feelworld 7 tft lcd monitor review brands

The "False Color" feature alone is worth the entire price of the monitor. The False Color features helps to get your lighting exposure perfect every time. It"s super easy, and takes only a few minutes. (check YouTube for vids on how to use False Color)

(1) Monitor is not 4k. The "4K" in item title is misleading and refers to the 4k pass-thru using the HDMI input and output jacks. However the resolution is more than sufficient for our non-4k shooting.

And here"s one compelling reason to have V-Mount: Changing battery or powering down monitor stops our Canon M50 DSLR from recording. (recording stops when camera"s video out switches from external monitor to internal flip screen LCD monitor, or visa-versa) (issue is with the camera, not the monitor, and other cameras do this too) Therefore it makes sense for this camera to handle industrial sized "V-Mount" batteries. Especially since majority of amateur, semi-professional, and professional shooting takes place outdoors and requires batteries rather than directly plug-in power.

It seems impractical to spend thousands on afield monitor since most cameras already give you a preview of your subject. But if you want to create intelligently framed shots with a creative punch, having one of the best field monitors can really hand you that competitive edge.

Shooting under direct sunlight is probably a videographer’s worst nightmare – that or a sudden downpour while working outdoors. While we can’t do anything about the weather, the Feelworld FW279 is designed so you don’t need to hide in a shady corner when the lighting is working against you.

Let’s start with its standout feature: its 2200-nit brightness setting, which is over double the regular 1000-nit brightness of standard monitors. Paired with the monitor’s max brightness capacity, the great pixel density, high-quality resolution, and 1200:1 contrast ratio work together to prevent the display from being washed out by ultra-bright sunlight.

As if that isn’t enough, FW279 boasts color calibration technology, which allows for precise color reproduction. No distortion and only real colors captured in real-time; that’s Feelworld’s guarantee. Add in the great monitoring tools, and you’ve got yourself an impressive field monitor for high-level videography.

Another product that made our list is the Feelworld T7, a budget-friendly camera monitor that features some of the monitoring tools you’ll see in FW279 but with different display features and a different price.

The 450-nit brightness is a far cry from FW279’s whopping 2200, but this field monitor is still great thanks to its 160-degree viewing angle, which enables you to easily see your frames. Along with this is a range of monitoring tools. In addition to color-calibration technology, it comes with a peaking filter, a histogram, false colors, and other features that make recording a breeze.

Budget monitors with decent displays were hard to find until the Neewer F100 completely changed the game. Designed with a built-in speaker, a headphone port, and composite inputs, this monitor is quite impressive. It’s also capable of displaying images with an ultra HD 1280×800 resolution.

The F100 package comes with an AV/HDMI cable, a hot shoe ball head, a shoe mount, a sun hood, and other accessories that can help you enhance your shooting. The monitor draws power from a 12-volt AC adapter or L-series battery, enabling you to record anywhere. And the F100 has scan, zoom assist, and color peaking features that can help you make adjustments as you shoot.

Finding a budget field monitor is tough. But while many inexpensive models lack advanced functionality, the Andycine A6 Plus gives you lots of power at a lower price point.

Its 5.5-inch 1920×1080 display delivers clear images for different shooting applications. It also has a 1000:1 contrast ratio, making it a great monitor for brightness adjustments.

And this functional device has video-assist features that go beyond the basics. Other than the standard histogram, false color, and peaking tools, you also get 3D LUT support via an SD slot, which is more common on higher-priced field monitors.

Its viewing angle is decent at 170 degrees, while its contrast ratio is 1000:1. As a rule of thumb, the higher the contrast ratio, the better your monitor will be at producing a viewable display even when shooting outdoors. But hey, there’s nothing that a sun hood can’t fix!

It also offers a long list of monitoring tools, including focus peaking, a histogram, and a timecode display. Its biggest downside is its 500-nit brightness setting, which is decent but not outstanding.

The Atomos Ninja V gives you the best and the most accurate previews of your photos and video footage. Compact in size but packed with features that boost efficiency, this device is a strong option for professionals.

Its 5-inch HD display offers a wide array of functionality, including a playback and recording option. Other external monitors can’t directly record 10-bit 60p video, but the Ninja V steps up and shows the world that it’s possible. You can even record 4K 10-bit HD video straight from your camera via an HDMI 2.0 cord.

