is accomplished by pinching fingertips together. In Live View, the screen allows the choice of focus point merely by tapping. The touchscreen can also be turned off entirely. When it comes to Live View performance the new Dual Pixel AF system (more on that later) combines with the super intuitive touchscreen to make the 70D distinctly faster and more effective than the 7D.
The rear of the 7D is altogether a bit more spacious in its layout. Both cameras share similar switches for engaging Live View and video, and they also share the same Multi-Function Lock switch. The 7D also has a 3 inch rear LCD, also of Canon’s Clear View II specification, which means non-scratch glass surface, and non-reflective design.
The 7D has a large Quick Command Dial as well as a dedicated AF multi-controller. Both of these controls are bigger, and easier to operate whilst shooting than the combination dial on the 70D is. Although the two cameras have almost all the same controls, the layout is a little different in that the 7D has a set of buttons on the left side of the lcd, while the 70D concentrates most of its controls on the right side.
To put numbers to the physical differences between the two bodies, a comparison of dimensions show that the 70D is significantly smaller than the 7D. Overall, the 7D is wider (9mm) and higher (6mm). The 70D is deeper by 5mm. The 70D hits the scales at just 755g with battery whilst the 7D is noticeably heavier at 900g, including battery.
Both cameras use the LP-E6 Lithium-Ion battery pack, which also simplifies things if you end up owning more than one Canon camera. Other Canon cameras that use the LP-E6 are the 5Dmk3, 5Dmk2, 6D and 60D.
The EOS 7D has been available for several years now, and the autofocus system is a proven one. The 7D’s AF performance is generally considered to be quite good, better perhaps than all other Canon dslr’s except the 5Dmk3, (the 6D?) and the 1D series at the time of writing. The AF grid is made up of 19 points and they are all cross-type, at f5.6. Coverage across the frame is good, and although some other cameras might have a higher density of AF points, the 7D’s AF points are quite widely spread which is very useful when composing. The centre AF point is a high-precision type when used with an f2.8 or brighter maximum aperture lens.
As I seldom use Spot AF, Expanded AF or the 19 Pt Auto AF groupings on the 7D, I find myself quite satisfied with the reduced choices on the 70D. Users who favour the expanded AF point and spot AF point options that are missing from the 70D might not feel the same as I do.
Regardless of which of the two cameras I might be using, I almost always shoot them in Single Pt AF. In my experience, AF accuracy is noticeably better for both cameras with just a single point active, selected by myself. Again, I come to my conclusions about autofocus performance as a wildlife photographer with a liking for moving subject matter. For slow-moving or static subjects the multiple AF point options work just fine. If you want superior and consistent accuracy from the peripheral areas of your focus grid (with fast-moving subjects), away from the centre point, then the 5Dmk 3 and 1D series become the only options in the Canon line-up at the time of writing. That said, the centre point AF performance from both the 70D and 7D is good enough for my needs.
The 70D also has intermediate options in its Ai Servo focus or release priority settings, whereas with the 7D there are two options to choose from when working with these parameters. 70D Users can choose Release, or Focus, or a new setting midway between the two, whereas 7D users only have Release (which stands for speed) or Focus options. On the 70D, these parameter settings are found in C.Fn II: 3 and C.Fn II: 4.
Overall, I found the two cameras to have very similar autofocus systems. Even though the 70D has two fewer AF Area options (Spot AF and AF Expansion), I found that it mattered very little in the overall evaluation of what the AF systems can do, and I found its AF performance to be similar to the 7D, at least as good if not a little more stable and accurate with fast-moving subjects. With Canon’s newest set of AF parameters adjustments as part of its menu set, I found dialing in the 70D easier, too.
I photographed a very wide variety of wild subjects with both these cameras. From big cats like leopard and lion, to African wild dogs, and marine mammals like humpback whales in all kinds of light. I also spent many hours photographing birds with both cameras. I used my 7D bodies with many different Canon L-series lenses, including the Canon EF 70-200L f2.8 IS ii and EF 300L f2.8 IS. I mostly shot the 70D with the Canon EF 70-300L f4/5.6 IS as well as both version i and ii of the Canon EF 500f4L. For wide angle work I mounted the cameras mostly with the EF 17-40 Lf4 or the EF 16-35 L f2.8, as well as the EF-S 10-22.
Whilst the 70D has a raw buffer of 16 raw images (tested by me) the 7D has a much deeper buffer, rated at 24 images (higher with a fast CF card). At the time of writing, the fastest SD cards do not transfer data as quickly as do the fastest CF cards. The 70D has a single SD card slot, compared to the 7D which takes a single CF card. These numbers may only mean something to you if you shoot bursts or continuous action. The 7D shoots faster, and can shoot for a lot longer, with it’s deep buffer. With both cameras, I shoot raw images only, and turn off all in-camera processing options to maximize buffer space. I have never managed to get close to filling a 7D buffer whilst in the field. The 70D buffer is not as deep, but it was still big enough for my shooting needs. I would rate the 7D as excellent in buffer capacity, with the 70D considered decent.