These features, along with focus peaking, multi-level exposure tools, and a 1000-nit brightness setting, make the Ninja V a great monitor for all occasions.

The Lilliput A11 is another superb field monitor. It benefits from an excellent-quality 1920×1200-resolution screen fitted into a 10.1-inch 8-bit LCD display. This includes 320-nit brightness and full lamination technology so you can see everything as clearly as possible.

We like the multi-angle mounting support complete with the ¼-inch multi-angled screw holes. Combine this with the VESA 75mm and gimbal brackets, and you have a versatile field monitor that you can position in a number of ways to complement your photography and videography. The basic package includes the monitor, an F970 plate, various mounts, an HDMI A/C and Micro HDMI cable, and a DC adapter.

Another budget-friendly monitor is the Desview R5, which puts high-end features just a touch away – literally! With the monitor’s touch-sensitive screen, you can make all the adjustments you want with just a single tap or pinch.

The R5 gets you access to high-tech monitoring features such as a waveform (for brightness), a vectorscope (for chrominance such as saturation and hue), and LUT support (for color manipulation). Likewise, this device enables you to adjust brightness and the color gamut via two modes: PQ and HLG. Together, these tools allow you to make essential adjustments while shooting.

The Shinobi field monitor won’t let you down when you’re shooting outdoors thanks to its 1000-nit brightness setting and 5-inch HDR display. You’ll be able to see crisp images even when you’re shooting in daylight. Nothing beats the Feelworld FW279 for outdoor shooting, but even so, the Shinobi’s brightness setting is still very respectable.

Additionally, the compact and lightweight build make this a great outdoor monitor. Aside from its great on-the-go features, this device makes our list because of its unique technology. It includes a remarkable screen processing system that extends battery life and endurance, along with a selfie Mirror mode that makes vlogging simpler and more enjoyable.

If you want touchscreen functionality, the Portkeys LH5P II is one of the best field monitors available. It has a large 5.5-inch touchscreen with a brightness of 2200 nits and a 1920×1080 resolution, and the glass is tempered for superior durability. The display is housed within a robust metal frame that should withstand the rigors of travel and on-site photoshoots.

The menus and interface have also been improved. Everything is easy to access, and you can also utilize a range of custom settings. The monitor has a built-in wireless control module that supports both BMPCC 4K & BMPCC 6K. And you can directly connect your camera using a control cable.

We like the various advanced features that allow you to improve the display quality and playback. Examples include check field, grids, audio meters, image flip, color temperature, peaking, zooming, direct camera control, and display flip. These allow you to get the most out of your camera and the field monitor.

Included in the set are the monitor, a short antenna, a LANC control cable, and a USB control cable. Additionally, you get a hard-wearing plastic carry case.

The perfect monitor should be tailored to your specific needs. Do you focus on still photography or do you specialize in capturing videos? By setting priorities, you can ignore the features that won’t add value to your workflow.

News flash: Not all camera monitors have recording capabilities. But before we compare the difference between non-recording and recording monitors, let’s first discuss the typical camera setting.

Field monitors with recording capabilities cannot alter the details your camera produces, but they help you produce better outputs by reducing lossy data compression, which results in media distortion. Also, a recording monitor provides video outputs in a wider range of formats that greatly match popular video-editing software. And it doesn’t stop there. When you’re out on a shoot, a recording monitor will give you features that non-recording monitors lack.

Most cameras offer a small preview on the rear LCD. But while this is useful, a field monitor will give you a larger view and better flexibility when setting up your compositions. And by identifying small issues in advance, you can make on-location tweaks that’ll prevent you from spending extra time editing.

As a general rule, wider monitors require more head movements, making it more convenient to use monitors in the range of 5-7 inches. Also, these monitors usually come with extra tools such as a waveform, peaking, a vectorscope, and false color. Larger monitors are best mounted on a separate device for added comfort and stability.

Weight is an important factor for many on-the-go videographers. While lightweight monitors help boost productivity and lessen fatigue, heavy monitors can do the complete opposite. More importantly, weight can affect stability and balance, especially when you’re shooting outdoors.

So if you’re comparing two brands that have equally useful features, check the weights. It may not seem like much, but a monitor that’s a few grams lighter can make a big difference.

By definition, video resolution refers to the density of pixels displayed on your device. Field monitors are commonly available in two types: High Definition (HD) and Standard Definition (SD).

SD videos usually start at 640×360, while most HD videos are at 1280×720 (720p) and above, with 1080p videos categorized as Full HD. While 4K resolution is emerging, Full HD is more than enough to help you get a clear view of your footage.

When you use a field monitor with a low resolution, it usually scales your footage to allow you to view your shots on the full screen. This introduces scaling artifacts, which can be problematic when you’re reviewing your shots on-site.

What you want is to view unscaled footage that lets you see the real quality of the images you produce. You can do this by looking for a monitor with 1:1 pixel mapping, which is a display technology that gives you an exact preview of your output.

Do you frequently shoot outdoors? There are camera monitors that give you better control over brightness, but generally, 1000 nits or so can give you the flexibility you need. You should also check on the field monitor’s contrast ratio, which affects brightness and color.

SDI, on the other hand, is the professional standard for processing signals. Depending on the quality, SDI cables can transfer digital data up to 390 ft (118.9 m) or, in some cases, 2,500 ft (762 m).

While your camera may already have the tools you need, a good camera monitor can mean a significant difference in your shooting and editing workflow. Below are some of the tools you may come across as you look for the right field monitor:

Audio channels are not a necessity, but it’s good if your monitor supports at least two audio channels. A handy tool for videography projects, an audio channel will help you efficiently track the sequence of your audio and video data.

Photography and videography are not just about finding the right angles. They also help you creatively tell stories. What better way to do that than with a monitor that can help you make major and minor tweaks while shooting? By investing in a field monitor that matches your needs and expertise, you can streamline your workflow and get amazing results.

If you"ve just started out in video, on-camera monitors may seem like a luxury. Experienced videographers will tell you otherwise. As well as enlarging the display to make recording easier, lots of on-camera monitors can also improve your camera"s video output. Whether you"re shooting on a cine camera, a mirrorless, or a DSLR, an external monitor is a necessity if you want to get serious about filmmaking.

You might think you don"t want to add weight to your setup or make it any bigger but an on-camera monitor is worth it. The extra big display means when you"re shooting you can see a more accurate, live representation of your footage. Should there be a speck of dust on your lens or sensor, you"ll be able to tell much easier on a 7-inch screen rather than a 3-inch screen.

Some of the more high-end on-camera monitors not only increase the size of your display but can improve your camera"s video functionality. For example, when shooting with a Panasonic Lumix S5(opens in new tab) and an Atomos Ninja V external recorder, you can shoot 12-bit RAW instead of 10-bit 4:2:2 with its internal recording option. On-camera monitors are also great additions if your camera lacks features such as a fully articulating screen such as the Blackmagic Pocket Cinema Camera 6K(opens in new tab).

Even if you have features turned on such as focus peaking, zebra lines, and false colors, an on-camera monitor lets you apply frame monitors which can reveal flickers that smaller monitors might not. They also enable you to proof content and show other people on set without having to cram around a small screen.

In this list, we run through the best external monitors and video recorders around so you can get the big-picture experience before you hit your editing suite and it’s too late to re-shoot.

Since the release of the Atomos Ninja V back in 2018, it has become pretty much the industry standard in monitor recorders. It"s a popular choice among both budding and professional videographers and filmmakers thanks to its beautifully calibrated 5-inch HDR display and its ability to support 4K 60p ProRes HQ, H.265, 4:2:2 ad DNxHR. The Ninja V will also support 6K Apple ProRes RAW and it"s the only monitor of this size to do so thanks to a deal between Apple and Atomos. Other features include pro-level monitor tools such as waveforms, false colors, HDR monitoring and LUT support.

If your camera doesn"t support 4K, the Ninja V might be a bit overkill as you won"t make the most out of the features you"re paying for. If you"re just after a monitor so that you can view your video easier, the Atomos Shinobi would be a better option and it will save you money. Alternatively, if you"re shooting some serious projects and need something even bigger, the Atomos Shogun(opens in new tab) which appears later in this list sports a massive 7-inch screen, perfect for using with the best cinema cameras.

With the built-in camera control for various Canon, Sony, Panasonic, Blackmagic, and even Z Cam cinema cameras, this is a great option for anyone wanting a monitor that will help a filmmaker get the shot and be a very helpful visual aid in the composition process.