When it comes to their drives, both cameras are fairly quiet. They share Single, Continuous Low, Continuous High as well as two timer modes. Only the 70D has Silent Single, and Silent Continuous (3 frames per second). The silent mode is a big plus, and I make use of often when shooting wildlife from hides, or from very close. The noise generated by the 70D in silent mode is so quiet that wild subjects are often not disturbed at all. The silent modes are also desirable when photographing any kind of event where loud shutter noises might be obtrusive.
Both cameras have a maximum shutter speed of 1/8000sec, and both have the same flash sync speed of 1/250sec. Both cameras can remotely trigger Canon speedlights.
The 70D and 7D both have APS-C sized sensors, which are approximately 22mm wide. Interestingly, the physical dimensions of the 70D sensor reveal that it is 0.2mm wider, and 0.1mm higher than the 7D sensor. Whether that implies a fractionally larger area for image capture is not clear to me.
It is not always very easy to see differences in sensor output between the two whilst viewing images that are downsized for the internet, but I am finding that the 70D images superior for my own shooting needs.
Whilst shooting the test images with the two cameras side by side, I noticed that the 70D image tended to be a little brighter in identical lighting and with the same shutter speed, aperture, iso and metering mode selected . The difference was less than one third of a stop. For this direct comparison, I adjusted exposure upwards on the 7D images and downwards on those from the 70D in Lightroom. The total adjusted difference is less than a third of a stop. I also noticed slight differences in white balance rendering between the two cameras, with the 70D images being a bit cooler. On my 23″ inch screen that I use for editing at home, raw images from the 70D have a neutral look to them, fractionally lower in contrast than those of the 7D.
When it comes to dealing with noise I use Lightroom 5 or Adobe Camera Raw, which have similar noise reduction procedures. I use selective processing techniques that help to minimize noise and I always try not to enhance noise at any point in my workflow. It is also important to note that heavy cropping reduces image quality, and may make noise more visible. My preferred iso limits of 800 with the 7D and 1000-1600 with the 70D are for images that are intended for print quality. For smaller image output, such as internet usage, I am comfortable using images taken at higher iso settings with both cameras, up to iso 3200 with the 70D.
To sum up image quality, I feel the advantage definitely lies with the 70D. Lower noise, especially in the range from Iso 200 to Iso 1600, expand the shooting possibilities beyond that of the 7D for my style of shooting, even more so when combined with the resolution increase. Although the 70D beats the 7D in image quality, neither of these two APS-C camera bodies are a match for the current crop of full-frame Canon bodies when it comes to shooting in very low light or at iso settings above 1000.
Both cameras are well equipped for video and live view shooting. When it comes to Live View, the 70D has a clear advantage mostly due to the Dual Pixel AF technology. At the time of writing, the 70D live view autofocus performance is a whole lot quicker than any other Canon dslr, including the 7D. In the past, I have only been able to make use of live view for wildlife photography when the subjects were virtually dead still. That was until the arrival of the 70D. For the first time I was able to photograph animals from a low angle, by holding the camera away from my body. I found the focus quick and accurate, even good enough to get an image of a bull elephant that was walking slowly right beside the vehicle with me holding the camera down at a full arm’s length. The 70D flip-out swivel screen also makes Live View shooting easy at the most unusual of angles.
Yet another feature that is present in the 70D and not the 7D is its built-in wi-fi capability. Using the Canon program, it is possible to control the camera remotely by means of a smartphone or a tablet. It is also possible to transfer data directly from the camera to a remote device. The wifi connectivity opens up lots of remote shooting options, and adds extra value to what the 70D offers.
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Barack Obama is the first American President to have his official portrait taken with a digital camera. Which lucky camera manufacturer will benefit from all the global attention? Canon, as official White House photographer Pete Souza uses a Canon 5D Mark II.
The Canon PowerShot SX1 IS is a new 20x ultra-zoom digital camera offering an effective focal length of 28-560mm. The big brother of the SX10 IS that we reviewed before Christmas, the Canon SX1 additionally offers full HD movie recording, a CMOS sensor, larger 2.7 inch tilting LCD screen, 4fps…
NKRemote 1.0 is a new remote capture software program for Nikon DSLR cameras. Released by Breeze Systems, NKRemote currently supports the Nikon D3, D700, D300, D90 and D200. It allows you to control Nikon DSLR cameras from a PC, display live images on a PC screen, autofocus and manually control…
The new Olympus mju 9000, mju 7000 and mju 5000 cameras offer zoom ranges from 5x up to 10x in a stylish and compact design. The Olympus 9000 (also known as the Stylus 9000) has a 10x wide optical zoom (28-280mm), 12 megapixels, 2.7 inch LCD screen, and Dual Image…