For a reasonable price, you get a great package that is built to withstand the vigorous day-to-day life of a filmmaker while on set, in the studio, or for on-the-go shooting. Paired with a tough travel case for ease of transport between shoots, great monitor features, and the ability for onboard audio monitoring, the PortKeys LH5P II is a great 5.5” monitor for anyone looking to up their game in the cinematography world.

If you"re just looking for an external monitor and don"t need recording capabilities, the Atomos Shinobi delivers the display quality of the Atomos Ninja V but at a fraction of the price. It"s the perfect choice for vloggers who shoot with a camera with limited screen articulation such as the Sony A7 III(opens in new tab) or the Blackmagic Pocket Cinema Camera 4K(opens in new tab) which has a fixed display.

This is the big brother of the original Shinobi, offering a much larger 7inch display - and billed as the movie directors and focus directors, but also as a great presentation screen for vloggers wanting to see clearly what they are recording. Its bright 2200-nit screen is the key attraction here - but it also does much more than just monitoring your image. With HDR capability - it offers built-in Log conversion, so you can see what your raw footage is likely to look like when edited, and you can even load up your own LUTs via the built-in SD card slot.

FEELWORLD has just released an affordable 3G-SDI on-camera monitor, the FW568S. It features a 6-inch FullHD display, 3G-SDI and HDMI input and output, 450 nits of brightness, custom LUTs support, and an NP-F plate on the back to power wireless video transmitters. It retails for $239.99.

Although FEELWORLD has recently introduced a large 10.1” model, the LUT11S, the company is primarily known for producing 5 and 7” on-camera monitors that are light on your pockets. I personally own the LUT7S PRO as a backup monitor and, although the build quality isn’t great, it’s bright enough to be viewable even when shooting snow sports.

The device offers a set of common monitoring and framing tools, including waveform, vector scope, histogram, peaking, anamorphic de-squeeze, false color, and more. Also, users can now load up to 32 custom LUTs as .cube files, which are added to a series of built-in Log to Rec.709 presets compatible with some of the most popular camera models.

Like most FEELWORLD monitors, the FW568S comes with a plastic construction that keeps it lightweight (203g). In my experience, this isn’t very reliable, especially for run-and-gun shoots, and is something that the company should really improve.

Lastly, the screen features a new menu layout that should be easier to navigate. However, users can only operate the monitor using a scroll wheel button, as the display itself doesn’t seem to be touchscreen.

The new FEELWORLD FW568S is now available for pre-order from B&H. Its official retail price is $239.99. The existing HDMI-only FW568 V2 is also still available for purchase for $119.99.

What’s your favorite 5” or 7” on-camera monitor? What do you think of the new FEELWORLD FW568S? Let us know your thoughts in the comment section below!

Monitor manufacturer FEELWORLD has just released a new affordable 7-inch monitor, featuring a Sony NP-F style battery plate on the back to host and power a wireless video transmission system. Built on the legacy of the original F7 monitor, the FEELWORLD F7 PRO is now available for $239.

A few days ago, we covered the release of the PortKeys HS7T Metal Edition monitor, with its most exciting feature being a plate on the backside of the device to host a wireless video transmission system.

The new monitor has a 7-inch touchscreen IPS display with a maximum resolution of 1920×1200. The 16:10 aspect ratio provides some extra vertical space for monitoring tools.

The screen has a viewing angle of 180°, a contrast ratio of 1200:1, and a peak brightness of 500 nits. This level of brightness is a little disappointing since it’s way too low to make the monitor usable under bright sunlight. Moreover, it only represents a 50-nits increase over the original F7.

The FEELWORLD F7 PRO offers several input and output power options. The monitor can be powered using either a Sony NP-F battery or via a 12V DC power input. Moreover, a 5V USB-C port offers an extra power supply option, while an 8V DC output can provide power to your camera.

Just like the original F7, the PRO version is packed with the most common monitoring tools to precisely control your image. These tools can be displayed independently or in an all-scopes mode.

The FEELWORLD F7 PRO is now available for purchase on the FEELWORLD website, coming at an affordable price of $239. FEELWORLD is also offering a discount during the first week of the release, when using the promo code FEELWORLD F7 PRO at the time of purchase. Included in the box are a Micro-HDMI Cable, a Sunshade, and a Mini Hot-Shoe Mount.

FeelWorld T7 Camera Top Monitor features a native display resolution of 1920 x 1200. It can display signals without scaling, while it scales higher and lower resolution content to fit the screen. The IPS screen allows for off-axis viewing of 80° up/down/left/right, and features a brightness of 450 cd/m2 with a contrast ratio of 1200:1. The monitor incorporates an HDMI input and output. The T7 features useful functions into its small size including peaking, zoom, pixel mapping, anamorphic de-squeeze, frame lines, markers, and image flip. The monitor includes a Mini HDMI to HDMI cable, sunshade, shoe mount adapter, and L-series type battery plate.

Normally, equipment such as monitor, wireless transmission, photography light, etc., is needed to use in film and television crews. With so many equipment, it is troublesome to connect all kinds of cables. Feelworld F7 PRO 7 inch Director Monitor, with full HD LCD touch screen, supports HDMI signal up to 4K 60Hz, professional and rich auxiliary composition tools, etc.

The special feature of the F7 PRO is the F970 external install and power kit, it can install like wireless transmission, LED light and others equipped with a Sony F970 battery plate, and power for it. This design not only eliminates the trouble of arranging various cables but also combines the monitor and wireless video transmission, which is perfect for director monitoring, 1st AC to focus pulling in the film crew.

The Feelworld F7 PRO 7 inch Director Monitor provides a 7-inch screen and sharp image, ideal for focus pulling and image analysis on set and in the field. With native 1920×1200 high resolution and 16:10 display, 500cd/m2 brightness, 1200:1 contrast ratio, delivers excellent detail. The 160°wide viewing angle is convenient for monitoring from multiple angles.

The Feelworld F7 PRO 7 inch Director Monitor is an ideal camera-top monitor for DSLR and mirrorless camera shooters. Because the Feelworld F7 PRO 7 inch Director Monitor provides auxiliary power out (DC OUT 8V); allowing shooters to power their cameras.

Note: since different brands and models of cameras require different power for normal operation, the camera may not be able to take pictures or video normally. Therefore, when using batteries to power the monitor, in order to use the camera normally, it is recommended to use a large-capacity fully charged battery.

Photo: FEELWORLD FW568 V2 5.5 inch DSLR Camera Field Monitor with Waveform LUTs Video Peaking Focus Assist Small Full HD 1920x1152 IPS with 4K HDMI 8.4V DC Input Output Include Tilt Arm

To help you find the perfect camera monitor, we continuously put forth the effort to update and expand our list of recommendable camera monitors. Our team collects, edits and publishes new information, in order to present it to you in an accurate, significant and neatly arranged way.

If you"re looking into finding the best rated camera monitor, you should probable check out the FEELWORLD FW759 7 Inch DSLR Field Monitor. We looked at various sources of reviews and found this one to have the best mix between review count and average rating stars.

Often, going for the best price is a simple but good option. With a price of $49.99 (last checked this morning), we do not list any other camera monitors cheaper than the Kidsneed Baby Monitor. Just remember that it"s not always the best option to go for the cheapest one.

With at least 94 reviews and counting, the Sceptre 20" 1600x900 75Hz Ultra Thin LED Monitor might be another option to consider. This large amount of reviews signalizes that many people are using it, with most of them beeing satisfied.

It"s quite rare that the saying "You get what you pay for" turns out incorrect. If you have the money on the sideline, feel free to choose the most expensive item from our list: The FEELWORLD F5 Pro V2 5.5 Inch Touch Screen DSLR Field Monitor currently sells for $159.99.

If you trust us and our users, feel free to check out the FEELWORLD FW759 7 Inch DSLR Field Monitor. Our statistics say that it is the most favorite Camera Monitor from the list above.

If you"re still undecided, I would recommend that you go with the masses and choose the top selling camera monitor: The FEELWORLD FW759 7 Inch DSLR Field Monitor is the hottest bestseller in this category right now.

New: Our editorial list of additional articles. We decided to gather informartion all around the internet and present you a list of helpful, external links to interesting reads about reviews, pros & cons and similar products.

7 Best Baby Monitor Alternatives. Top Pick. Baby Monitor, Video Baby Monitor 3.5" Large LCD Scre Campark Video Baby Monitor with Camera Infant Optics Cocoon Cam Plus - Baby Monitor with Breathing Monito DBPOWER Video Baby Monitor, 2... ...

Looking for the best 5 inch monitor for your camera? Here are 4 options at different prices with great assist features! I"ve tested my fair share of camera monitors ...